本文選題：力群　切入點(diǎn)：新興版畫　出處：《河北大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：20世紀(jì)二、三十年代是中國(guó)新興木刻藝術(shù)運(yùn)動(dòng)的萌芽時(shí)期和興起時(shí)期，新興木刻運(yùn)動(dòng)的興起發(fā)展既是我國(guó)古代復(fù)制版畫藝術(shù)的結(jié)束，同時(shí)也是我國(guó)版畫創(chuàng)作過(guò)程中的創(chuàng)新和突破，在我國(guó)版畫史上開辟了另一個(gè)藝術(shù)的殿堂。新興木刻藝術(shù)運(yùn)動(dòng)在我國(guó)版畫史上具有重要的作用，其價(jià)值是值得我們后人不斷繼承和發(fā)揚(yáng)的。 力群先生是我國(guó)新興木刻版畫運(yùn)動(dòng)的先驅(qū)之一，同時(shí)也是一位在國(guó)內(nèi)外都有著廣泛影響力的著名版畫家！他的版畫藝術(shù)及其作品寓意對(duì)20世紀(jì)以及當(dāng)代藝術(shù)的發(fā)展與進(jìn)步都產(chǎn)生了廣泛而深刻的影響。另外力群先生為了藝術(shù)的追求奮斗了七十余年，在他的藝術(shù)人生格言中始終貫徹著“為人生而藝術(shù)”的革命創(chuàng)作道路。他和他的版畫價(jià)值在中國(guó)的版畫史上扮演著重要的角色，給后人的創(chuàng)作之路留下了寶貴的財(cái)富！ 力群先生的版畫作品內(nèi)涵一方面是把版畫作為反抗戰(zhàn)爭(zhēng)的利器，試圖通過(guò)版畫作品真實(shí)地反映人民生活的疾苦，，為勞苦大眾鳴不平，解救勞苦大眾；另一方面其作品寓意轉(zhuǎn)變并匯聚成了一個(gè)新的藝術(shù)特色：逐步實(shí)現(xiàn)了向大眾化、民族化的方面發(fā)展，旨在注重作品的寓教于樂(lè)的功能。他的作品要為老百姓喜聞樂(lè)見(jiàn)而創(chuàng)作，為生活而創(chuàng)作。他的創(chuàng)作思想不僅僅在以前的版畫史上占據(jù)重要位置，而且在現(xiàn)代多元化的今天，仍然具有它獨(dú)特的藝術(shù)魅力和藝術(shù)價(jià)值，是不可多得的珍貴社會(huì)資源！ 本文試圖對(duì)力群先生的部分木刻版畫作品，從創(chuàng)作背景、構(gòu)圖形式及作品內(nèi)涵等幾個(gè)方面進(jìn)行淺薄的研究和闡述，挖掘他是如何通過(guò)個(gè)性化、獨(dú)特化的繪畫語(yǔ)言將以前的版畫傳統(tǒng)和現(xiàn)實(shí)生活溶入到自己的版畫體系中，從而體現(xiàn)力群的版畫藝術(shù)對(duì)當(dāng)代藝術(shù)家的指導(dǎo)借鑒作用，希望對(duì)當(dāng)代藝術(shù)的發(fā)展有所幫助和借鑒。
[Abstract]:On 20th century and 30s, it was the budding period and rising period of the new woodcut art movement in China. The rising and developing of the new woodcut movement was the end of the ancient reproduction and print art of our country. At the same time, it is also the innovation and breakthrough in the process of Chinese printmaking, which has opened another hall of art in the history of Chinese printmaking. The emerging woodcut art movement plays an important role in the history of Chinese printmaking. Its value is worth our future generations to inherit and carry forward. Li Qun is one of the pioneers of the new woodcut printing movement in our country, and is also a famous printmaker with wide influence both at home and abroad. In 20th century, as well as in the development and progress of contemporary art, his printmaking art and its implication had a wide and profound impact. In addition, Mr. Li Qun has struggled for more than 70 years for the pursuit of art. He and his printmaking value play an important role in the history of Chinese printmaking, leaving a precious wealth to the future generations in the road of creation!!! On the one hand, the intension of Mr. Li Qun's printmaking works is to use printmaking as a sharp weapon to resist the war, trying to truly reflect the people's life through the printmaking works, to complain about the grievances of the laboring masses and to save the laboring masses. On the other hand, the moral of his works has changed and converged into a new artistic feature: he has gradually realized the development of popularization and nationalization in order to pay attention to the function of teaching and education in his works. His creative thought not only occupies an important position in the history of print, but also has its unique artistic charm and artistic value in modern and diversified times, and is a rare and precious social resource. This paper attempts to study and expound some of Mr. Li Qun's woodcut prints from several aspects, such as the background of creation, the form of composition and the connotation of his works. The unique painting language integrates the traditional and real life of the former printmaking into its own printmaking system, thus reflecting the guiding role of Li Qun's printmaking art to contemporary artists, hoping to help and draw lessons from the development of contemporary art.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J217

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