本文選題：光影　切入點(diǎn)：具像油畫(huà)　出處：《湖南科技大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：具象油畫(huà)在油畫(huà)藝術(shù)的發(fā)展潮流中，一直追隨著“求真”的美學(xué)理念，不同的表現(xiàn)技法和不同的繪畫(huà)語(yǔ)言都圍繞著該理念而產(chǎn)生。光影作為油畫(huà)藝術(shù)創(chuàng)作中的重要因素，作為眾多繪畫(huà)語(yǔ)言產(chǎn)生的前提，對(duì)于追隨的“求真”美學(xué)理念，具象油畫(huà)創(chuàng)作首要解決的就是光影問(wèn)題。因?yàn)楣庥爱a(chǎn)生，客觀物象的明暗體積、色彩冷暖隨之產(chǎn)生，客觀和理性的把握光影呈現(xiàn)的形式和規(guī)律有利對(duì)客觀物象的客觀描繪，從而再現(xiàn)物象的形體結(jié)構(gòu)。然而，當(dāng)我們?cè)诰唧w的油畫(huà)藝術(shù)創(chuàng)作中，往往在刻畫(huà)物象時(shí)，無(wú)法準(zhǔn)確和客觀的把握和控制光影，對(duì)造型和色彩的關(guān)注一定程度上弱化了我們對(duì)于光影表現(xiàn)上的欲望，這便脫離了“求真”的美學(xué)理念。同時(shí)對(duì)客觀物象的描繪也不能完全到達(dá)自然的狀態(tài)，從而使畫(huà)面的藝術(shù)效果不佳。因此，針對(duì)這一問(wèn)題，本文從光影這一重要因素出發(fā)，分析光影與具象油畫(huà)繪畫(huà)語(yǔ)言的內(nèi)在關(guān)系，論述具象油畫(huà)光影在不同時(shí)期的不同表現(xiàn)形式，分析中國(guó)現(xiàn)當(dāng)代中國(guó)具象油畫(huà)轉(zhuǎn)型中的光影表現(xiàn)，，對(duì)成功把握光影的具象油畫(huà)創(chuàng)作者的具體光影運(yùn)用的方法進(jìn)行總結(jié)和歸納，找出其中的規(guī)律性和科學(xué)性。同時(shí)以光影本身的特性為出發(fā)點(diǎn)，論述光影的價(jià)值和意義。本篇避開(kāi)前人將光影與具象油畫(huà)分離，或者只談光影與油畫(huà)藝術(shù)而沒(méi)有落實(shí)在具象油畫(huà)這一層面上的眾多觀點(diǎn)，以理論為指導(dǎo)，結(jié)合實(shí)際，從一個(gè)更為本質(zhì)的內(nèi)在層面來(lái)評(píng)述光影在具象油畫(huà)創(chuàng)作中的重要性。通過(guò)對(duì)油畫(huà)光影的分析，揭示具象油畫(huà)中的光影表現(xiàn)和效果，使我們?cè)谶M(jìn)行具象油畫(huà)創(chuàng)作中更加的注重光影的作用，從而啟迪后人。
[Abstract]:The realistic oil painting in the development trend of oil painting, along with the aesthetic concept of truth ", different techniques and different painting languages around the concept of light. As an important factor in the creation of oil painting art, as the premise of numerous painting language, to follow the" truth-seeking "aesthetic concept oil painting is to solve the concrete problems. Because the light light, the object light volume, warm and cold colors produced, forms and rules of objective and rational grasp the favorable light depiction of the objective object image, thereby reproducing images of the body structure. However, when we are in the oil painting art creation. Tend to portray the images, not accurate and objective grasp and control of light, shape and color attention weakens our desire for light performance Look, this is from the "aesthetic concept of truth". At the same time the object description cannot completely reach the natural state, so that the picture of the artistic effect. Therefore, to solve this problem, this paper from the analysis of important factors of light, shadow relationship and figurative painting painting language, discusses the concrete painting light and shadow in different forms in different periods, Chinese analysis of contemporary figurative painting Chinese lighting performance in transition, to successfully grasp the specific methods of figurative painting by the creator of the light shadow were summarized, find out the law and science. At the same time with the characteristics of light itself as the starting point, value and significance this light. This light will avoid their predecessors and figurative paintings separated, or only talking about light and painting art and no implementation of many views in figurative painting at this level, Based on the theory and practice, from a more intrinsic essence to review light and shadow in the concrete importance of oil painting creation. Through the analysis of the oil painting light, revealing the figurative paintings in lighting performance and effect, so that we pay attention to light more figurative oil painting in the role, so as to inspire future generations.

【學(xué)位授予單位】：湖南科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J213

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本文編號(hào)：1598986