本文選題：金高　切入點(diǎn)：繪畫創(chuàng)作　出處：《內(nèi)蒙古大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：金高先生是內(nèi)蒙古老一輩畫家中的杰出代表,也是新中國(guó)畫壇一位著名的女畫家。金高的藝術(shù)生涯從上世紀(jì)50年代開始至新世紀(jì)初,歷經(jīng)祖國(guó)的滄桑與興榮。金高先生不斷探索,勤奮創(chuàng)作,為中國(guó)民族美術(shù)的發(fā)展奉獻(xiàn)了一生。她留下的許多優(yōu)秀的美術(shù)作品,不僅是內(nèi)蒙古也是中國(guó)民族美術(shù)寶庫中的杰作,值得我們珍視。 五十年代初,金高作為第一批首都高校美術(shù)專業(yè)的畢業(yè)生,支邊來到內(nèi)蒙古。此后三十余年中,她始終堅(jiān)持深入生活,堅(jiān)持現(xiàn)實(shí)主義的創(chuàng)作道路。她始終本著真誠(chéng)做人,踏實(shí)畫畫,抒發(fā)真情實(shí)感的藝術(shù)信念,從50年代起,她的作品不斷參加全國(guó)、內(nèi)蒙古及海外的一些美展,廣受好評(píng),并屢次獲獎(jiǎng)。八十年代初赴美后,她雖已年近半百,但卻獲得了新的藝術(shù)生命,作品不斷出新,不斷進(jìn)步,成就斐然。 本文對(duì)金高的繪畫創(chuàng)作進(jìn)行了較為全面的回顧、總結(jié)與梳理,并盡可能從學(xué)理的層面進(jìn)行了研究和評(píng)價(jià),從而填補(bǔ)了內(nèi)蒙古美術(shù)研究的一個(gè)空白,并為當(dāng)下的內(nèi)蒙古美術(shù)創(chuàng)作提供一些參考和啟示。本文除引言和結(jié)論外,分為四個(gè)部分：第一部分將金高的繪畫創(chuàng)作分為三個(gè)階段,并分別進(jìn)行了回顧與總結(jié)；第二部分對(duì)金高的繪畫創(chuàng)作進(jìn)行了分類研究,筆者按題材將金高的繪畫創(chuàng)作分為五種類型,并分別進(jìn)行了研究；第三部分是金高的人格魅力和藝術(shù)精神；第四部分對(duì)金高繪畫創(chuàng)作給當(dāng)下內(nèi)蒙古美術(shù)創(chuàng)作的啟示意義進(jìn)行了論述。最后為結(jié)論。
[Abstract]:Mr. Jin Gao was an outstanding representative of the older generation of painters in Inner Mongolia and a famous female painter in New China. Jin Gao's artistic career began in -50s and began at the beginning of the new century. Through the vicissitudes of life and the prosperity of the motherland, Mr. Jin Gao continued to explore and create diligently, and devoted his life to the development of Chinese national fine arts. Her many outstanding works of fine art were not only masterpieces in Inner Mongolia but also in the treasure-house of Chinese national fine arts. It is worthy of our treasure. In 50s, Jingao, as the first group of graduates majoring in fine arts in colleges and universities in the capital, came to Inner Mongolia. Since then, for more than 30 years, she has always insisted on the deep life and the road of realism. Since 50s, her works have continuously participated in some national, Inner Mongolia and overseas art exhibitions, and won many awards. After she went to the United States at the beginning of 80s, she was already nearly half a hundred years old. But it has gained new artistic life, the works are constantly new, progress and achievements. This paper makes a comprehensive review of Jin Gao's painting creation, summarizes and combs it, and studies and evaluates it as far as possible from the theoretical level, thus filling a blank in the art research of Inner Mongolia. In addition to the introduction and conclusion, this paper is divided into four parts: the first part will be divided into three stages of painting, and respectively reviewed and summarized; The second part has carried on the classification research to the Jin Gao's painting creation, the author divides the Jin Gao's painting creation into five types according to the subject matter, and has carried on the research separately, the third part is the Jin Gao's personality charm and the artistic spirit; Part 4th discusses the enlightening significance of Jin Gao's painting creation to present Inner Mongolia fine arts creation.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J203

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本文編號(hào)：1592310