本文選題：工筆人物畫　切入點：線　出處：《河北師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：中國工筆人物畫形象的塑造主要依靠毛筆運用而形成的線，因而線成為工筆人物畫最基本的造型手段。在用線的不斷發(fā)展和探究中，線描成為了具有獨立審美意味的藝術(shù)形式，，既有外在的形式美又富有了生命律動的節(jié)奏和韻味。線的形態(tài)的不斷創(chuàng)造在很大程度上強(qiáng)化了工筆人物畫的時代特性，促進(jìn)了工筆人物畫的發(fā)展和進(jìn)步，在這一過程中也形成了各種不同的表現(xiàn)形式與風(fēng)格。而多樣形式與風(fēng)格的形成有賴于創(chuàng)作意識的發(fā)展和技法上的創(chuàng)新。如今，工筆人物畫正處在新的多元化發(fā)展的氛圍中，繼續(xù)進(jìn)行線的形式在理論上的分析與探究，對工筆人物畫創(chuàng)作實踐和線描的創(chuàng)新有著非常重要的指導(dǎo)意義。 我自幼成長在油田，對石油工人有著不解的情愫，因此，我把我對石油工人勞動生活的表現(xiàn)作為我的研究和創(chuàng)作課題。我既重視深入生活，同時也重視按藝術(shù)規(guī)律進(jìn)行加工，讓“藝術(shù)生活化，生活藝術(shù)化”。在傳統(tǒng)工筆人物畫已有的技法基礎(chǔ)上進(jìn)行新的嘗試，將人物元素作為一種載體，用傳統(tǒng)的筆墨來表現(xiàn)適合具有新的審美視角的題材，用更直接的方法來表達(dá)自己的內(nèi)心感受，這種嘗試的結(jié)果我認(rèn)為也比較符合多元文化的需要。
[Abstract]:The image of Chinese meticulous figure painting mainly depends on the line formed by the use of brush, so line has become the most basic modeling means of meticulous figure painting. In the continuous development and exploration of the use of line, line drawing has become an art form with independent aesthetic meaning. Both the external beauty of form and the rhythm and charm of life. The continuous creation of line forms has to a great extent strengthened the characteristics of the times of meticulous figure painting and promoted the development and progress of meticulous figure painting. The formation of various forms and styles depends on the development of creative consciousness and the innovation of techniques. Now, the fine brushwork figure painting is in a new atmosphere of pluralistic development. To continue the theoretical analysis and exploration of the form of line is of great significance to the creation practice of fine brushwork and the innovation of line drawing. I grew up in an oil field and had an incomprehensible affection for the oil workers. Therefore, I took my performance on the labor life of the oil workers as my research and creative subject. I attached importance to not only living deeply, but also processing according to the laws of art. Let the "life of art, the artistry of life". On the basis of the existing techniques of traditional fine brushwork figure painting, we should try to take the elements of characters as a carrier and use traditional brushwork and ink to express the subject matter suitable for a new aesthetic angle of view. Using a more direct way to express your inner feelings, I think the result of this attempt is also more in line with the need for multiculturalism.
【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 劉選讓;論中國畫線條及其基本屬性[J];西北美術(shù);1994年01期

2 唐勇力;中國人物畫創(chuàng)作之思考[J];新美術(shù);1994年01期

本文編號：1563006