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論基弗神話題材作品的當代性表達

發(fā)布時間:2018-02-26 07:29

  本文關鍵詞: 基弗 神話 悲愴 當代性 表達方式 出處:《青島大學》2017年碩士論文 論文類型:學位論文


【摘要】:神話題材創(chuàng)作是一個古老的命題曾經盛極一時,但是從19世紀初開始逐漸淡出歷史舞臺。基弗卻選擇了這個題材構架新的藝術和精神的世界。在戰(zhàn)后的特殊歷史時期以他特有的創(chuàng)作動機和表達方式為這一題材賦予了新的生命。這些極具當代性和個人特點的表達方式給我們呈現(xiàn)出了與眾不同的神話題材的展開方法。他使用的一些方式在打破前人所制定的規(guī)則的同時也遵循著審美的原則;冮_原先神話題材作品華麗的外衣用他的方式表現(xiàn)出神話最真實最殘酷最悲傷的內核。為我們呈現(xiàn)出了震撼而極具視覺沖擊力的當代神話。通過分析基弗神話題材作品的敘事方式、構圖方式、色彩肌理、綜合材料等方面的特點來論證他神話題材作品的當代性表達。基弗提煉神話故事的要素并運用抽象隱晦的方式表現(xiàn),以晦澀的手段重構神話故事當中所有的信息并且用當代性的手法表達出來。他創(chuàng)作神話題材作品時運用塊面和巨大的正負形強烈對比賦予畫面無與倫比的視覺沖擊力。用這種表達方式來再現(xiàn)心中的神話故事和他想要創(chuàng)造的藝術中的神話世界。繪畫中肌理和色彩的當代性表達方式給畫面提供了厚重感和悲愴感的同時也為解讀提供了引導。色彩和肌理用于豐滿基弗心中悲愴而蒼茫的神話世界。使用綜合材料來突出畫面重點的同時也用材料充當了維持畫面完整性的重要角色。這些部分如同皮膚和毛發(fā)一般組成了點綴基弗心中神話世界的最后要素,這些表達方式給我?guī)硪欢ǖ乃伎己蛦⑹尽;サ纳裨掝}材在載體的跨度方面非常巨大從架上繪畫到雕塑和裝置藝術,本文只探討他的架上繪畫作品的當代性表達。
[Abstract]:The creation of mythological themes is an ancient proposition that once flourished. But since the beginning of 19th century, Keefer gradually faded out of the historical stage. Keefer chose this theme to construct a new artistic and spiritual world. In the special period of postwar history, he took his unique creative motivation and expression as the theme. It gives us a new life. These very contemporary and personal expressions give us a different way to unfold mythical themes. Some of the ways he used were to break the rules established by his predecessors, and at the same time. Following the principle of aesthetics, Keefer stripped off the ornate coat of the original mythological works, and in his way showed the most true, the most cruel, and the saddest kernel of the myth. He presented us with a powerful and visually powerful contemporary god. By analyzing the narrative style of Kiefer's mythological works, The characteristics of composition, color texture and synthetic materials are used to demonstrate the contemporary expression of his mythical works. Keefer refines the elements of mythological stories and expresses them in abstract and obscure ways. He reconstructs all the information in a mythological story by obscure means and expresses it in a contemporary way. He creates mythical works with a sharp contrast of blocks and great positive and negative shapes, giving the picture an unparalleled visual impact. To use this expression to reproduce the mythical story in the heart and the mythical world in the art he wants to create. The contemporary expression of texture and color in painting provides a deep sense of sadness and a sense of sadness for the picture at the same time. Interpretation provides guidance. Color and texture are used in the sorrowful and vast mythological world of plump Keefer's heart. The use of composite materials to highlight the focus of the picture, but also with the material to maintain the integrity of the important role of the picture. Part of the last element of the mythical world embellished in Kiefer's mind is made up of skin and hair. These expressions have brought me some thoughts and revelations. Kiefer's mythical subject matter is very large in the span of carrier, from frame painting to sculpture and installation art. This paper only discusses the contemporary expression of his frame painting works.
【學位授予單位】:青島大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J204

【參考文獻】

相關期刊論文 前3條

1 張振江;;鉛材在安塞姆·基弗繪畫作品中的呈現(xiàn)[J];世界美術;2015年03期

2 傅麗莉;;圖像符號與文本資源——以德國藝術家安塞爾姆·基弗為例[J];文藝爭鳴;2011年04期

3 傅麗莉;;安塞姆·基弗的藝術與西方神話[J];美術;2008年09期



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