本文關(guān)鍵詞： 蠟 材料語言 當(dāng)代藝術(shù)語境　出處：《上海師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：蠟材料作為最為古老的繪畫材料之一,在發(fā)展過程中曾受到諸多限制而多用于輔助材料。在當(dāng)代,它終于因自身的獨(dú)特優(yōu)勢得以回歸繪畫材料的本位�；诖�,本文將重點(diǎn)研究蠟材料語言在當(dāng)代藝術(shù)語境下是如何進(jìn)行轉(zhuǎn)換的。由于對(duì)蠟材料表現(xiàn)語言的研究,無論國內(nèi)還是國外均不多見,尤其國內(nèi)可以說是寥寥無幾,所以筆者只能從外文書籍文章、國外技法類書籍以及導(dǎo)師的授課中學(xué)習(xí)蠟材料的基本理論知識(shí),并結(jié)合藝術(shù)專業(yè)的理論知識(shí)及實(shí)踐,對(duì)蠟材料的諸多特性進(jìn)行了總結(jié)。同時(shí),通過借鑒、分析當(dāng)代藝術(shù)作品中的一些成功案例,從多方面闡述了蠟材料何以在當(dāng)代藝術(shù)語境下進(jìn)行轉(zhuǎn)換的。首先,本文首先基于現(xiàn)有材料梳理了蠟材料的發(fā)展現(xiàn)狀;其次,從蠟材料的材料語言、文化含義、突出特性以及其作為材料語言的意義幾個(gè)方面,具體分析蠟材料的基本性質(zhì);再次,結(jié)合當(dāng)代蠟畫的發(fā)展現(xiàn)狀、蠟材料在綜合材料繪畫中的運(yùn)用,蠟材料在雕塑和裝置藝術(shù)中的運(yùn)用等實(shí)際案例,重點(diǎn)分析研究闡述“蠟材料在當(dāng)代藝術(shù)環(huán)境中是如何轉(zhuǎn)換的”這一論題;最后,簡單描述了當(dāng)代藝術(shù)環(huán)境下蠟材料的運(yùn)用及意義。雖然蠟材料并不是大眾熟知的繪畫材料,但其獨(dú)特的性質(zhì)卻是其他材料無法替代的。因此,研究其特性并將它運(yùn)用于當(dāng)代繪畫中是十分必要的,尤其當(dāng)代藝術(shù)語境給予了蠟材料新的定位,使蠟材料顯現(xiàn)出很大的發(fā)展空間,所以需要更大限度地去探索和研究。
[Abstract]:Wax material, as one of the oldest painting materials, has been limited by many restrictions in its development and has been used as auxiliary material. In contemporary times, it is finally able to return to the standard of painting materials because of its unique advantages. This paper will focus on the study of how waxy material language is transformed in the context of contemporary art. Due to the lack of research on waxy material expression language both at home and abroad, especially in China, it can be said that there are very few in China. Therefore, the author can only learn the basic theoretical knowledge of wax materials from the articles of foreign books, foreign technical books and tutors' lectures, and combine with the theoretical knowledge and practice of art major, sum up the many characteristics of wax materials. Based on the analysis of some successful cases in contemporary art works, this paper expounds how wax materials are transformed in the context of contemporary art. Firstly, this paper combs the development status of wax materials based on the existing materials; secondly, it discusses the current situation of wax materials. From the material language of wax materials, cultural meaning, prominent characteristics and its significance as a material language, the basic properties of wax materials are analyzed. Thirdly, combined with the development of contemporary wax painting, The application of wax materials in the drawing of synthetic materials, the application of wax materials in sculpture and installation art, and so on. This paper briefly describes the use and significance of wax materials in the contemporary art environment. Although wax materials are not well known to the public, their unique properties are irreplaceable by other materials. It is very necessary to study its characteristics and apply it to contemporary painting, especially in the context of contemporary art, which gives a new orientation to wax materials and makes wax materials show a great space for development, so it is necessary to explore and study them to a greater extent.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J205

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