本文選題：合筆畫　切入點：風格　出處：《山東建筑大學》2017年碩士論文　論文類型：學位論文

【摘要】：在繪畫中,以合筆的方式合作完成的集體創(chuàng)作屢見不鮮。我們所熟知的人民大會堂的著名巨幅國畫《江山如此多嬌》,由傅抱石、關山月合筆而成;齊白石、陳半丁、何香凝等14位當代書畫名家合作的《和平頌》為世界的和平做出了貢獻;像徐悲鴻、黎雄才、關山月、范曾等多位名家都與其他人有過合作,其合筆而成的作品不僅被傳為佳話,而且在藝術(shù)品市場上也不斷刷新紀錄。政治、經(jīng)濟、友誼、畫家趣味等多方面因素促使近現(xiàn)代合筆創(chuàng)作大幅度增加,合筆畫作為一種特殊的創(chuàng)作形式和藝術(shù)行為,實際上是一個普遍性問題的集中反映,即藝術(shù)中的合作行為。即便是藝術(shù)欣賞的過程,也是一個欣賞與創(chuàng)作者合作的過程,在歷史具體情境中,視覺藝術(shù)往往包含可以文化行為和視覺語言方面的合作與博弈。只不過本文提到的合筆畫,是這種合作和博弈特征和規(guī)律在創(chuàng)作者方面的濃縮體現(xiàn),不同創(chuàng)作者在合筆畫中通常已經(jīng)預含了欣賞、評判的角度。本文主要分為如下幾個部分:緒論簡要介紹與本課題相關的研究現(xiàn)狀、本文的選題目的和研究方法。第1章從縱向時間角度梳理了合筆畫現(xiàn)象的發(fā)展,并提煉總結(jié)出其大致的發(fā)展規(guī)律。合筆畫在合作方式和發(fā)展演變上形成了一條主要的線索趨勢,從隋唐五代時期工藝技術(shù)上的合作交流,到宋元文人畫家們意識趣味上的標榜,逐漸演變成明清以及近現(xiàn)代多元化的社會整合。第2章內(nèi)容在第一章梳理合筆畫現(xiàn)象發(fā)展的基礎上,從時間、空間特征和材料技術(shù)兩方面對其進行分類討論,從中找出更多畫面之外的有趣現(xiàn)象和元素,從而為文章的第三章和第四章做鋪墊。第3章從藝術(shù)社會學角度,從藝術(shù)的社會文化行為側(cè)面來談藝術(shù)創(chuàng)作與社會文化之間的合作與博弈關系。從這個角度看,藝術(shù)具有社會文化合作與博弈的屬性,合筆畫的背后有標榜、勸募等社會文化行為和經(jīng)濟目的。藝術(shù)創(chuàng)作不僅僅是藝術(shù)家和創(chuàng)作對象,在合筆畫的創(chuàng)作中,創(chuàng)作者們的個人意識與集體意識的沖突與融合,在不同背景下的合作與博弈,都暗含著藝術(shù)創(chuàng)作與社會文化生活之間的博弈關系。第4章從藝術(shù)風格學與符號學角度來探討合筆畫現(xiàn)象中個人符號與畫面風格的整合關系。當然具體到合筆畫如清代宮廷合筆畫,對文人畫的某種風格、筆法的強調(diào),其背后往往潛藏著一定的文化態(tài)度的表達,可視為把繪畫語言和符號轉(zhuǎn)換為社會行為,二者也不是互相獨立的。這要求本文對圖像學和風格學進行交錯運用,并注意中國繪畫藝術(shù)中對于題材和手法的復雜“轉(zhuǎn)借”現(xiàn)象。本文的研究把合筆畫現(xiàn)象放到社會文化與生活的時代背景與環(huán)境中去,力圖做出更加具體和整體的分析。本文強調(diào)了合筆畫現(xiàn)象在藝術(shù)風格與藝術(shù)行為方面在不同時期與社會文化生活的整合關系。其從一個看似特殊的現(xiàn)象層面,實際上反映了具有普遍意義的藝術(shù)觀念和藝術(shù)與生活等重大問題及其規(guī)律。它們之間的這種關系推動了合筆畫現(xiàn)象的發(fā)展與形式上的改進,同時也是藝術(shù)與文化發(fā)展過程中的一個互動的生動例子。
[Abstract]:In the painting creation, to complete the collective cooperation way. It is often seen. pen the Great Hall of the people known as the famous giant painting "land so rich", by Fu Baoshi, GuanShanYue integrated pen made; Qi Baishi, Chen Banding, He Ningxiang and other 14 cooperation of contemporary painting and calligraphy "Ode to peace" and make a contribution to the world peace; like Xu Beihong, Li Xiongcai, GuanShanYue, fan and other masters and others have worked the pen into the works is not only become a favourite tale in the art market, but also constantly refresh the record. The political, economic, friendship, many factors to modern painters interest and pen creation greatly he added, strokes as a special form of creation and the artistic behavior, actually reflect a common problem, namely in the art of cooperation behavior. Even the process of art appreciation, is also an appreciation and The creators of cooperation, in the historical context, the visual arts can often contain cooperation and game behavior and cultural visual language. Only the combination of strokes, is the concentration of this kind of cooperation and game characteristics and rules in the aspects of the creator embodied in different creators, usually containing the pre stroke appreciation, evaluation the point of view. This paper is mainly divided into several parts as follows: introduction of the related research are briefly introduced, the purpose of this paper and research methods. The first chapter introduces the development and the phenomenon of strokes from the longitudinal perspective, and summarizes the general law of development. He strokes formed a major clue trend in the way of cooperation and development, the technology of Sui Tang and Five Dynasties on the cooperation and exchange, to flaunt the song literati painters consciousness of taste, and gradually evolved into the Ming and Qing Dynasties The modern and diversified social integration. From the time the basis of the development of the second chapters in the first chapter and stroke phenomenon, and two aspects of spatial characteristics and material technology of classifying it, find out more footage from outside the interesting phenomenon and elements, so as to lay a foundation for the third chapter and the fourth chapter third. Chapter from the perspective of art and society, to discuss cooperation and game relationship between art and social culture from the social cultural behavior side of art. From this perspective, the art attribute has social and cultural cooperation and game, and the strokes behind the way advertised, and other social and cultural behavior and economic purpose. Art is not only an artist and the creation of objects, in a stroke of creation, conflict and integration of individual and collective consciousness of the creator, cooperation and game in different backgrounds, are implicit in artistic creation and The game relation between the social and cultural life. The fourth chapter studies the integration relationship between angle and semiotics to explore personal symbols and picture style and strokes in the art style. Of course, specific to the Qing court and strokes such as strokes, a style of literati painting, calligraphy that are hidden behind the expression of a certain culture attitude, can be regarded as the conversion of the painting language and symbols for social behavior, the two are not independent of each other. This requires the use of alternatively image and style, and pay attention to the art of painting in the China theme and technique of the complex "lent" phenomenon. This study the background and environment of stroke phenomenon in the social life and culture to make more specific and comprehensive analysis. This paper emphasizes the importance of the strokes phenomenon in artistic style and artistic behavior in different periods of time and society Integration of cultural life. From a seemingly special phenomena, in fact reflects the major issues of art idea and art and life and the law of universal significance. The relationship between them to promote the improvement and development form the phenomenon of strokes, vivid example of an interactive and art and in the process of cultural development.

【學位授予單位】：山東建筑大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J212

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