本文關(guān)鍵詞： 上世紀(jì)50年代 傅抱石山水寫(xiě)生 筆墨 題材 技法　出處：《中國(guó)藝術(shù)研究院》2016年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：上世紀(jì)四五十年代,中國(guó)百?gòu)U待興,黨中央非常重視藝術(shù)發(fā)展,產(chǎn)生了一批藝術(shù)巨擘,傅抱石就是其中之一。他緊緊跟隨時(shí)代大潮,高舉“筆墨當(dāng)隨時(shí)代”與“思想變了,筆墨不得不變”的大旗,強(qiáng)調(diào)只有深入生活,才能更好的感悟生活。他一生當(dāng)中一共有四次比較重要的寫(xiě)生活動(dòng),這四次寫(xiě)生活動(dòng)也是他繪畫(huà)風(fēng)格、技法的形成過(guò)程,這種新的風(fēng)格與相應(yīng)技法的延續(xù)性、獨(dú)特性都是具有時(shí)代性的。也正是這種寫(xiě)生為主,在生活中汲取素材的創(chuàng)作手法,誕生了以傅抱石為首的“新金陵畫(huà)派”。他作畫(huà)背后的哲學(xué)依據(jù)和美學(xué)意義以“道”家為緣起。先生似乎在用他的一生證明：以意運(yùn)法,中國(guó)畫(huà)筆墨是能夠成功地描繪日新月異的新生活、新事物,在反映現(xiàn)實(shí)生活中具有無(wú)限表現(xiàn)活力的。為中國(guó)畫(huà)由傳統(tǒng)形態(tài)向現(xiàn)代形態(tài)轉(zhuǎn)型、發(fā)展做出了卓越貢獻(xiàn)�！佰欅E大化”與“其命維新”是時(shí)代賦予傅抱石一生的使命。
[Abstract]:In the 1940s and 1950s, the CPC Central Committee attached great importance to the development of the arts, and Fu Baoshi was one of them. He closely followed the tide of the times and held high the words "pen and ink" and "ideas changed with the times." He had to change his pen and ink, stressing that only by going deep into life could he have a better understanding of life. In his life, he had four more important sketching activities. These four sketching activities were also the formation process of his painting style and techniques. The continuity and uniqueness of this new style and corresponding techniques are all of the times. It is precisely this kind of sketching that draws material from life. "New Jinling painting School" led by Fu Baoshi was born. The philosophical basis and aesthetic meaning behind his painting originated from the "Tao" family. Chinese brushstroke can successfully depict the new life and new things, which can reflect the vitality of real life. It is the transition from traditional form to modern form in Chinese painting. Development has made outstanding contribution. "trace Dahua" and "its life reform" is the mission that Fu Baoshi was entrusted with by the times.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：J212

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