本文選題：滑縣木版年畫　切入點(diǎn)：現(xiàn)代設(shè)計(jì)　出處：《云南師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在我國(guó)豐富多彩的民間美術(shù)中，木版年畫由于題材廣泛，造型手法多樣，多姿多彩的地域風(fēng)格，是其他民間美術(shù)無(wú)法與其相比的；年畫不僅具有深厚的人文內(nèi)涵，還承載著諸多歷史信息，體現(xiàn)不同時(shí)期的民族心理，經(jīng)過(guò)幾千年的發(fā)展，年畫給給我們留下了一筆巨大的財(cái)富。 在神州各地已經(jīng)發(fā)現(xiàn)的年畫產(chǎn)地中，河南滑縣木版年畫是一新的年畫品種，由于沒有任何文字資料記載，河南滑縣木版年畫的起源時(shí)間至今難以做出科學(xué)而準(zhǔn)確的判斷。根據(jù)滑縣李方屯村木版年畫傳人說(shuō)，滑縣木版年畫起源于明朝洪武年間，作品遠(yuǎn)銷北方各地，遠(yuǎn)至西北、東北，成為當(dāng)時(shí)北方重要的年畫產(chǎn)地，它的題材、體裁、風(fēng)格、技術(shù)和相關(guān)民俗上都有自己獨(dú)立的特征。它是中州地上一種失落的文明，一個(gè)被遺忘的歷史輝煌。 本文旨在以民俗化為本，搜集和整理滑縣木版年畫相關(guān)的圖像和文字資料，從民俗學(xué)、美學(xué)、設(shè)計(jì)學(xué)的角度出發(fā)，滑縣木版年畫的設(shè)計(jì)元素作為本文主要探討對(duì)象，對(duì)滑縣年畫中的元素逐一進(jìn)行介紹、分析，力圖在傳統(tǒng)藝術(shù)與現(xiàn)代設(shè)計(jì)結(jié)合研究上做出有益的探索。 本文第一章對(duì)滑縣木版年畫的歷史起源及其發(fā)展、創(chuàng)作題材、藝術(shù)價(jià)值進(jìn)行了闡述；第二章是對(duì)河南滑縣木版年畫的藝術(shù)特征和民俗特征進(jìn)行了分析；第三章對(duì)滑縣木版年畫的造型要素進(jìn)行闡釋和運(yùn)用；第四章河南滑縣木版年畫在現(xiàn)代設(shè)計(jì)中的應(yīng)用探索應(yīng)用原則，分析其構(gòu)成要素在現(xiàn)代設(shè)計(jì)中的運(yùn)用原則，從室內(nèi)設(shè)計(jì)、包裝設(shè)計(jì)、服飾設(shè)計(jì)、招貼設(shè)計(jì)、動(dòng)畫設(shè)計(jì)等方面做詳盡的應(yīng)用分析，，第五章概述了河南滑縣年畫在現(xiàn)代設(shè)計(jì)中的應(yīng)用價(jià)值及意義。
[Abstract]:In our country the rich and colorful folk art, because the wood New Year paintings a wide range of themes, style diversity, colorful style, other folk art can not be compared with the New Year paintings; not only has the deep cultural connotation, but also carries a lot of historical information, to reflect the different periods of national psychology, after several years of development, to New Year paintings left us a great wealth.
Have been found in China around the origin in Henan Huaxian New Year paintings, woodcut New Year paintings is a new New Year paintings varieties, with no written records, the Henan Huaxian block time of origin has not New Year paintings make a scientific and accurate judgment. According to the Huaxian Li Fang Tun Village of wood paintings successor, Huaxian woodcut New Year paintings originated in the Ming Dynasty Hongwu years that works are exported to all over the north, far to the northwest, northeast, North became the important origin of its theme, New Year paintings, genre, style, technology and related folk have characteristics of their own. It is in Zhongzhou on a lost civilization, a forgotten history glorious.
This paper aims to folk custom is the collection and arrangement of Huaxian woodcut New Year paintings related images and text, from folklore, aesthetics, design theory, design elements of Huaxian wood as the main study object New Year paintings of Huaxian, New Year paintings the elements introduced, analysis, tries to combine traditional art and modern design to make a useful exploration research.
In the first chapter of the history of Huaxian woodcut New Year paintings origin and development, subject matter, expounds the value of art; the second chapter is the artistic features and folk features of Henan Huaxian woodcut New Year paintings were analyzed; the third chapter modeling elements of Huaxian wooden New Year paintings of interpretation and application; the fourth chapter Henan Huaxian woodcut New Year paintings used in modern design to explore the application principle, application principle analysis of the elements in modern design, from interior design, packaging design, costume design, poster design, animation design and application to do a detailed analysis, the fifth chapter summarizes the value and significance of Henan Huaxian New Year paintings in modern design.

【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J218.3

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本文編號(hào)：1563293