本文關(guān)鍵詞： 元代題跋 創(chuàng)作旨趣 審美意蘊(yùn)　出處：《山東理工大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：題跋作為中國(guó)畫獨(dú)特的表現(xiàn)形式，日漸成為一種成熟的藝術(shù)語(yǔ)言，成為中國(guó)畫不可或缺的一部分，將中國(guó)畫的發(fā)展引入了一個(gè)更高的審美境地。它不僅以其獨(dú)特的藝術(shù)魅力豐富著畫面，同時(shí)也以其深厚的文學(xué)內(nèi)涵承載著畫家的精神寄托，可以說題跋對(duì)了解一個(gè)時(shí)期的文學(xué)藝術(shù)發(fā)展?fàn)顩r有重要作用，也為從另一個(gè)側(cè)面了解畫家當(dāng)時(shí)的審美活動(dòng)提供一個(gè)新的視角。元代也正值題跋發(fā)展興盛期，鑒于題跋有此重要作用，在此就以元代繪畫中的題跋為研究對(duì)象從其興起緣由、階段性發(fā)展概況及其審美意蘊(yùn)等方面做一個(gè)全方位的審視和深層次的挖掘，探析題跋是怎樣淋漓盡致表達(dá)作者思想情感和旨趣。本文還通過對(duì)元代題跋的深層剖析來探究題跋對(duì)繪畫的作用，以此也來明晰題跋是怎樣為繪畫“適時(shí)增援”的。 本文通過資料搜集、網(wǎng)頁(yè)瀏覽加之自我理解和分析對(duì)題跋的定義進(jìn)行了梳理闡述，并理清題跋的階段性生發(fā)演變歷程。其發(fā)展進(jìn)程從唐以前承載著政治宣教功能的題跋到“款識(shí)石隙”的宋代題跋直至到“相襲成風(fēng)、附麗成觀”的元代題跋。元代題跋不僅在構(gòu)成形式上不斷豐富，而且在表達(dá)內(nèi)容上也發(fā)生著深刻的變化。元代題跋在表達(dá)內(nèi)容上的特點(diǎn)是在意境追求上逐漸演變成對(duì)隱居生活的向往；在主題選擇上逐漸演變成對(duì)隱逸情思的表達(dá)；在思想情懷上逐漸演變成對(duì)自我情感的宣泄。正是因異族統(tǒng)治、政治社會(huì)意識(shí)形態(tài)的轉(zhuǎn)變、文化政策的外部滋養(yǎng)、文學(xué)藝術(shù)的內(nèi)部孕育、文人士大夫的大力支持等多重因素的交織促成了這一繁盛局面的驟變。不僅如此，本文對(duì)元代題跋的審美意蘊(yùn)還從書體選擇和構(gòu)成形式方面進(jìn)行了綜合探析，闡釋了題跋對(duì)繪畫的審美添加。在元代題跋的巨大影響下，明清直至近代繪畫題跋也受著潛移默化的影響，，題跋與繪畫的融合也越發(fā)自然和成熟。本文的創(chuàng)新點(diǎn)在于對(duì)元代題跋發(fā)展原因進(jìn)行了全面的整合梳理和分析，對(duì)元代題跋的表達(dá)內(nèi)容和形式進(jìn)行了歸類，并對(duì)題跋的審美意蘊(yùn)進(jìn)行了簡(jiǎn)略闡述。
[Abstract]:As a unique form of expression of Chinese painting, inscriptions are becoming a mature artistic language and an indispensable part of Chinese painting. It not only enriches the picture with its unique artistic charm, but also carries the artist's spiritual sustenance with its profound literary connotation. It can be said that inscriptions play an important role in understanding the development of literature and art in a certain period, and also provide a new perspective for understanding the aesthetic activities of the painters at that time from the other side. In view of the important role of the subject and postscript, this paper takes the subject and postscript of the Yuan Dynasty as the research object from the aspects of the reason of its rise, the general situation of its stage development and its aesthetic implication, and makes a comprehensive examination and deep excavation. This paper explores how the postscript can express the author's thoughts, feelings and purport. Through the deep analysis of the postscript of the Yuan Dynasty, this paper also explores the function of the postscript to the painting, so as to clarify how the postscript "reinforces in good time" for the painting. In this paper, through data collection, web browsing and self-understanding and analysis of the definition of postscript are combed and elaborated. The process of its development is from the political prelude before the Tang Dynasty to the Song Dynasty's inscription and postscript of "recognizing the Stone Gap" until the style of "inheriting the style". The postscript of the Yuan Dynasty, which is not only enriched in the form of composition, Moreover, profound changes have taken place in the content of expression. The characteristics of the title and postscript of the Yuan Dynasty are the gradual evolution of the pursuit of artistic conception into the yearning for living in seclusion, the gradual evolution of the choice of theme into the expression of seclusion; It is precisely because of alien rule, the transformation of political and social ideology, the external nourishment of cultural policy, and the internal breeding of literature and art. The interweaving of many factors, such as the strong support of literati and officials, contributed to the sudden change of this prosperous situation. Not only that, the aesthetic implication of the inscriptions and postscript of Yuan Dynasty was also comprehensively analyzed from the aspects of the choice of calligraphy style and the form of composition. This paper explains the aesthetic addition of the inscriptions to painting. Under the great influence of the inscriptions of the Yuan Dynasty, the inscriptions of the Ming and Qing dynasties and the modern times were also influenced by the subtle influence. The innovation of this paper lies in the comprehensive integration and analysis of the reasons for the development of the postscript of the Yuan Dynasty, and the classification of the expression content and form of the postscript of the Yuan Dynasty. At the same time, the aesthetic implication of postscript is briefly expounded.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J209.2

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本文編號(hào)：1509103