本文關(guān)鍵詞： 方力鈞 繪畫風(fēng)格 生存狀態(tài) 本質(zhì)意涵　出處：《安徽大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：方力鈞的繪畫風(fēng)格體現(xiàn)了他所生活的時(shí)代特征,本文主要沿著分析方力鈞繪畫風(fēng)格這一主線,對(duì)他的繪畫藝術(shù)從各個(gè)角度進(jìn)行解讀,全文分為四個(gè)部分,第一部分通過分析影響方力鈞繪畫風(fēng)格形成的因素,了解社會(huì)背景與藝術(shù)思想形成的關(guān)系。第二部分對(duì)他的繪畫觀念進(jìn)行解讀,了解他藝術(shù)創(chuàng)作時(shí)的心理狀態(tài)。第三部分分別對(duì)方力鈞的繪畫語言、繪畫趣味的各個(gè)要素的分析,論述他的繪畫作品所傳達(dá)出的藝術(shù)思想。第四部分綜合前文的分析,探尋方力鈞繪畫作品中最本質(zhì)的意涵。 方力鈞的作品一方面表現(xiàn)的是在各個(gè)時(shí)期的真實(shí)的個(gè)人思維。另一方面他的繪畫作品傳達(dá)的是當(dāng)下現(xiàn)實(shí)社會(huì)存在的人們的狀態(tài),他的創(chuàng)作思想來源于生活,是自我的感知,同時(shí)是社會(huì)現(xiàn)象的反映。方力鈞的繪畫作品展現(xiàn)的是個(gè)人的思想情感與社會(huì)現(xiàn)象的有機(jī)統(tǒng)一。作品描繪的是他對(duì)現(xiàn)實(shí)的理性認(rèn)知,也是他生存的現(xiàn)實(shí)環(huán)境,同時(shí)也是時(shí)代之下社會(huì)“人”的生存現(xiàn)狀。生命個(gè)體與藝術(shù)方式達(dá)到統(tǒng)一是他永恒的藝術(shù)追求。對(duì)方力鈞繪畫風(fēng)格的解讀,探索他的藝術(shù)的本質(zhì)意涵,是本文研究的主要內(nèi)容。
[Abstract]:Fang Lijun's style of painting reflects the characteristics of the times in which he lived, in this paper, the analysis of Fang Lijun's painting style along the main line of his painting art is interpreted from various angles, the paper is divided into four parts, the first part through the analysis of the impact of Fang Lijun's painting style formation, understand the relationship between the formation of social background and the artistic thought. The second part on the interpretation of his painting ideas, understand his artistic creation mental state. The third part of the party Lijun painting language, analyze the various elements of painting interest, discusses his paintings convey the artistic thought. The fourth part is the comprehensive analysis above, explore the essence of Fang Lijun's paintings in meaning.
Fang Lijun's work on the one hand is the performance in each period of real personal thinking. On the other hand, his painting is to convey the people present social status, his thoughts of creation comes from life, self perception, and is a reflection of social phenomena. The demonstration of Fang Lijun's paintings is the organic unity of individual the idea of emotional and social phenomenon. The work depicts his rational cognition of the reality, but also his survival under the realistic environment, the survival status of the times at the same time the society of "people". The individual life and art means to achieve the unification is the eternal pursuit of art. His interpretation of Fang Lijun's painting style, meaning to explore his nature art, is the main content of this paper.

【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

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7 杜s，

本文編號(hào)：1550720