抽象藝術(shù)語言在版畫中的運(yùn)用
發(fā)布時間:2018-02-13 19:52
本文關(guān)鍵詞: 版畫藝術(shù) 抽象藝術(shù)語言 運(yùn)用表達(dá) 結(jié)合創(chuàng)新 出處:《南京藝術(shù)學(xué)院》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:隨著現(xiàn)代科技的進(jìn)步和社會的發(fā)展,,物質(zhì)的豐裕使得人們的審美趣味不斷地更迭,現(xiàn)代社會的居民對于精神需求的滿足變得更加強(qiáng)烈,對視覺美感帶來的享受也有了更多的期待。簡練抽象,又具有豐富文化內(nèi)涵的各類藝術(shù)作品受到人們的青睞。 版畫藝術(shù)作為一種古老的藝術(shù)形式,也在與當(dāng)代文化相綜合與互溶。抽象語言是版畫藝術(shù)的一種表現(xiàn)形式,它所表現(xiàn)出來的色彩、構(gòu)成、點(diǎn)、線、面等語言形式,與現(xiàn)代視覺的審美要求相契合,對現(xiàn)代版畫藝術(shù)的的發(fā)展起到了重要的作用。在對抽象藝術(shù)的學(xué)習(xí)中,我認(rèn)識到抽象畫所追求的作品的精神性意涵,語言的符號性,寓意的多義性,表達(dá)的自由性等這些特質(zhì)是版畫創(chuàng)作所需融入的。 文章對抽象語言和版畫藝術(shù)發(fā)展做了適度闡述,進(jìn)一步剖析了版畫中抽象藝術(shù)語言的運(yùn)用與價值。本文認(rèn)為,在現(xiàn)代藝術(shù)的大環(huán)境下,融合了抽象藝術(shù)語言和抽象畫特質(zhì)的版畫創(chuàng)作是版畫藝術(shù)發(fā)展的必然趨勢與重要方向。文中對趙無極先生的版畫作品進(jìn)行了分析,對于觀點(diǎn)提出證明,在對前輩藝術(shù)家作品的學(xué)習(xí)研究與吸取中,擴(kuò)寬了思路,放遠(yuǎn)了視野,拓展了自身版畫創(chuàng)作的發(fā)展空間。
[Abstract]:With the progress of modern science and technology and the development of society, people's aesthetic tastes are constantly changing due to the abundance of materials, and the people of modern society are more and more satisfied with their spiritual needs. There is also more expectation for the enjoyment of visual beauty. All kinds of works of art, which are concise and abstract and rich in cultural connotation, are favored by people. As an ancient art form, printmaking art is also integrated with contemporary culture. Abstract language is a form of expression of printmaking art. It shows the forms of language such as color, composition, dot, line, surface, etc. Consistent with the aesthetic requirements of modern vision, it plays an important role in the development of modern printmaking art. In the study of abstract art, I realized the spiritual meaning of the works pursued by abstract paintings and the symbolism of language. The meaning of polysemy, the freedom of expression and so on are necessary for the creation of printmaking. This paper expounds the development of abstract language and printmaking art, and further analyzes the application and value of abstract art language in printmaking. The creation of printmaking, which combines abstract artistic language and abstract painting characteristics, is the inevitable trend and important direction of the development of printmaking art. In this paper, the author analyzes Mr. Zhao Wuji's printmaking works, and proves his viewpoint. In the study and study of the works of the previous generation artists, broaden the thinking, broaden the field of vision, and expand the development space of their own printmaking.
【學(xué)位授予單位】:南京藝術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J217
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