本文選題：繪畫　切入點：當(dāng)代　出處：《沈陽大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：繪畫是情感交流的一種特殊方式、是人與自然溝通的橋梁、是一個民族文化精神底蘊的積累與表現(xiàn)。在這五彩繽紛、嘈雜紛繁的世界里，人們在忙碌的同時也在尋覓著內(nèi)心的境。隨著閱歷的增加，時光的推移，越來越多的人把目光投向藝術(shù)。作為藝術(shù)創(chuàng)作者--我們更應(yīng)該重新審視一下如何發(fā)展我國的藝術(shù)之路，我認(rèn)為首先要追溯到油畫創(chuàng)作的本質(zhì)--強(qiáng)調(diào)油畫創(chuàng)作時的心境，同時我們更不應(yīng)該忽視創(chuàng)作時心境的不同對油畫創(chuàng)作質(zhì)量的影響。生活是一種藝術(shù)，藝術(shù)離不開生活，而藝術(shù)一直都與很多的方面都有著千絲萬縷的聯(lián)系。例如，藝術(shù)與現(xiàn)實的聯(lián)系，在藝術(shù)創(chuàng)作者的筆下藝術(shù)可以描繪出現(xiàn)實的美與丑；藝術(shù)與歷史的聯(lián)系，在大量歷史題材創(chuàng)作下歷史可以輕松重現(xiàn)在藝術(shù)創(chuàng)作者的筆下；藝術(shù)與社會的聯(lián)系，在當(dāng)今社會有很多藝術(shù)創(chuàng)作者用自己的創(chuàng)作來回答自己對社會的態(tài)度和認(rèn)識；藝術(shù)與自然的聯(lián)系，在藝術(shù)創(chuàng)作者的筆下可以輕松的把自然中我們常常難以看到的事物帶入我們的生活；藝術(shù)與宗教聯(lián)系，，在藝術(shù)創(chuàng)作者的筆下宗教藝術(shù)已經(jīng)成為西方的代表。不過，在藝術(shù)眾多的影響之中，最重要的一個方面就是讓人們了解藝術(shù)對人生的認(rèn)知作用。而其中一個方面就是對于勞累心態(tài)的作用。讓我們閉上眼想象一下，當(dāng)我們辛苦工作一天后，回到家中可以欣賞到讓自己心靈放松的藝術(shù)品是一件多么享受、解放身心的事。而藝術(shù)創(chuàng)作者在創(chuàng)作中同時也是在享受藝術(shù)。由于近些年藝術(shù)作品價值的不斷增加，接踵而來的便是各種各樣、形式奇特多變的藝術(shù)作品的誕生。在當(dāng)下，最值得人們關(guān)注的除了西方油畫大師的藝術(shù)作品外就屬當(dāng)代藝術(shù)了。當(dāng)代藝術(shù)的實質(zhì)是一種觀念性的、自由與創(chuàng)新的、具有批判性的藝術(shù)。由于受西方當(dāng)代藝術(shù)的影響比較多，在中國當(dāng)代藝術(shù)中我們不難發(fā)現(xiàn)有很大一部分藝術(shù)作品的形式來源不是在形式上就是在內(nèi)容上對美國等西方藝術(shù)進(jìn)行模仿或挪用，進(jìn)而缺失了中國自身的當(dāng)代藝術(shù)應(yīng)有的創(chuàng)新性與民族性。本文主要想通過我對當(dāng)代油畫創(chuàng)作中心境的理解來闡述，在油畫創(chuàng)作中我們要運用自己對生活的真實感悟和每個人不同的創(chuàng)作心境來找到我們對待當(dāng)代藝術(shù)應(yīng)有的創(chuàng)新性與民族性。
[Abstract]:Painting is a special way of emotional communication, a bridge between man and nature, and the accumulation and expression of a national cultural spirit. In this colorful and noisy world, While people are busy, they are also searching for their inner surroundings. With the increase of experience and the passage of time, more and more people turn their eyes to art. As art creators, we should re-examine how to develop the art of our country. I think first of all, we should trace back to the essence of oil painting creation-emphasizing the state of mind in oil painting creation. At the same time, we should not ignore the influence of different mood conditions on the quality of oil painting creation. Life is an art, and art cannot do without life. And art has always been inextricably linked to many aspects. For example, the relationship between art and reality, in the works of art creators, can depict the beauty and ugliness of reality, the connection between art and history, Under the creation of a large number of historical themes, history can be easily reproduced in the works of art creators, and the relationship between art and society, in today's society, there are many artistic creators who use their own creations to answer their own attitudes and understandings towards society. The connection between art and nature, in the works of art creators, can easily bring into our lives what we often cannot see in nature; the connection between art and religion, Religious art has become a representative of the West in the works of art creators. However, among the many influences of art, One of the most important things is to make people understand the cognitive role of art in life, and one of them is the role of tiredness. Let's close our eyes and imagine that when we work hard for a day, When you go home, you can see how much it is to enjoy the art that relaxes your heart and soul. And the art creators are also enjoying the art in their creations, because the value of the works of art has been increasing in recent years. Then came the birth of a variety of works of art with strange and varied forms. At present, the most noteworthy thing that people should pay attention to is contemporary art, in addition to the works of Western masters of oil painting. The essence of contemporary art is an idealistic one. Free and innovative, critical art. Because of the influence of western contemporary art, In Chinese contemporary art, it is not difficult to find that a large proportion of the works of art come from either formal or content imitation or misappropriation of Western art such as the United States. Then it lacks the innovation and nationality of China's own contemporary art. This article mainly wants to expound through my understanding of the mood in contemporary oil painting. In oil painting, we should use our true perception of life and everyone's different creative mood to find out the innovation and nationality we should have to deal with contemporary art.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

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