發(fā)布時(shí)間：2018-02-27 14:27

  本文關(guān)鍵詞： 當(dāng)代 油畫 肖像畫 肖像表情　出處：《江蘇師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：“肖像表情”，指的是油畫藝術(shù)中人物的面部表情�！氨砬椤笔侨藗儽磉_(dá)情緒的一種外在價(jià)值體現(xiàn)，是外在經(jīng)驗(yàn)世界最直接、最明確的反應(yīng)。而在油畫當(dāng)中，“肖像表情”是為了表達(dá)藝術(shù)中人物的一種情緒，“肖像表情”是藝術(shù)家與觀者之間的情感交流，并以“肖像表情”來(lái)達(dá)到兩者之間的藝術(shù)情感共鳴。 當(dāng)代油畫藝術(shù)經(jīng)歷了不同階段的發(fā)展，在油畫中“肖像表情”的發(fā)展也有不同的表現(xiàn)，，新中國(guó)成立以來(lái)，中國(guó)的油畫家在藝術(shù)創(chuàng)作上先后出現(xiàn)了“革命時(shí)期油畫”、“文革時(shí)期油畫”、“玩世主義油畫”、“理性油畫”、“鄉(xiāng)土寫實(shí)主義油畫”、“傷痕美術(shù)”、“新生代美術(shù)”等等不同形式的油畫。這些油畫的出現(xiàn)生動(dòng)形象地反映了新中國(guó)成立以來(lái)社會(huì)各個(gè)領(lǐng)域的面貌，因此，在中國(guó)當(dāng)代油畫中，不同時(shí)期對(duì)“肖像表情”的描繪形成了中國(guó)油畫創(chuàng)作各階段的主要形式之一，本文作者根據(jù)自己的創(chuàng)作和文本研究，提出了對(duì)中國(guó)當(dāng)代油畫人物中“肖像表情”這一命題進(jìn)行研究，從而反映出時(shí)代的發(fā)展和變遷。 中國(guó)當(dāng)代油畫人物肖像表情的外在體現(xiàn)表現(xiàn)出中國(guó)當(dāng)代油畫創(chuàng)作的多元化語(yǔ)言在不同時(shí)期代表的社會(huì)作用和造成的心理暗示也是不同的，我們可以清楚的看到，隨著中國(guó)藝術(shù)領(lǐng)域的不斷發(fā)展，人民意識(shí)形態(tài)產(chǎn)生的各種改變，形成了中國(guó)當(dāng)代藝術(shù)中以人為本的人本立場(chǎng)。系統(tǒng)的分析油畫中人物的表情由單一的歡快、激進(jìn)，向多元化表情發(fā)展的過(guò)程，體現(xiàn)中國(guó)當(dāng)代油畫創(chuàng)作中“肖像表情”在油畫藝術(shù)中具有的重要意義。
[Abstract]:"Portrait expression" refers to the facial expression of a character in oil painting art. "facial expression" is an external value embodiment of people's expression of emotion, and is the most direct expression of the world of external experience. The clearest reaction. In oil painting, the "portrait expression" is to express the emotion of the character in the art, "the portrait expression" is the emotion exchange between the artist and the viewer. And with the "portrait expression" to achieve the artistic emotional resonance between the two. The development of contemporary oil painting art has gone through different stages, and the development of "portrait expression" in oil painting has different manifestations. Since the founding of New China, Chinese oil painters have appeared in different forms such as "oil painting of revolutionary period", "oil painting of cultural revolution", "oil painting of playing with the world", "rational oil painting", "local realism oil painting", "scar art", "Cenozoic art" and so on. The appearance of these paintings vividly and vividly reflects the face of various fields of society since the founding of New China, Therefore, in contemporary Chinese oil painting, the portrayal of "portrait expression" in different periods forms one of the main forms of Chinese oil painting creation. This paper puts forward the proposition of "portrait expression" in contemporary Chinese oil painting, which reflects the development and change of the times. The external manifestation of Chinese contemporary oil painting portrait expression shows that the social function and psychological implication represented by the pluralistic language of contemporary Chinese oil painting creation in different periods are also different. We can clearly see that, With the continuous development of the Chinese art field and various changes in the people's ideology, the people-oriented stand of Chinese contemporary art has been formed. A systematic analysis of the expression of the characters in the oil painting from a single happy, radical, The process of developing to the pluralistic expression reflects the important significance of "portrait expression" in Chinese contemporary oil painting creation.
【學(xué)位授予單位】：江蘇師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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本文編號(hào)：1543054