發(fā)布時間：2018-02-14 20:04

  本文關鍵詞： 仕女畫 老蓮 怪誕 羸弱 嬌媚　出處：《湖南師范大學》2016年碩士論文　論文類型：學位論文

【摘要】：陳洪綬是明末清初較為重要的文人藝術家,他詩書畫印樣樣精通,繪畫中山水、花鳥、人物都有涉及,尤善人物畫,其人物畫成就是明清時期繼唐朝張萱周f 等人之后的又一個高峰期。在仕女畫上,老蓮推陳出新,繼唐之韻,運宋之格,元之野,再有自我獨到的美學觀念和多舛命運的豐富經(jīng)歷影響其對繪畫觀念的逐步變化,其筆下“怪誕”的形象實不為怪誕。又老蓮所在時期和主要活動地區(qū)“心學”流傳,老蓮受心學影響,不僅在繪畫上有時達到無法的高境界,在生活上也是放浪形骸,狎妓出游,出入風月之地,流連忘返,詩畫人生,好不快活,但這些看似風光的表面實際上是麻痹愁苦的內(nèi)心中失意的仕途以及國亡后卻茍活于世的愧疚之情。老蓮在老年時期尤喜畫仕女畫,這與他長期與女子相處有關,其仕女畫中羸弱的女性狀態(tài)是明清男子審美觀念下的典型形象。老蓮人物畫畫外是激情、怪誕、自我沉醉的,畫內(nèi)卻是冷靜且又理性的,是“奇怪卻近理,迂拙而生動”的審美格調(diào),他的藝術作品將中國繪畫史中存之久遠的“怪誕之美”發(fā)揮到更高的一個層面。老蓮繪畫作品對后世產(chǎn)生了重大影響,對當下藝術青年亦是一枚明鏡,研究老蓮的仕女畫作品具有重要意義。
[Abstract]:Chen Hongshou is a more important literati artist in the late Ming and early Qing dynasties. He is proficient in the printing of all kinds of poems, books, and paintings. He is involved in landscapes, flowers and birds, and people, especially in figure painting. His figure painting achievements were another peak period in the Ming and Qing dynasties after Zhang Xuan Zhou f and others in the Tang Dynasty. In the painting of ladies and women, Lao Lian brought forth the old and new, followed by Tang Zhiyun, Song Zhige, Yuan Zhiye, etc. Moreover, the unique aesthetic concept of oneself and the rich experience of ill-fated destiny affect his gradual changes to the concept of painting, and the image of "grotesque" in his works is not really strange, and Lao Lian's period and main area of activity, "the study of mind", have spread. Influenced by psychology, Lao Lian not only reached an impossible high level in painting, but also in life was a prostitute, a prostitute to go out, to go out in the wind and moon, to wander away, to paint poetry and life, to be happy. But these seemingly beautiful facades are actually the dismal career in his sad heart and the guilt of living in the world after the death of the country. Lao Lian is particularly fond of painting paintings of ladies in her old age, which is related to his long relationship with women. The weak female state in his painting is a typical image under the aesthetic concept of men in Ming and Qing dynasties. The painting of Laolian figure is passionate, grotesque and self-intoxicated, but it is calm and rational in the painting, which is "strange but close to reason." His works of art bring into play the "grotesque beauty", which has existed for a long time in the history of Chinese painting, to a higher level. Lao Lian's paintings have had a great impact on later generations. It is also a mirror for contemporary art youth, so it is of great significance to study Laolian's paintings.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J212

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本文編號：1511500