本文選題：新圖像時(shí)代　切入點(diǎn)：架上繪畫(huà)　出處：《南昌大學(xué)》2014年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：隨著高清數(shù)碼技術(shù)的發(fā)展，我們的生活已進(jìn)入了一個(gè)全新的圖像時(shí)代。長(zhǎng)期以來(lái)，以復(fù)制性為基本特征的現(xiàn)代生產(chǎn)方式日益滲透到經(jīng)濟(jì)、政治、文化、思想等各個(gè)領(lǐng)域，在藝術(shù)文化領(lǐng)域中體現(xiàn)出來(lái)的審美趨勢(shì)，使架上繪畫(huà)在新圖像時(shí)代由單純的“自然”變成了“圖像”。不難看出，在當(dāng)今多元化的文化語(yǔ)境中，科技技術(shù)的創(chuàng)新發(fā)展對(duì)架上繪畫(huà)產(chǎn)生了一定的影響，但同時(shí)也促進(jìn)了架上繪畫(huà)語(yǔ)言的多樣性。當(dāng)我們大量的運(yùn)用繪畫(huà)的圖像式去對(duì)待繪畫(huà)，將繪畫(huà)語(yǔ)言以模仿與復(fù)制為表現(xiàn)方式時(shí)，其情感精神文化就逐個(gè)的失去了它們獨(dú)特感受和內(nèi)在含義。架上繪畫(huà)好像陷入了圖像的云迷霧罩中，它的文化意義何在？通過(guò)對(duì)新圖像時(shí)代背景的產(chǎn)生及發(fā)展研究，試著去探究人們?cè)谄鋵徝磊厔?shì)下所體現(xiàn)的審美價(jià)值的泛化與潮流文化的介入對(duì)繪畫(huà)產(chǎn)生的影響。導(dǎo)致架上繪畫(huà)在審美趨勢(shì)下逐漸轉(zhuǎn)向了世俗化、潮流化、淺顯化，，從而使繪畫(huà)作品價(jià)值不斷的縮水，忽略了繪畫(huà)的語(yǔ)言本身所承載的精神追求與文化意義。 本文主要從架上繪畫(huà)在新圖像時(shí)代的背景下的審美轉(zhuǎn)型為先導(dǎo)，以外來(lái)文化與本土文化為切入點(diǎn)，并分別從現(xiàn)代性與后現(xiàn)代性、商業(yè)化價(jià)值、手工性與機(jī)械復(fù)制性對(duì)的架上繪畫(huà)進(jìn)行反思。在從中領(lǐng)悟架上繪畫(huà)的精神文化品質(zhì)與文化內(nèi)涵，從而使人們更深入的認(rèn)識(shí)到社會(huì)發(fā)展中文化的繼承與發(fā)揚(yáng)以及繪畫(huà)所包涵的必要的文化精神和人文關(guān)懷。
[Abstract]:With the development of high-definition digital technology, our life has entered a new image era. For a long time, the modern mode of production, characterized by reproduction, has increasingly penetrated into various fields, such as economy, politics, culture, thought and so on. The aesthetic trend reflected in the field of art and culture has changed the easel painting from "nature" to "image" in the new image era. The innovative development of science and technology has a certain impact on the shelf painting, but it also promotes the diversity of painting language on the shelf. When the painting language is imitated and copied, its emotional spiritual culture loses its unique feeling and internal meaning one by one. The painting on the shelf seems to fall into the cloud fog of the image, what is its cultural significance? Through the background of the new image generation and development, Try to explore people in its aesthetic trend reflected in the aesthetic value of the generalization and the trend of cultural intervention on the impact of painting, leading to the easel painting in the aesthetic trend gradually turned to secularization, trend, shallow visibility, Thus, the value of painting constantly shrinks, ignoring the spiritual pursuit and cultural significance of painting language itself. This paper mainly takes the aesthetic transformation of frame painting in the background of new image era as the forerunner, takes foreign culture and native culture as the breakthrough point, and respectively from modernity and post-modernity, commercial value. Manual and mechanical reproduction of painting on the shelf to reflect on the understanding of the spiritual and cultural quality of painting on the shelf and cultural connotations, In order to make people more deeply understand the inheritance and development of culture in the social development and the necessary cultural spirit and humanistic concern contained in painting.
【學(xué)位授予單位】：南昌大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：J205

【共引文獻(xiàn)】

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7 馬

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