本文選題：民俗風(fēng)情　切入點(diǎn)：油畫創(chuàng)作　出處：《陜西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：進(jìn)入21世紀(jì),伴隨著經(jīng)濟(jì)日益繁榮,科技日新月異,藝術(shù)領(lǐng)域也發(fā)生著翻天覆地的變化。油畫作為“舶來的藝術(shù)”,在中國這片大地上游歷了近一個(gè)多世紀(jì)后,集中出現(xiàn)了一批以表現(xiàn)中國民間風(fēng)俗文化為繪畫題材的油畫作品,我國的藝術(shù)家們運(yùn)用以西方造型體系為主的油畫創(chuàng)作的方法,結(jié)合中國傳統(tǒng)民俗文化藝術(shù)的美學(xué)理念,開創(chuàng)了一條有中國特色的創(chuàng)作之路。這無形中將中國民間風(fēng)俗文化的精髓發(fā)揚(yáng)光大,從而在一定程度上增強(qiáng)民族自信心、民族自尊心以及民族凝聚力,也為當(dāng)代流行趨勢下被時(shí)尚思潮所充斥的青少年打造了一個(gè)良好的了解和認(rèn)識(shí)的平臺(tái)。面對(duì)在全球化背景下,中國傳統(tǒng)民間風(fēng)俗文化的保護(hù)和傳承受到強(qiáng)烈沖擊,因此對(duì)其的保護(hù)和傳承有著極為重大而深遠(yuǎn)的意義。本篇論文對(duì)“初探中國當(dāng)代油畫創(chuàng)作中的民俗風(fēng)情表現(xiàn)”這一藝術(shù)形式的初步探索進(jìn)行了闡述,簡要分析其產(chǎn)生以及發(fā)展的過程,并對(duì)有代表性作品進(jìn)行針對(duì)性的解讀,發(fā)現(xiàn)傳統(tǒng)民俗風(fēng)情是中國當(dāng)代油畫創(chuàng)作中一種不可忽視的藝術(shù)題材,同時(shí)也是對(duì)傳統(tǒng)民俗文化的傳承建立了一個(gè)保護(hù)屏障。 本篇論文共分為六個(gè)部分： 第一部分,緒論。主要闡述了本課題研究的范圍,就是立足于對(duì)中國傳統(tǒng)民俗風(fēng)情表現(xiàn)在中國當(dāng)代油畫創(chuàng)作中傳承關(guān)系的分析,指出本課題具有較高的研究價(jià)值并蘊(yùn)藏著深厚的文化意義。 第二部分,關(guān)于我國油畫創(chuàng)作現(xiàn)存問題的簡述。對(duì)這個(gè)“舶來藝術(shù)”在本土游歷了一個(gè)多世紀(jì)的發(fā)展軌跡進(jìn)行簡單梳理,扼要分析了這些現(xiàn)象的出現(xiàn)和當(dāng)前存在的一些具體特征以及潛在的問題。 第三部分,闡述民俗風(fēng)情在中國當(dāng)代油畫創(chuàng)作中得以傳承是必然的。正是因?yàn)樗麄冎g存在某種親密的關(guān)系。 第四部分,通過民俗風(fēng)情繪畫的造型和色彩兩方面對(duì)藝術(shù)家作品的分析、比較,進(jìn)一步闡述兩者之間的關(guān)系,不難發(fā)現(xiàn)民俗文化在油畫創(chuàng)作中的滲透和融合。 第五部分,論述民俗風(fēng)情表現(xiàn)對(duì)中國當(dāng)代油畫創(chuàng)作的影響及啟示,尤其是對(duì)創(chuàng)作主體的影響是最突出的,也使得民俗文化得到一定程度上的傳承,油畫創(chuàng)作得到一定程度上的拓展的雙豐收良好局面。 最后是對(duì)中國當(dāng)代油畫創(chuàng)作中的民俗風(fēng)情深入探討,指出其深遠(yuǎn)意義以及未來展望,同時(shí)也指明這一民俗文化之火炬代代相傳,這條具有中國特色的油畫之路能越走越寬,越走越遠(yuǎn)。
[Abstract]:In 21th century, with the increasing prosperity of economy and the rapid development of science and technology, the field of art has also undergone earth-shaking changes. As an "imported art", oil painting has traveled on the land of China for more than a century. A number of oil paintings with the theme of expressing Chinese folk customs and culture have appeared. The artists in our country have used the methods of oil painting mainly in the western modeling system, combined with the aesthetic concept of Chinese traditional folk culture and art. It has created a road of creation with Chinese characteristics. This has imperceptibly carried forward the essence of Chinese folk customs and culture, thereby enhancing to a certain extent national self-confidence, national pride and national cohesion. It has also created a good understanding and understanding platform for young people who are full of fashion trends in the contemporary trend of pop. In the face of globalization, the protection and inheritance of Chinese traditional folk customs and cultures have been strongly impacted. Therefore, it is of great significance to protect and inherit it. This paper expounds the preliminary exploration of the art form of "the expression of folklore and amorous feelings in Chinese contemporary oil painting creation". By analyzing the process of its emergence and development, and analyzing the representative works, it is found that the traditional folk customs and customs are a kind of artistic theme which can not be ignored in the contemporary Chinese oil painting creation. At the same time, it also establishes a protective barrier to the heritage of traditional folk culture. This thesis is divided into six parts:. The first part, introduction, mainly expounds the scope of this research, which is based on the analysis of the inheritance relationship between Chinese traditional folk customs and customs in contemporary Chinese oil painting. It is pointed out that this subject has high research value and profound cultural significance. The second part, about our country oil painting creation extant question brief description. To this "imported art" has traveled in the native land for more than a century development track carries on the simple comb, The emergence of these phenomena and some specific features and potential problems are briefly analyzed. In the third part, it is inevitable to expound the folklore customs in Chinese contemporary oil painting creation, just because there is some close relationship between them. The 4th part, through the folk custom painting modelling and the color two aspects to the artist's work analysis, the comparison, further elaboration between the two relations, it is not difficult to find the folk custom culture in the oil painting creation infiltration and the fusion. Part 5th discusses the influence and enlightenment of folk customs on Chinese contemporary oil painting creation, especially on the main body of creation, which also makes folk culture pass on to a certain extent. Oil painting creation to a certain extent to expand the double harvest good situation. Finally, it discusses deeply the folk customs in the contemporary Chinese oil painting, points out its far-reaching significance and future prospects, and also points out that the torch of this folk culture has been handed down from generation to generation, and that the road of this oil painting with Chinese characteristics can be wider and wider. Go farther and farther.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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