本文關(guān)鍵詞： 創(chuàng)作意境 點景 傳統(tǒng) 創(chuàng)新 自然審美　出處：《曲阜師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：陳洪綬作為明末的一位風(fēng)格特異、才華絕代的杰出怪才，是鮮有的全能畫家。明清時中國文人畫家繪畫表現(xiàn)領(lǐng)域、表現(xiàn)內(nèi)容一般較窄，題材往往比較單一，而陳洪綬作為偉大的天才畫家，他在花鳥、山水、人物、詩文書法等這幾方面都取得了較高的成就。陳洪綬的繪畫風(fēng)格最突出特征即是：古。陳洪綬所追求的境界和他為人們所欣賞的，也就是他作品中的古意。在陳洪綬“古”的境界中，一切表現(xiàn)內(nèi)容與題材，包括他所追求的藝術(shù)精神、藝術(shù)理想都包含在內(nèi)了。陳洪綬的山水畫具有鮮明的個性，面貌也非常獨特，他力圖從古畫中汲取傳統(tǒng)的精神，同時融入自己的藝術(shù)意趣而去開創(chuàng)新的道路。他對于山水畫傳統(tǒng)的繼承和創(chuàng)新，以及其對山水畫的獨特理解和“力主有我”的創(chuàng)作思想，都對后世的畫家產(chǎn)生了深遠的影響，從美術(shù)史的角度來說，陳洪綬的山水畫也有著極為重要的地位。在我國歷史上明末清初時期發(fā)生了政治上文化上以及思想上的重大變革，而這一時期是山水畫占主流的時期，山水畫派別各有千秋。明代四大家、吳派四大家都是畫山水的，而陳洪綬則是明代山水畫的奇才，陳洪綬年少時便師從武林派藍瑛學(xué)畫山水。由于陳洪綬所處時期的特殊性，對于他的藝術(shù)成就我們可以從多個角度來研究。本文尤為重視陳老蓮所處的社會生活背景，政治背景和文化背景對他的創(chuàng)作思想的影響，，以及對他山水畫創(chuàng)作的意境意象表現(xiàn)的影響。故本文以當(dāng)時的政治背景為開端，深入全面地介紹陳老蓮的山水畫藝術(shù)。之前研究陳洪綬作品的學(xué)者多著重其人物畫藝術(shù)，陳洪綬處于山水畫發(fā)展的主流時期，探究他的山水畫藝術(shù)獨特面貌形成背后的深層原因是非常有意義的。本文對陳洪綬的創(chuàng)作狀態(tài)，創(chuàng)作手法，意境營造等方面都進行了深入分析研究。解析了他的山水畫表現(xiàn)形式與他之前的價值取向，哲學(xué)思想之間的關(guān)系。并進一步總結(jié)說明了陳洪綬的山水畫創(chuàng)作理想與中國哲學(xué)的聯(lián)系。闡述了研究陳老蓮的山水畫藝術(shù)所得到的啟示，并且以傳統(tǒng)的分析論述方式解讀陳洪綬山水畫的空間構(gòu)成形式。指明了陳老蓮的地位的山水畫藝術(shù)在美術(shù)史上及其藝術(shù)思想的價值。
[Abstract]:Chen Hongshou, as an outstanding geek of unique style and extraordinary talent in the late Ming and Qing dynasties, was a rare universal painter. In the Ming and Qing dynasties, the performance of Chinese literati painters in the field of painting was generally narrower, and the subject matter was often relatively single. And Chen Hongshou, as a great genius painter, he works in flowers and birds, mountains and rivers, people, The most outstanding features of Chen Hongshou's painting style are: ancient, Chen Hongshou pursued the realm and he was appreciated by people. That is, the ancient meaning of his works. In the realm of Chen Hongshou's "Ancient", all the performance contents and subjects, including the artistic spirit and artistic ideal pursued by him, are included. Chen Hongshou's landscape painting has a distinct personality. He tried to draw the traditional spirit from the ancient painting, and at the same time, he integrated his artistic interest to create a new way. His inheritance and innovation of the landscape painting tradition, His unique understanding of landscape painting and his creative thought of "strong advocate have me" have had a profound impact on the painters of later generations. From the angle of art history, Chen Hongshou's landscape painting also plays an extremely important role. In the late Ming and early Qing dynasties in our history, the political and cultural as well as ideological changes took place, and this period was a period in which landscape painting occupied the mainstream. Landscape painting schools have their own strengths. In the Ming Dynasty, the four major schools of the Wu school were all painting landscapes, while Chen Hongshou was a genius in landscape painting in the Ming Dynasty. When Chen Hongshou was young, Chen Hongshou was taught by the Wulin School, Lan Ying, to learn how to draw landscapes. Because of the particularity of the period in which Chen Hongshou lived, We can study his artistic achievements from many angles. This paper pays particular attention to the influence of Chen Lao-lian 's social life, political background and cultural background on his creative thoughts. And the influence on the expression of artistic conception image in his landscape painting creation. Therefore, this article begins with the political background at that time, and introduces Chen Lao Lian's landscape painting art thoroughly and roundly. Previous scholars who studied Chen Hongshou's works focused more on his figure painting art. Chen Hongshou is in the mainstream period of landscape painting development. It is very meaningful to explore the deep reasons behind the formation of his unique landscape painting art. The artistic conception construction and other aspects are deeply analyzed and studied. The expression form of his landscape painting and his previous value orientation are analyzed. The relationship between philosophy and thought, and further summarizes the relationship between Chen Hongshou's landscape painting creation ideal and Chinese philosophy, and expounds the enlightenment of studying Chen Lao Lian's landscape painting art. And with the traditional analysis of the form of interpretation of Chen Hongshou landscape painting space, pointing out Chen Lao Lian's status of landscape painting art in art history and the value of artistic thought.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J212

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本文編號：1550111