本文關(guān)鍵詞： 中國畫 極少主義 空白 陰陽 太極　出處：《大連工業(yè)大學》2013年碩士論文　論文類型：學位論文

【摘要】：本文將對視覺語言符號元素進行探討研究,符號研究和語義分析已經(jīng)成為當代設(shè)計領(lǐng)域的熱點,但對于視覺語言的元素化問題還鮮有重視。藝術(shù)符號是視覺語言傳達給受眾過程中直接準確的傳達媒介,在溝通人類思維與文化、信息方面起到重要的作用。由此可見,符號元素在視覺語言的表現(xiàn)中的關(guān)注程度越來越高。例如,太極圖是容量極大的意象圖,它由黑白兩個魚形紋組合而成,俗稱陰陽魚,意象造型的美學法則深藏在這兩魚追逐之中,它完美地、形象化地表達了陰陽輪轉(zhuǎn),相反相成是萬物生成變化根源的哲理。太極圖的設(shè)計成功地運用了圖底反轉(zhuǎn),對比強烈卻又融匯合一。太極圖的簡潔是對人們求簡心理的完美闡釋。 視覺語言的表現(xiàn)能激發(fā)受眾的想象和情感,建立起藝術(shù)與大眾溝通的橋梁。圖形是平面設(shè)計的重要元素,不僅在人們的視覺接觸上最為頻繁和熟悉,而且在視覺傳達的形式上也最為豐富多彩。在傳統(tǒng)圖形語言的哲學觀念里,中國傳統(tǒng)圖形中的疏密、動靜、虛實、黑白等辯證關(guān)系即是陰陽五行思想在構(gòu)圖中的應(yīng)用。在傳統(tǒng)圖形中,最具代表性是“太極圖”,其形式和理念常常為設(shè)計師們所借鑒,在體現(xiàn)強烈的。 本文從易學史角度考察中國古代哲學中陰陽矛盾學說的演進,而陰陽矛盾學說的形成和發(fā)展,很大程度上又是和周易理念、周易思維智慧的,所以,“化”存乎“通”,“變”則是化的結(jié)果,用樸素的語言表達出事物質(zhì)變與量變間的關(guān)系。中國哲學揭示了太和之道(太極)雖沒有表現(xiàn)出形態(tài)上的陰陽分合和運動變化,但基于如何將陰陽文化可以應(yīng)用于藝術(shù)中去,本文以留白的特殊形式表現(xiàn)陰陽文化,包括霍去病墓石刻和日本光教堂。所以這種陰陽文化日趨國際化。 希望通過對過去的研究,可以給與世界當代藝術(shù)以啟示。中國的陰陽哲學和太極思維是一種科學性極強的世界觀和方法論,它用陰陽對立的兩個方面來說明并解釋了自然界和人類社會發(fā)生發(fā)展的一切現(xiàn)象
[Abstract]:In this paper, the visual language symbol elements will be discussed, symbol research and semantic analysis has become a hot spot in the field of contemporary design. However, little attention has been paid to the issue of the element of visual language. Artistic symbols are the direct and accurate media of communication between visual language and the audience, and play an important role in communicating human thinking, culture and information. Symbol elements are gaining more and more attention in the expression of visual language. Taiji, for example, is an image of great capacity. It is a combination of black and white fish-shaped lines, commonly known as yin and yang fish. The aesthetic law of image modeling is deeply hidden in the pursuit of these two fish. It perfectly and vividly expresses the rotation of yin and yang, on the contrary, complementary is the philosophical principle that causes all things to change. The simplicity of Taiji diagram is the perfect explanation of people's psychology of seeking simplicity. The expression of visual language can stimulate the imagination and emotion of the audience and build a bridge between art and the public. Graphics is an important element of graphic design, which is not only the most frequent and familiar in people's visual contact. Moreover, the form of visual communication is also the most colorful. In the philosophical concept of traditional graphic language, the density, movement, and reality of Chinese traditional graphics, The dialectical relationship between black and white is the application of the thought of Yin Yang and five elements in composition. In the traditional graphics, the most representative is "Taiji drawing", whose form and idea are often used for reference by designers and strongly embodied. This paper examines the evolution of the theory of yin-yang contradiction in ancient Chinese philosophy from the perspective of the history of the Book of changes. To a great extent, the formation and development of the theory of Yin-Yang contradiction is based on the idea of the Book of changes and the wisdom of Zhou Yi's thinking. Therefore, "transformation" exists in "communication" and "change" is the result of transformation. The relationship between qualitative change and quantitative change is expressed in plain language. Chinese philosophy reveals that the way of Taihe (Taiji) does not show the combination of yin and yang in form and the change of movement. However, based on how to apply the Yin and Yang culture to art, this paper presents the Yin and Yang culture in the special form of white space, including Huo Qiang's tomb stone carvings and the Japanese Guang Chapel, so this kind of Yin and Yang culture is becoming more and more international. It is hoped that through the study of the past, we can give enlightenment to contemporary art in the world. The Chinese philosophy of yin and yang and the thinking of Taiji are a very scientific world outlook and methodology. It explains and explains all the phenomena that occur and develop in nature and human society by using the two opposite aspects of Yin and Yang.
【學位授予單位】：大連工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212;B227

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本文編號：1500919