發(fā)布時(shí)間：2018-03-08 03:22

  本文選題：抽象繪畫　切入點(diǎn)：抽象審美　出處：《廣州大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：抽象藝術(shù)是一種非具象、超理性、純粹的視覺藝術(shù)形式。抽象繪畫作為藝術(shù)本質(zhì)的形而上的實(shí)在，將藝術(shù)創(chuàng)作建立在內(nèi)在需要和形式表達(dá)和諧統(tǒng)一的基礎(chǔ)上，把對(duì)客觀世界的認(rèn)識(shí)和感知的情緒，，用一種完全脫離寫實(shí)的、獨(dú)具感染力的繪畫語(yǔ)言，物化于畫面之上，引起觀者視覺的新奇和刺激，思維的好奇和想象，審美的挑戰(zhàn)和愉悅，心靈的激動(dòng)和慰藉。 在抽象視覺藝術(shù)里，最先引起觀者注意的是作品的形和色。形和色作為抽象藝術(shù)的最基本的語(yǔ)言，對(duì)其深入地理解和掌握，既有助于我們進(jìn)行藝術(shù)創(chuàng)作和藝術(shù)審美，還有助于我們重新認(rèn)識(shí)世界和感悟生活。雖然抽象繪畫創(chuàng)作是一種主觀意識(shí)的活動(dòng)，但是繪畫創(chuàng)作的本質(zhì)是對(duì)藝術(shù)美的追求，這就要求形和色的表現(xiàn)，必須在美學(xué)的范疇中進(jìn)行，將形和色的配合，做到和諧統(tǒng)一，與情感達(dá)到高度契合。 此次研究，在進(jìn)行抽象藝術(shù)相關(guān)理論整理和學(xué)習(xí)的同時(shí)，進(jìn)行抽象系列油畫創(chuàng)作實(shí)踐，用形和色的繪畫語(yǔ)言表現(xiàn)來傳達(dá)創(chuàng)作情感，然后結(jié)合完成的系列作品闡述自己對(duì)抽象繪畫中形和色的理解，最后做出兩點(diǎn)現(xiàn)實(shí)性的思考，完成本次論文的寫作。希望通過理論總結(jié)和創(chuàng)作實(shí)踐，為抽象藝術(shù)的研究完善理論儲(chǔ)備和創(chuàng)作實(shí)例。
[Abstract]:Abstract art is a kind of non-figurative, super-rational, pure visual art form. Abstract painting, as the metaphysical reality of the artistic essence, establishes artistic creation on the basis of harmony and unity of internal need and formal expression. The emotion of cognition and perception of the objective world is materialized on the screen with a painting language completely divorced from realism and unique appeal, which causes the visual novelty and stimulation of the viewer, the curiosity and imagination of the thinking, the challenge and pleasure of the aesthetic. The excitement and comfort of the soul. In abstract visual art, the first thing that attracts the viewer's attention is the form and color of the work. As the most basic language of abstract art, understanding and mastering it in depth will help us to create art and appreciate the beauty of art. Although abstract painting is an activity of subjective consciousness, the essence of painting creation is the pursuit of artistic beauty, which requires the expression of form and color. Must carry on in the esthetics category, will form and the color cooperation, achieves the harmonious unity, and the emotion achieves the high agreement. This study, while sorting out and studying the relevant theories of abstract art, carries out the practice of oil painting creation of abstract series, which conveys the creative emotion with the expression of the form and color of the painting language. Then combined with the finished series of works to explain their understanding of the shape and color in abstract painting, and finally to make two realistic thinking, to complete the writing of this paper. I hope through the theory summary and creative practice, Perfect theoretical reserve and creation examples for the study of abstract art.
【學(xué)位授予單位】：廣州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 陶金鴻;抽象繪畫:形與色的構(gòu)成[J];江蘇教育學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2004年05期

2 劉芳芹;;談抽象的美術(shù)及其藝術(shù)特征[J];科技信息;2009年16期

3 曾超;;抽象藝術(shù)中的形與色[J];美術(shù)觀察;2009年01期

本文編號(hào)：1582192