發(fā)布時間：2018-02-09 22:20

  本文關(guān)鍵詞： 伯里曼 人體結(jié)構(gòu)繪畫訓(xùn)練 藝用解剖學(xué) 繪畫教學(xué) 基礎(chǔ)訓(xùn)練 藝術(shù)創(chuàng)造　出處：《西北民族大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：對于繪畫藝術(shù)教學(xué)而言,想要正確描繪人體,學(xué)習(xí)藝術(shù)解剖學(xué)對人體整體效果的表現(xiàn)是最有效、最直接的一種方式。正因?yàn)槿绱?解讀伯里曼人體結(jié)構(gòu)繪畫的教育理念,對當(dāng)下學(xué)習(xí)繪畫的學(xué)生有著非同尋常的指導(dǎo)意義與作用。 萬變不離其宗,想要深入地認(rèn)識到人體繪畫的精髓,對伯里曼人體結(jié)構(gòu)繪畫的訓(xùn)練是不可或缺的一部分。通過對伯里曼這位繪畫教育大師這一個案例的研究,將他作品中體現(xiàn)的傳統(tǒng)繪畫教育理念及人體繪畫學(xué)習(xí)方法進(jìn)行分析,尋求在人體繪畫教學(xué)中,人體結(jié)構(gòu)繪畫訓(xùn)練的重要性和意義,進(jìn)而結(jié)合筆者自身的學(xué)習(xí)經(jīng)歷,來探索屬于自己的、便捷的、扎實(shí)的人體繪畫基礎(chǔ)的教育方法,并用其指導(dǎo)人體繪畫的寫生與創(chuàng)作。 總之,伯里曼人體結(jié)構(gòu)訓(xùn)練把繪畫教學(xué)的發(fā)展置于一個開放的環(huán)境中,同時為油畫創(chuàng)作的發(fā)展提供了一個堅實(shí)的基礎(chǔ)。如何深入、有效地研究伯里曼人體結(jié)構(gòu)繪畫訓(xùn)練在當(dāng)代油畫創(chuàng)作發(fā)展中的地位和作用,并在我國研究生的美術(shù)繪畫學(xué)習(xí)中,將它作為一種合理可用的資源進(jìn)行有效開發(fā),當(dāng)是一個值得認(rèn)真思考和解決的問題。藝術(shù)探索必將得到越來越多的文化認(rèn)同,成為蘊(yùn)含在世界人體繪畫藝術(shù)中一道靚麗的風(fēng)景線。
[Abstract]:As far as painting art teaching is concerned, if you want to describe the human body correctly, it is the most effective and direct way to study the overall effect of art anatomy on the human body. It has an extraordinary guiding significance and function for the students who study painting at present. In order to realize the essence of human painting in depth, the training of Berryman's body structure painting is an indispensable part. Through the case study of Berryman, the master of painting education, This paper analyzes the traditional painting education idea and the study method of human body painting embodied in his works, seeks the importance and significance of human body structure painting training in the teaching of human body painting, and then combines the author's own learning experience. To explore their own, convenient, solid basis of human painting education, and use it to guide human painting sketch and creation. In short, Berryman's human structure training puts the development of painting teaching in an open environment and provides a solid foundation for the development of oil painting creation. This paper effectively studies the position and function of Berriman's human structure painting training in the development of contemporary oil painting, and takes it as a reasonable and available resource to develop effectively in the art painting study of graduate students in our country. Art exploration will be recognized by more and more cultures and become a beautiful landscape in the art of human painting in the world.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J206-4

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 陳偉生;藝用人體解剖結(jié)構(gòu)[J];美術(shù)向?qū)?1995年05期

2 王熙儒;藝用人體比例淺談[J];西南師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);1998年03期

3 張穎;藝用人體解剖探微[J];藝術(shù)交流;2001年04期

，

本文編號：1498990