河南滑縣木版年畫藝術(shù)及其在現(xiàn)代設計中的應用研究
發(fā)布時間:2018-03-04 00:12
本文選題:滑縣木版年畫 切入點:現(xiàn)代設計 出處:《云南師范大學》2014年碩士論文 論文類型:學位論文
【摘要】:在我國豐富多彩的民間美術(shù)中,木版年畫由于題材廣泛,造型手法多樣,多姿多彩的地域風格,是其他民間美術(shù)無法與其相比的;年畫不僅具有深厚的人文內(nèi)涵,還承載著諸多歷史信息,體現(xiàn)不同時期的民族心理,經(jīng)過幾千年的發(fā)展,年畫給給我們留下了一筆巨大的財富。 在神州各地已經(jīng)發(fā)現(xiàn)的年畫產(chǎn)地中,河南滑縣木版年畫是一新的年畫品種,由于沒有任何文字資料記載,河南滑縣木版年畫的起源時間至今難以做出科學而準確的判斷。根據(jù)滑縣李方屯村木版年畫傳人說,滑縣木版年畫起源于明朝洪武年間,作品遠銷北方各地,遠至西北、東北,成為當時北方重要的年畫產(chǎn)地,它的題材、體裁、風格、技術(shù)和相關(guān)民俗上都有自己獨立的特征。它是中州地上一種失落的文明,一個被遺忘的歷史輝煌。 本文旨在以民俗化為本,搜集和整理滑縣木版年畫相關(guān)的圖像和文字資料,從民俗學、美學、設計學的角度出發(fā),滑縣木版年畫的設計元素作為本文主要探討對象,對滑縣年畫中的元素逐一進行介紹、分析,力圖在傳統(tǒng)藝術(shù)與現(xiàn)代設計結(jié)合研究上做出有益的探索。 本文第一章對滑縣木版年畫的歷史起源及其發(fā)展、創(chuàng)作題材、藝術(shù)價值進行了闡述;第二章是對河南滑縣木版年畫的藝術(shù)特征和民俗特征進行了分析;第三章對滑縣木版年畫的造型要素進行闡釋和運用;第四章河南滑縣木版年畫在現(xiàn)代設計中的應用探索應用原則,分析其構(gòu)成要素在現(xiàn)代設計中的運用原則,從室內(nèi)設計、包裝設計、服飾設計、招貼設計、動畫設計等方面做詳盡的應用分析,,第五章概述了河南滑縣年畫在現(xiàn)代設計中的應用價值及意義。
[Abstract]:In our country the rich and colorful folk art, because the wood New Year paintings a wide range of themes, style diversity, colorful style, other folk art can not be compared with the New Year paintings; not only has the deep cultural connotation, but also carries a lot of historical information, to reflect the different periods of national psychology, after several years of development, to New Year paintings left us a great wealth.
Have been found in China around the origin in Henan Huaxian New Year paintings, woodcut New Year paintings is a new New Year paintings varieties, with no written records, the Henan Huaxian block time of origin has not New Year paintings make a scientific and accurate judgment. According to the Huaxian Li Fang Tun Village of wood paintings successor, Huaxian woodcut New Year paintings originated in the Ming Dynasty Hongwu years that works are exported to all over the north, far to the northwest, northeast, North became the important origin of its theme, New Year paintings, genre, style, technology and related folk have characteristics of their own. It is in Zhongzhou on a lost civilization, a forgotten history glorious.
This paper aims to folk custom is the collection and arrangement of Huaxian woodcut New Year paintings related images and text, from folklore, aesthetics, design theory, design elements of Huaxian wood as the main study object New Year paintings of Huaxian, New Year paintings the elements introduced, analysis, tries to combine traditional art and modern design to make a useful exploration research.
In the first chapter of the history of Huaxian woodcut New Year paintings origin and development, subject matter, expounds the value of art; the second chapter is the artistic features and folk features of Henan Huaxian woodcut New Year paintings were analyzed; the third chapter modeling elements of Huaxian wooden New Year paintings of interpretation and application; the fourth chapter Henan Huaxian woodcut New Year paintings used in modern design to explore the application principle, application principle analysis of the elements in modern design, from interior design, packaging design, costume design, poster design, animation design and application to do a detailed analysis, the fifth chapter summarizes the value and significance of Henan Huaxian New Year paintings in modern design.
【學位授予單位】:云南師范大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J218.3
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