本文關(guān)鍵詞： 女性 心靈 莫萊拉斯 立體主義　出處：《上海師范大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：通過(guò)自身的感受和體會(huì),我選擇了以探索女性心靈感受為創(chuàng)作主題。我致力于在作品中折射自己對(duì)繪畫、生活及人生的困惑與思考,挖掘女性心智里柔而堅(jiān)的力,慈而溫的情,展現(xiàn)女性思想里的情、志、思、感、哲,同時(shí)探索對(duì)兩性的心靈關(guān)系的理解,也反照了大多數(shù)女性的心靈現(xiàn)象,提出在外部多變環(huán)境下怎樣看待自己的心靈與怎樣面對(duì)與解決的問(wèn)題,在作品中讓人體會(huì)心靈的浮沉和需求,在憂思中探索心靈。在創(chuàng)作手法上,試圖將中國(guó)繪畫語(yǔ)言和西方的立體主義繪畫及南美洲尼加拉瓜藝術(shù)家莫萊拉斯的藝術(shù)表現(xiàn)方式結(jié)合、融會(huì)貫通,以“簡(jiǎn)就是多”的理念,半抽象人體的表現(xiàn)形式,尋找并塑造我對(duì)于心靈感受的繪畫藝術(shù)詮釋。
[Abstract]:Through my own feelings and experiences, I have chosen to explore women's spiritual feelings as the creative theme. I devote myself to reflecting my confusion and thinking about painting, life and life in my works, and to excavate the soft and firm force, kindness and warm feelings in the female mind. Showing the feelings, aspirations, thoughts, feelings, and philosophies in women's minds, while exploring the understanding of the spiritual relationship between the two sexes, also reflects the spiritual phenomena of most women. It puts forward how to look at one's own mind and how to face and solve the problems in the changeable external environment, how to let the human body meet the floating and demanding of the mind in the works, and how to explore the mind in the worry. Trying to combine the Chinese painting language with the Western cubism painting and the artistic expression style of the South American Nicaraguan artist Moleas, with the idea that "simplicity is more" and the semi-abstract form of human expression. Looking for and shaping my artistic interpretation of my soul feelings.
【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J205

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本文編號(hào)：1544954