發(fā)布時間：2018-03-02 15:57

  本文選題：李公麟　切入點(diǎn)：圖式　出處：《中國藝術(shù)研究院》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：在繪畫史上李公麟是一個承前啟后的集大成者,個人的繪畫交游軌跡,成為研究北宋中期繪畫傳承與發(fā)展的典型樣本。通過對他的藝術(shù)風(fēng)格的形成原因及藝術(shù)特色的分析研究,把他置歸還原到當(dāng)時的歷史情景中去,從而能更全面的了解北宋中期的繪畫狀況和文人交往活動,以此為基點(diǎn)回到當(dāng)下,再從美術(shù)史的角度對其藝術(shù)成就做一個歷史定位,對于我們今天了解傳統(tǒng)與當(dāng)下繪畫發(fā)展的關(guān)系以及今日繪畫如何繼承發(fā)展、推陳出新如何反觀當(dāng)下等都有很重要的意義。 本文搜集多方材料統(tǒng)計了史籍記載的李公麟的繪畫名錄以及有年款的具體繪畫事跡,第一章?lián)斯串嫵隽死罟氲睦L畫軌跡,第二章從這個明晰的軌跡入手,對其現(xiàn)存的幾幅具體的繪畫進(jìn)行解讀,從而了解了李公麟繪畫的真實(shí)面貌以及他內(nèi)在的精神世界,第三章從現(xiàn)存李公麟作品的筆墨造型特點(diǎn)入手,分析其師承來源,與同時代繪畫進(jìn)行比較從而找出其作品存在的獨(dú)特歷史意義。最后論述李公麟畫風(fēng)流變,來了解李公麟繪畫的的影響。
[Abstract]:In the history of painting, Li Gonglin is a master of the past and the future. His personal painting travel path has become a typical sample for studying the inheritance and development of painting in the middle period of the Northern Song Dynasty. Through the analysis of the reasons for the formation of his artistic style and the artistic characteristics, By returning him to the historical scene of the time, he could have a more comprehensive understanding of the painting situation in the middle of the Northern Song Dynasty and the communication activities of the literary people, so as to return to the present and make a historical positioning of his artistic achievements from the perspective of art history. It is of great significance for us to understand the relationship between tradition and the development of contemporary painting, how to inherit and develop today's painting, how to look back on the present and so on. This paper collects various materials and statistics the historical records of Li Gonglin's painting list and the specific painting deeds of the old funds. The first chapter outlines the painting track of Li Gonglin according to the first chapter. The second chapter starts with this clear track. In order to understand the true face of Li Gonglin's paintings and his inner spiritual world, the third chapter starts with the characteristics of the existing works of Li Gonglin, and analyzes its source of study. In order to find out the unique historical significance of the existence of Li Gonglin's painting, this paper discusses the evolution of Li Gonglin's painting style to understand the influence of Li Gonglin's painting.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205

【參考文獻(xiàn)】

相關(guān)期刊論文 前5條

1 周蕪;;試談畫家李公麟的生平及其創(chuàng)作[J];安徽史學(xué)通訊;1958年02期

2 錢建狀;楊唐衍;;考官的雅集——《同文館唱和詩》發(fā)覆[J];教育與考試;2009年04期

3 呂肖奐;;元yP更化初《同文館唱和詩》考論[J];四川大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2013年03期

4 林梅村;;于闐花馬考——兼論北宋與于闐之間的絹馬貿(mào)易[J];西域研究;2008年02期

5 王雪峰;;工筆人物畫的文人實(shí)踐——以李公麟的作品為例[J];書畫藝術(shù);2010年05期

相關(guān)博士學(xué)位論文 前1條

1 胡建君;元yP文人圈與文人畫的發(fā)展[D];中國美術(shù)學(xué)院;2010年

相關(guān)碩士學(xué)位論文 前1條

1 何前;女孝經(jīng)圖研究[D];中央美術(shù)學(xué)院;2009年

，

本文編號：1557182