本文關(guān)鍵詞： 法國現(xiàn)實(shí)主義 藝術(shù)特征 中國當(dāng)代油畫　出處：《山東師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：在19世紀(jì)法國工業(yè)革命高漲的時代潮涌中，文學(xué)藝術(shù)領(lǐng)域的現(xiàn)實(shí)主義思潮在以工人階級為先導(dǎo)的進(jìn)步力量與反動階級之間的激烈斗爭中產(chǎn)生。法國現(xiàn)實(shí)主義繪畫便是這一時代浪潮中的一朵美麗的浪花，它受到當(dāng)時文學(xué)、哲學(xué)等方面的影響，涌現(xiàn)出了庫爾貝、柯羅、杜米埃以及米勒等一批藝術(shù)巨子。本文試圖梳理、分析19世紀(jì)法國現(xiàn)實(shí)主義繪畫產(chǎn)生的時代背景及其藝術(shù)特征，繼而探討這種現(xiàn)實(shí)主義精神對中國現(xiàn)代油畫的影響和對我們當(dāng)前藝術(shù)創(chuàng)作的借鑒意義。 本文共分三章： 第一章，首先從兩個方面來闡述19世紀(jì)法國現(xiàn)實(shí)主義繪畫是如何產(chǎn)生的：一是，從社會歷史背景方面對法國現(xiàn)實(shí)主義繪畫產(chǎn)生原因的探討；二是，從繪畫流派之間的相互影響與淵源關(guān)系方面進(jìn)行分析。然后，從廣義和狹義兩方面來探討19世紀(jì)法國現(xiàn)實(shí)主義繪畫的定義。 第二章，通過對19世紀(jì)現(xiàn)實(shí)主義藝術(shù)家的作品分析來闡述19世紀(jì)法國現(xiàn)實(shí)主義繪畫的特征�，F(xiàn)實(shí)主義作為一種創(chuàng)作形式，它是在多種社會階級矛盾和民主革命運(yùn)動高漲下產(chǎn)生，也是人類繪畫發(fā)展到一定階段的歷史現(xiàn)象；作為一種文藝思潮，19世紀(jì)法國現(xiàn)實(shí)主義繪畫所表現(xiàn)的對象極具代表性、典型性；所描寫的人物、事件極具時代性、真實(shí)性；對于社會高層人士和官方學(xué)院派又極具批判性。 第三章，主要介紹在中國美術(shù)現(xiàn)代轉(zhuǎn)型的過程中油畫在中國的發(fā)展，以及在這一過程中19世紀(jì)法國現(xiàn)實(shí)主義繪畫對中國當(dāng)代油畫的影響。第一節(jié)，，從中國美術(shù)現(xiàn)代轉(zhuǎn)型的語境中來看西方油畫在中國被廣泛接受的時代原因；第二節(jié)，結(jié)合我國的部分畫家及他們的創(chuàng)作，分析我國的具象寫實(shí)油畫家是如何受到19世紀(jì)法國現(xiàn)實(shí)主義繪畫的影響的。同時研究我國現(xiàn)實(shí)主義美術(shù)家的作品中融入的真切的人文關(guān)懷以及對自然的關(guān)注，如何反映著現(xiàn)代人們的社會生活和時代要求，引起人們的共鳴。
[Abstract]:In 19th century, at the height of the French industrial revolution, The realistic trend of thought in the field of literature and art emerged from the fierce struggle between the progressive forces and the reactionary class, led by the working class. French realistic painting was a beautiful spray in the tide of the times, and it was subjected to literature at that time. Philosophy and other aspects of the impact of the emergence of Kurbey, Colo, Dumiet and Hans Muller and other art giants. This paper attempts to comb, analysis of the French realistic painting of the era and its artistic characteristics, in 19th century. Then it discusses the influence of this realism spirit on Chinese modern oil painting and the significance of reference to our current artistic creation. This paper is divided into three chapters:. The first chapter, first of all, from two aspects to explain how the French realistic painting in 19th century was produced: first, from the social and historical background of the French realistic painting reasons; second, This paper analyzes the relationship between painting schools and their origins, and then discusses the definition of French realistic painting in 19th century from two aspects: broad sense and narrow sense. The second chapter, by analyzing the works of realistic artists in 19th century, expounds the characteristics of French realistic paintings in 19th century. Realism as a form of creation, It came into being under various social class contradictions and the upsurge of democratic revolutionary movement, and it is also a historical phenomenon in which human painting has developed to a certain stage. As a literary and artistic trend of thought and as the object of French realistic painting in the 19th century, it is extremely representative. Typicality; the characters described, events of the times, authenticity, and highly critical of senior social figures and official schools. The third chapter mainly introduces the development of oil painting in China in the process of modern transformation of Chinese fine arts, and the influence of French realistic painting on Chinese contemporary oil painting in 19th century. From the context of the modern transformation of Chinese fine arts, we can see the reasons for the widespread acceptance of Western oil paintings in China. Section two, combined with some Chinese painters and their creation, This paper analyzes how realistic oil painters in our country are influenced by French realistic painting in 19th century. At the same time, it studies the genuine humanistic concern and the concern for nature in the works of Chinese realistic artists. How to reflect the social life of modern people and the requirements of the times, arouse people's resonance.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J209.9

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