本文選題：周思聰　切入點：水墨人物畫　出處：《河南師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在上世紀中國畫界中出現(xiàn)了很多優(yōu)秀藝術(shù)家，這其中有一位杰出的女性藝術(shù)家，，她的作品通常以女性獨特的視角展現(xiàn)出自己深厚的人為情懷，從不同的角度以最樸素、最真誠的方式表達她的心聲，表現(xiàn)繪畫竭力追求切實和平凡，她就是周思聰。她在作品中所展現(xiàn)出來對繪畫的熱情和執(zhí)著，以及對藝術(shù)探索創(chuàng)新的精神是我們當代藝術(shù)家值得學(xué)習(xí)和借鑒的。在當代中國水墨畫的進程中，中國水墨畫現(xiàn)仍處在不斷的轉(zhuǎn)變中。隨著社會的發(fā)展怎樣處理傳統(tǒng)繪畫和當代繪畫的關(guān)系，怎樣讓傳統(tǒng)繪畫更好的發(fā)展與創(chuàng)新，這是我們需要更多思考的問題，也是今后水墨畫如何確認正確發(fā)展方向的最主要問題。我們從對周思聰作品的研究和解讀，也許會得到一定的啟迪和經(jīng)驗。 中國著名藝術(shù)家蔣兆和、徐悲鴻都是寫實主義畫家，周思聰?shù)那捌诶L畫作品繼承了他們的傳統(tǒng)的寫實主義畫風(fēng)，不過在后期熟練運用傳統(tǒng)語言的同時又很好的結(jié)合現(xiàn)代繪畫特點開辟出了新的建樹。把西方藝術(shù)文化與中國傳統(tǒng)文化藝術(shù)相融合，后期作品多用現(xiàn)代繪畫語言描繪當下真實的人民生活與社會現(xiàn)象。本文擬通過對周思聰?shù)膭?chuàng)作作品的解讀，及對她本人的藝術(shù)歷程的分析，來揭示當代水墨人物畫在轉(zhuǎn)型融合以及在整個發(fā)展過程中所顯現(xiàn)出來的特點及問題。 如今，學(xué)術(shù)界還未將周思聰置身在水墨人物畫的過渡與轉(zhuǎn)變的發(fā)展歷程中進行研究，對她的價值評估也只是停留在概括匯總上。本文的研究首先立足于目前學(xué)術(shù)界研究的現(xiàn)狀，同時將對周思聰一生的藝術(shù)探索過程作深入細致的分析，最終從周思聰身上折射出當代水墨人物畫發(fā)展演變。在研究中本文將結(jié)合時代背景與文化語境下，以及根據(jù)當代中國水墨人物畫的發(fā)展形勢，對周思聰?shù)膭?chuàng)作特點及繪畫語言進行更深層次的分析解讀與學(xué)習(xí)。
[Abstract]:In 0th century, there were many outstanding artists in the field of Chinese painting. Among them was an outstanding female artist, whose works usually showed her profound feelings of human feelings from different angles and the most simple from different angles. The most sincere way to express her feelings and to show that painting is to pursue practical and ordinary, she is Zhou Sicong. Her works show her passion and dedication to painting, And the spirit of artistic exploration and innovation is worthy of our contemporary artists to learn and draw lessons from. In the process of contemporary Chinese ink painting, With the development of society, how to deal with the relationship between traditional painting and contemporary painting, how to make traditional painting better development and innovation, which is the question that we need to think more. It is also the most important problem of how to confirm the correct direction of development of ink painting in the future. We may get some enlightenment and experience from the study and interpretation of Zhou Sicong's works. The famous Chinese artists Jiang Zhaohe and Xu Beihong are all realism painters. The early paintings of Zhou Sicong have inherited their traditional realism style of painting. However, at the same time of skillful use of traditional language in the later period, it has opened up new achievements in combination with the characteristics of modern painting. The combination of western art culture and Chinese traditional culture and art, The later works often use modern painting language to describe the real people's life and social phenomenon. To reveal the contemporary ink figure painting in the transformation and integration of the entire development of the characteristics and problems. At present, the academic circles have not placed Zhou Sicong in the development process of the transition and transformation of ink figure painting. The research of this paper is based on the current situation of academic research, and will make a thorough and meticulous analysis of Zhou Sicong's artistic exploration process in his life. Finally, it reflects the development and evolution of contemporary ink figure painting from Zhou Sicong. In the study, this paper will combine the background of the times with the cultural context, and according to the development situation of contemporary Chinese ink figure painting, To Zhou Sicong's creation characteristic and the painting language carries on the deeper level analysis and the study.
【學(xué)位授予單位】：河南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前3條

1 郎紹君;;心欲靜,憂未歇——讀周思聰?shù)漠媅J];國畫家;1995年01期

2 李娜;;淺論社會轉(zhuǎn)型下的周思聰人物畫[J];科教文匯(下旬刊);2008年08期

3 郎紹君;周思聰?shù)睦L畫歷程[J];美術(shù)研究;1996年03期

本文編號：1590012