樂和,人和,天地和——《聽琴圖》新論及其作者再考釋
發(fā)布時間:2018-02-25 23:10
本文關(guān)鍵詞: 《聽琴圖》 宋徽宗 和 比較 作者再考釋 出處:《南京藝術(shù)學(xué)院學(xué)報(美術(shù)與設(shè)計)》2017年01期 論文類型:期刊論文
【摘要】:琴為樂器之首,在人類文化史中承載著豐富的內(nèi)涵!堵犌賵D》是否為宋徽宗之作,目前學(xué)術(shù)界尚有爭議。一方面通過《聽琴圖》文化內(nèi)涵的闡釋,與宋徽宗著作《御注道德真經(jīng)》、《沖虛至德真經(jīng)義解》等文論節(jié)選相互印證,表現(xiàn)出思想的一致性,體現(xiàn)了宋徽宗以圣人之德、圣明之君自我標(biāo)榜的人生哲學(xué);還可見出宋徽宗以藝貫道、道法自然、不為外物所累、以天地自然之心、中和萬物之儒道相糅的藝術(shù)觀;另一方面提出假設(shè)命題,通過《聽琴圖》與前代畫家的作品、與宋徽宗的其他繪畫作品、與宋徽宗同時代作品的比較,在題材、內(nèi)涵、造型、景觀、筆法、圖案裝飾等方面體現(xiàn)出的一致性或相似性,結(jié)合文獻史籍對宋徽宗的記載和評論以及宋徽宗自身所具有的創(chuàng)造精神,圖像、詩歌、史籍相互印證,得出結(jié)論:《聽琴圖》為宋徽宗所作。圖像集中反映了中國古代藝術(shù)相互影響、相互吸收,繼承與發(fā)展的普遍規(guī)律和中華傳統(tǒng)文化一脈相承的面貌。
[Abstract]:Qin is the head of musical instruments and carries rich connotations in the history of human culture. Whether listening to the Qin Pictures was written by the Song Huizong is still controversial in academic circles. On the one hand, through the interpretation of the cultural connotation of listening to the Qin Pictures, With the Song Huizong's works "the True Sutra of the Imperial Note on morality" and "the interpretation of the True Classic of Truth and Virtue", and so on, the excerpts from the literary theories are mutually confirmed, showing the consistency of thought, and embodying the philosophy of life in which Huizong of the Song Dynasty touted himself as the virtue of the sage and the sovereign of the saintly and Ming dynasties. We can also see the artistic view of Huizong in Song Dynasty, which combines art with art, Taoism and nature, not by external things, but with the heart of heaven and earth, and with the Confucianism and Taoism of all things. On the other hand, it puts forward a hypothetical proposition, through listening to the Qin Pictures, and the works of the previous generation painters. Comparing with other painting works of Huizong in Song Dynasty and the contemporary works of Huizong in Song Dynasty, the consistency or similarity in subject matter, connotation, modeling, landscape, brushwork, pattern decoration, etc. Combining with the records and comments of Huizong in the literature and the creative spirit, images, poems and historical records of Huizong in the Song Dynasty, Conclusion: "listening to Qin Pictures" was made by Huizong in Song Dynasty. The images mainly reflect the common law of mutual influence, mutual absorption, inheritance and development of ancient Chinese art and the appearance of Chinese traditional culture.
【作者單位】: 東南大學(xué)藝術(shù)學(xué)院;南京藝術(shù)學(xué)院;
【分類號】:J212
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