本文選題：水墨人物畫　切入點：造型　出處：《湖南師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著時代的變遷,水墨人物畫也在追求一種新的發(fā)展和創(chuàng)新道路。上個世紀,人們從西方引入了全新的繪畫,它的出現(xiàn)對于我國的傳統(tǒng)繪畫來說,是一種全新的理念和形式。給水墨人物畫的創(chuàng)作提供了一種新的思路,畫面的語言形式也呈現(xiàn)了嶄新的面貌。對于中國畫創(chuàng)作而言,追求畫面意境的繪畫精神始終是不能遺棄的,同時為水墨人物畫提出了一個新的課題,這個課題讓我們?nèi)ニ伎既绾螌鹘y(tǒng)的繪畫形式與時代特征恰如其分的融合。就我個人來說,我認為,它更多的應(yīng)該是一種語言的形式,把它作為一種表象的語言或者語句來與民族性繪畫的精神相結(jié)合,來刻畫出所要表達的對象,是不是一種互相結(jié)合互相滲透的基本范疇呢?在藝術(shù)理論的討論上,藝術(shù)家們在繪畫過程中都在力求解決筆墨與造型的矛盾,研究新的筆墨語言形式來表達主觀思維和感受。 本人試圖通過對作品《靜處晨聲》的創(chuàng)作過程和成果,來闡述并分析造型、筆墨等語言諸多要素是怎么樣在水墨人物畫創(chuàng)作中起的重要作用。分析中國水墨人物畫發(fā)展的主要特點,詳細論述創(chuàng)作過程中所帶來的思考和研究性的問題,希望通過中國畫特有的造型與筆墨特點帶來的視覺意象,運用多種表現(xiàn)形式,營造出生動、厚重、意境深遠的藝術(shù)作品,使看似平凡的實景背后透露出一種深刻的意義,求得繪畫作品的寫意精神。
[Abstract]:With the change of times, ink figure painting is also pursuing a new way of development and innovation. In 0th century, people introduced a new painting from the West, its appearance for the traditional painting of our country, Is a new concept and form. It provides a new way of thinking for the creation of ink figure painting, and the language form of the picture also presents a new look. For the creation of Chinese painting, The spirit of painting in pursuit of the artistic conception of the picture can never be abandoned, and at the same time, a new subject has been put forward for the ink figure painting. This topic makes us think about how to blend traditional painting forms with the characteristics of the times. Personally, I think it should be more of a linguistic form. Is it a basic category that combines it with the spirit of national painting and depicts the object to be expressed as a language or sentence of representation? In the discussion of art theory, artists in the painting process are trying to solve the contradiction between ink and style, and study new language forms to express subjective thinking and feelings. I try to explain and analyze the styling through the creative process and achievement of the work "quiet place Morning Sound". How to play an important role in the creation of Chinese ink figure painting? the main characteristics of the development of Chinese ink figure painting are analyzed, and the thinking and research problems brought about in the process of creation are discussed in detail. I hope that through the visual image brought by the unique modeling of Chinese painting and the characteristics of pen and ink, we can use a variety of forms of expression to create a vivid, thick and profound artistic work, so as to reveal a profound significance behind the seemingly ordinary real scene. Seek the freehand brushwork spirit of painting works.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前1條

1 宋永進;論中西繪畫形式美的差異[J];新美術(shù);1999年02期

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本文編號：1560477