本文關鍵詞： 現(xiàn)代 工筆人物畫 造型　出處：《東北師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：工筆人物畫具有悠久的歷史,經歷了初創(chuàng)、發(fā)展、繁榮、興盛、衰落、復興等幾個階段,工筆人物畫的造型在每個階段都表現(xiàn)出不同的特點�，F(xiàn)代工筆人物畫處在復興的階段。以現(xiàn)代工筆人物畫造型作為研究課題目的在于明確現(xiàn)代工筆人物畫的造型特點和風格多樣化的成因,搞清楚繼承和革新的關系。 工筆人物畫造型風格的多樣性具有深刻的歷史原因和現(xiàn)實原因,與社會生活和思想文化的發(fā)展變化有重大的關系。工筆人物畫造型的發(fā)展變化實際上是社會思想文化的變革在繪畫上的反應,具有必然性,是社會、思想、文化、意識的多元性造成了工筆人物畫造型的多樣性。筆墨當隨時代,工筆人物畫造型在受社會思想文化影響的同時也反應這種重大的社會變遷。 畫家作為社會成員中的敏感者都積極的反應著社會、思想、文化、意識的變遷并表現(xiàn)出自己應有的態(tài)度,復古是一種態(tài)度,革新也是一種態(tài)度,都是社會變革時期不同人群復雜心態(tài)的反應。這種多樣的反應取決于畫家本人在社會變革中的不同地域、不同經歷、不同教育背景以及不同個性氣質�，F(xiàn)代是一個跨度較大的時間概念,再加上畫家不同的年齡結構必然導致工筆人物畫造型的多樣性,這不是人的主觀愿望可以左右的。不管是傳統(tǒng)的還是現(xiàn)代的,東方的還是西方的,在具體的中國社會狀態(tài)下都會遇到新的問題,畫家忠實的對當下社會變革做出敏感的反應就足夠了。隨著社會的發(fā)展,思想的開放,多樣化是現(xiàn)代工筆人物造型的必然趨勢和必然結果。
[Abstract]:Meticulous figure painting has a long history and has gone through several stages, such as start-up, development, prosperity, prosperity, decline, revival, etc. The modeling of meticulous figure painting shows different characteristics in each stage. The modern meticulous figure painting is in the stage of renaissance. The purpose of this study is to clarify the modeling of modern meticulous figure painting. The causes of the diversity of characteristics and styles, Figure out the relationship between inheritance and innovation. The diversity of styling style of meticulous figure painting has profound historical and realistic reasons. The development and change of meticulous figure painting is in fact a reflection of the transformation of social ideology and culture in painting, which is inevitable, and is a social, ideological, cultural, social, ideological, cultural, social, ideological, cultural, social, ideological, cultural, cultural, social, ideological, cultural, cultural, social, ideological, cultural, social, ideological, and cultural development. The diversity of consciousness has resulted in the diversity of the style of meticulous figure painting. With the development of the times, the style of figure painting is influenced by social ideology and culture, and it also reflects this great social change. Painters, as sensitive members of society, positively reflect the changes in society, thought, culture, and consciousness and show their due attitude. Retro is an attitude, and innovation is also an attitude. It's all a reaction to the complex mentality of different people in a period of social change. This diverse response depends on the different regions and experiences of the painter himself in the process of social change. Different educational backgrounds and different personality qualities. Modern is a concept with a long span of time, and the different age structure of painters will inevitably lead to the diversity of meticulous figure painting modeling. This is not something that can be influenced by people's subjective wishes. Whether traditional or modern, eastern or western, they will encounter new problems in the specific state of Chinese society. With the development of society and the opening of ideas, diversification is the inevitable trend and the inevitable result of modern meticulous character modeling.
【學位授予單位】：東北師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J212

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