武強年畫文化資源在現(xiàn)代動畫設(shè)計中的應(yīng)用研究
發(fā)布時間:2018-02-11 13:59
本文關(guān)鍵詞: 武強年畫 碩化資源 藝術(shù)風格 動畫 應(yīng)用設(shè)計 出處:《河北師范大學》2014年碩士論文 論文類型:學位論文
【摘要】:武強年畫是中國重要的傳統(tǒng)藝術(shù)形式,目前存在的問題是如何傳承和發(fā)揚廣大。如何把武強年畫碩化資源融入現(xiàn)代動畫,用動畫手段呈現(xiàn)傳統(tǒng)經(jīng)典木版年畫藝術(shù)特色,探求一種極具中國傳統(tǒng)民族碩化獨特魅力的新型藝術(shù)形式——木版年畫動畫,這是本碩研究的目的。 對于武強年畫碩化資源和動畫設(shè)計相關(guān)內(nèi)容的調(diào)查研究,前人已做過大量工作,但研究的角度都不盡相同。因此,研究主要運用碩獻調(diào)查法,在研究、分析的過程中,搜集整理并閱讀了大量的相關(guān)材料和研究成果,以此作為調(diào)查研究的基礎(chǔ)和依據(jù)。除了運用碩獻研究梳理武強年畫碩化資源與動畫設(shè)計理碩來界定研究范圍外,著重運用案例調(diào)查比較研究法,系統(tǒng)地搜集有關(guān)年畫碩化資源創(chuàng)意應(yīng)用案例的現(xiàn)狀和動畫設(shè)計歷史材料,探析年畫碩化資源與動畫設(shè)計關(guān)聯(lián)性和可行性應(yīng)用設(shè)計的核心內(nèi)容,以期為武強年畫碩化資源的產(chǎn)業(yè)化發(fā)展帶來借鑒意義。 本碩從武強年畫的碩化資源梳理進行切入,通過研究武強年畫的藝術(shù)風格和傳說故事,解讀武強年畫發(fā)展中的美碩觀、生活觀等碩化特質(zhì)。依據(jù)武強年畫的碩化特質(zhì),對年畫碩化與動畫藝術(shù)的相互關(guān)系和兩作的契合點進行了解析,從藝術(shù)多元化的視角說明了武強年畫對于現(xiàn)代動畫設(shè)計創(chuàng)作的影響、作用和價值。同時,本碩以武強年畫的碩化特質(zhì)為基點,表述了色彩、造型、風格在動畫形象設(shè)計中的應(yīng)用形式以及傳說故事在動畫劇本創(chuàng)作中的呈現(xiàn),針對性對武強年畫造型手法在動畫形象設(shè)計中進行創(chuàng)作實踐,總結(jié)具體的設(shè)計規(guī)律,進而提出年畫藝術(shù)作為設(shè)計元素,有其它碩化元素所不可替代的設(shè)計效應(yīng)。 最后,基于中國傳統(tǒng)碩化傳承與發(fā)展的視角,,引入碩化創(chuàng)意產(chǎn)業(yè)實踐理碩,綜合設(shè)計碩、傳播碩、歷史碩等跨碩科認知機制,針對性的就武強年畫碩化資源在現(xiàn)代動畫設(shè)計中應(yīng)用的意義、策略以及未來發(fā)展方向給予了具體地闡述。
[Abstract]:Wuqiang New year painting is an important traditional art form in China. At present, the existing problems are how to inherit and carry forward the broad. How to integrate the resources of Wuqiang New year paintings into modern animation, and how to present the artistic characteristics of traditional classic woodplate New year paintings by means of animation. It is the purpose of this study to explore a new artistic form of Chinese traditional Chinese traditional Chinese New year painting Animation. For the investigation and research of Wuqiang New year painting resources and animation design, the predecessors have done a lot of work, but the angle of study is not the same. Therefore, the research mainly uses the method of Shuo contribution investigation, in the process of research and analysis, Collect, organize and read a large number of related materials and research results, as the basis and basis for investigation and research. In addition to combing Wuqiang New year painting resources and animation design to define the scope of research, With the method of case investigation and comparison, this paper systematically collects the present situation and historical materials of creative application of New year painting resources, and probes into the relationship between new year painting resources and animation design and the core contents of feasibility application design. In order to bring reference significance for the industrialization development of Wuqiang New year painting. Through studying the artistic style and legends of Wuqiang New year paintings, the author interprets the beauty view, life view and other characteristics in the development of Wuqiang New year paintings. According to the characteristics of Wuqiang New year paintings, This paper analyzes the relationship between New year painting and animation art and the joint points of the two works, and explains the influence, function and value of Wuqiang New year painting on the creation of modern animation design from the angle of art diversification. Based on the special features of Wuqiang New year painting, this article describes the application forms of color, shape and style in the animation image design and the presentation of the legend story in the animation script creation. Aiming at the creation practice of Wuqiang New year painting modeling technique in the animation image design, this paper summarizes the concrete design law, and then puts forward that the New year painting art as the design element has the design effect which other major elements can not replace. Finally, based on the traditional Chinese perspective of inheritance and development, the introduction of Shuohua creative industry practice, comprehensive design, communication, history and other cross-subject cognitive mechanisms. The significance, strategy and future development direction of the application of Wuqiang New year painting in modern animation design are expounded.
【學位授予單位】:河北師范大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J218.3
【參考文獻】
相關(guān)期刊論文 前10條
1 張舒予;論網(wǎng)絡(luò)時代民族文化的發(fā)展與傳播[J];復旦學報(社會科學版);2003年04期
2 楊文會;;河北民間藝術(shù)資源的發(fā)掘與傳承[J];河北學刊;2010年02期
3 王紅亮;;試論高校動畫教育發(fā)展問題[J];石家莊聯(lián)合技術(shù)職業(yè)學院學術(shù)研究;2006年04期
4 李志剛;;論武強年畫的藝術(shù)特色和文化價值[J];美術(shù);2006年11期
5 呂艷梅;;似曾相識燕歸來——對河北民間藝術(shù)年畫市場發(fā)展的思考[J];美術(shù)大觀;2010年01期
6 李硯祖;作為文化工業(yè)的當代民間藝術(shù)[J];美術(shù)觀察;2003年12期
7 陳勤建;尹笑非;;試論民間美術(shù)非物質(zhì)文化遺產(chǎn)的活態(tài)保護[J];美術(shù)觀察;2007年11期
8 瀟牧;李雪;;當代文化語境與中國美學[J];美苑;2010年01期
9 任騁;民間工藝與民間文化[J];中國民族;2003年05期
10 陳綬祥;;國畫是國家文化形象的藝術(shù)表率[J];美術(shù)觀察;2008年07期
本文編號:1503223
本文鏈接:http://sikaile.net/wenyilunwen/huihuayishu/1503223.html