本文關(guān)鍵詞： “辯護” “觀點” “真實” “情感”　出處：《湖南師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：約瑟夫·馬洛德·威廉·透納(Joseph Mallord William Turner,1775-1851)是19世紀上半葉英國學院派畫家的代表,也是西方藝術(shù)史上最杰出的風景畫家之一。透納早期的藝術(shù)就得到了官方和大眾的認可,在他的繪畫中后期,憑借自己敏銳的感知能力,在畫面上表現(xiàn)出了自然界的真實色彩,同時表達了他本人真實的情感。他中后期的作品表現(xiàn)出的那種輪廓模糊和視覺強烈的效果,與那些棕色調(diào)的古典風景畫呈現(xiàn)了巨大的差別,這讓很多保守派不能接受,因此,受到很多批評家的指責——其繪畫風格模糊不清,以及他的畫法缺乏完整性。而約翰·羅斯金(John Ruskin,1891-1900)對于那些對透納繪畫進行抨擊的觀點持完全相反的看法,他認為透納是通過真實地描繪自然風景來表達自己真實的情感,所以,他一直都為受到批評家抨擊的透納進行辯護,這也是羅斯金寫《現(xiàn)代畫家》的起源�！冬F(xiàn)代畫家》一卷五書是羅斯金歷時十七年完成的,在這套叢書中,羅斯金對自然、宇宙、天空、云彩、流水、山脈的真諦和他的美學觀點進行了闡述,并且把透納的風景作品與古代大師的風景作品進行對比,最終證明透納是通過對自然的真實描繪來表達自己的真實感受,用事實批評那些墨守成規(guī)的藝術(shù)家和評論家。 本文對羅斯金為透納所作辯護的主要觀點進行探討,并分析這些觀點對十九、二十世紀藝術(shù)的影響以及對個人的啟發(fā),進而結(jié)合自己的藝術(shù)實踐對這些觀點進行闡述。
[Abstract]:Joseph Mallord William Turner (1775-1851) was a representative of the first half of English academic painters in 19th century, and one of the most outstanding landscape painters in the history of Western art. Turner's early art was recognized both officially and by the general public. In the middle and later period of his painting, with his keen perceptual ability, he displayed the true colors of nature on the screen. At the same time, he expressed his own true feelings. The silhouette and visual intensity of his works in the middle and later periods showed a huge difference from those of classical landscapes with brown tones, which many conservatives could not accept, so, Criticized by many critics for his vague style of painting and lack of completeness in his style of painting. John Ruskinn, John Ruskinn 1891-1900, takes the opposite view of those who attacked Turner's paintings. He believes that Turner expresses his true feelings by depicting the natural landscape, so he has always defended Turner, who has been criticized by critics. This is also the origin of Ruskin's writing Modern Painter. A volume of five books was completed by Ruskin over a period of 17 years. In this series of books, Ruskin deals with nature, the universe, the sky, clouds, income, The true meaning of the mountain range and his aesthetic point of view are expounded, and Turner's landscape works are compared with those of the ancient masters, which ultimately prove that Turner expresses his true feelings through the true depiction of nature. Criticize the conformist artists and critics with facts. This paper probes into the main viewpoints of Ruskin's defense for Turner, analyzes their influence on the art of 19 and 20th century and their inspiration to individuals, and then expounds these views in combination with his own artistic practice.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J205

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本文編號：1556038