本文選題：法海寺壁畫　切入點(diǎn)：世俗化　出處：《南通大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版)》2017年01期 　論文類型：期刊論文

【摘要】：法海寺壁畫堪稱明代壁畫的精品,彰顯了明代壁畫藝術(shù)的最高水平。其藝術(shù)價(jià)值的體現(xiàn)除了精湛高超的繪制技巧,畫面元素的世俗化也是重要特征之一。法海寺壁畫的世俗化除與明初援儒入佛等思想背景密切相關(guān)外,與明初宮廷繪畫"助名教翼群倫"的社會(huì)教化功能及風(fēng)格的轉(zhuǎn)變也有著緊密的聯(lián)系。法海寺壁畫在畫面構(gòu)圖中體現(xiàn)了儒家思想中"三綱五常"的等級(jí)制度;在畫面人物形象塑造中,以宮廷及民間人物形象演繹宗教人物形象;在畫面背景造景上,于傳統(tǒng)宗教題材中更多地融入了生趣盎然的世俗生活情景;在畫面整體取色法度上,迎合了中國傳統(tǒng)民間繪畫配色法則的裝飾性,在設(shè)色技法上運(yùn)用了"隨類賦彩"與"五彩彰施"的寫實(shí)性,設(shè)色的實(shí)用性與裝飾性相融合,體現(xiàn)了法海寺壁畫奢華世俗的藝術(shù)風(fēng)格。法海寺壁畫以"人文主義"思想演繹神圣的宗教哲學(xué),促使了宗教壁畫在表現(xiàn)形式、審美趣味上的平民化、世俗化轉(zhuǎn)變,賦予了傳統(tǒng)壁畫新的生命力,同時(shí)也迎合了宮廷繪畫的教化作用和審美趣味。
[Abstract]:Fahai Temple murals are regarded as the best mural works of the Ming Dynasty, showing the highest level of the mural art in the Ming Dynasty. The secularization of the painting elements is also one of the important features. The secularization of the Fahai Temple murals is closely related to the ideological background of helping Confucianism into Buddhism in the early Ming Dynasty. It is closely related to the transformation of the social education function and style of the court painting "helping the Ming Dynasty to teach the Wings". The Fahai Temple frescoes embody the hierarchy system of "three Compendium five Chang" in the Confucian thought in the picture composition. In the image shaping of the screen characters, the court and folk figures are used to deduce the religious figures; in the background of the picture, the traditional religious themes are more involved in the mundane life scenes; in the whole painting, the colors are taken into account. It caters to the decorative character of Chinese traditional folk painting color matching rule, and applies the realistic nature of "with the kind of color" and "the five colors show" in the color setting technique, and the practicability of setting color is combined with the decorative character. Fahai Temple frescoes represent the sacred religious philosophy with the thought of "humanism", and promote the conversion of religious murals in their forms of expression, aesthetic taste, populism and secularization, which reflects the luxurious and secular artistic style of the murals of Fahai Temple. It gives new vitality to traditional frescoes and caters to the enlightenment and aesthetic taste of court painting.
【作者單位】： 南通大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J218.6

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