本文關(guān)鍵詞： 人文精神 佛教美學(xué) 空靈 境界　出處：《云南師范大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：佛教自印度傳入中國后，其深沉博大的宗教思想和藝術(shù)形式與中國傳統(tǒng)文化碰撞，為中國傳統(tǒng)文化注入了新鮮的血液。每一個時代的藝術(shù)，在傳承經(jīng)典的同時，，不斷的融合與創(chuàng)新。通過時代的特征，來展示當(dāng)朝的藝術(shù)美，完成蟬脫和蛻變。中國佛教（禪宗）美學(xué)與中國的繪畫都具有“助人倫、成教化”的作用，在某種意義上兩者之間相互影響、相互作用，一方面佛教（禪宗）為中國藝術(shù)提供了題材、場所和境界，另一方面中國藝術(shù)也為佛教（禪宗）在中國的傳播和發(fā)展提供了途徑和形式。中國的人文精神、“中國傳統(tǒng)文化之繪畫”、中國佛教（禪宗）美學(xué)對中國繪畫藝術(shù)的影響，使畫家體現(xiàn)在繪畫作品中的藝術(shù)精神更加豐富、所表達(dá)的境界更加自然、空靈。佛教（禪宗）美學(xué)中“隨其心凈則佛土凈、隨所住處恒安樂，真俗不二”，深入微妙的理想境界為中國人所向往和追求。本文通過對佛教（禪宗）美學(xué)思想的探究，梳理了佛家（禪宗）美學(xué)對魏晉、隋唐、宋元、明清繪畫的促進(jìn)和影響以及在佛家（禪宗）美學(xué)影響下魏晉、隋唐、宋元、明清繪畫的變化、形成的風(fēng)格、標(biāo)準(zhǔn)以及取得的成就（畫家和作品）。
[Abstract]:After Buddhism was introduced into China from India, its profound religious thought and art form collided with Chinese traditional culture, which injected fresh blood into Chinese traditional culture. Continuous fusion and innovation. Through the characteristics of the times, to show the artistic beauty of the dynasty, complete the cicada off and change. Chinese Buddhism (Zen) aesthetics and Chinese painting have the role of "help others, become civilized". In a sense, the two influence and interact with each other. On the one hand, Buddhism (Zen) provides the subject matter, the place and the realm for the Chinese art. On the other hand, Chinese art also provides a way and form for the spread and development of Buddhism (Zen) in China. Chinese humanistic spirit, "painting of Chinese traditional culture", the influence of Chinese Buddhist (Zen) aesthetics on Chinese painting art, The artistic spirit embodied by the painter in his paintings is more abundant, and the realm expressed is more natural and empty. In Buddhism (Zen) aesthetics, "with the purity of the heart, the Buddha's land is pure, and the place of residence is Heng'an," The deep and subtle ideal realm is yearned and pursued by the Chinese people. This article, through the exploration of Buddhism (Zen) aesthetic thought, combs the Buddhist (Zen) aesthetics to Wei and Jin, Sui and Tang dynasties, Song and Yuan dynasties. The promotion and influence of painting in Ming and Qing dynasties and the changes, styles, standards and achievements (painters and works) of paintings in Wei and Jin dynasties, Sui and Tang dynasties, Song and Yuan dynasties under the influence of Buddhism (Zen) aesthetics.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J209.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 朱良志;中國美學(xué)中的悟性說[J];齊魯學(xué)刊;2003年06期

本文編號：1518307