本文選題：人物畫(huà)　切入點(diǎn)：寫(xiě)意性　出處：《中央美術(shù)學(xué)院》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：《明人十二像冊(cè)》是明代人物畫(huà)中的杰出作品,現(xiàn)藏于南京博物院。文章研究分析了《明人十二像冊(cè)》中對(duì)于人物畫(huà)的造型手法。并整理了中國(guó)人物畫(huà)的歷史發(fā)展背景,簡(jiǎn)要闡述了畫(huà)冊(cè)中的人物身份背景。簡(jiǎn)述了明代幾種人物畫(huà)繪制技法,如傳統(tǒng)畫(huà)法,江南畫(huà)法,沒(méi)骨法。探討了西洋繪畫(huà)對(duì)明代人物畫(huà)的影響及當(dāng)時(shí)的人物形象采集辦法。主要從寫(xiě)意性和平面性?xún)煞矫鎭?lái)分析《明人十二像冊(cè)》和明代人物畫(huà),試圖從中找到人物畫(huà)發(fā)展的營(yíng)養(yǎng)和一般規(guī)律。
[Abstract]:"Ming Man 12 Image album" is an outstanding work of the Ming Dynasty figure painting, which is now hidden in Nanjing Museum. This paper studies and analyzes the modeling techniques of figure painting in "Ming Man 12 Image album", and arranges the historical development background of Chinese figure painting. This paper briefly expounds the background of the identity of characters in the album of paintings, and briefly describes several drawing techniques of figure painting in the Ming Dynasty, such as the traditional painting method, the Jiangnan painting method, This paper discusses the influence of Western painting on the figure painting of the Ming Dynasty and the method of collecting the figures at that time. It mainly analyzes the "Ming Man 12 Image album" and the figure painting of the Ming Dynasty from the two aspects of freehand brushwork and planarity. Trying to find the nutrition and general law of figure painting development.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李旭東;;明人十二肖像冊(cè)與徐光啟夫婦像創(chuàng)作年代考[J];長(zhǎng)江大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2013年12期

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本文編號(hào)：1594060