本文關(guān)鍵詞： 寫實(shí)油畫 造型語言 寫實(shí) 夸張　出處：《鄭州大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以寫實(shí)油畫造型語言作為切入點(diǎn),通過對中國寫實(shí)油畫中寫實(shí)與夸張的造型語言特點(diǎn)分析比較研究,來學(xué)習(xí)如何在創(chuàng)作中更恰當(dāng)?shù)倪\(yùn)用夸張,從而使我們要塑造的形象更生動(dòng)更獨(dú)特。經(jīng)過對典型作品的分析來研究藝術(shù)夸張的手法,能夠使我們更好地借鑒東西方的繪畫語言和形式表現(xiàn)手法,并最終找到屬于自己獨(dú)特的藝術(shù)夸張語言符號(hào),這種夸張的語言符號(hào)在中國寫實(shí)油畫當(dāng)中的運(yùn)用,能夠使藝術(shù)家想要表達(dá)的主觀情感完美體現(xiàn)在其作品中,形成藝術(shù)家個(gè)性的藝術(shù)風(fēng)格。本文共分為五個(gè)章節(jié),第一章是緒論部分,主要包括論文選題的來源與背景、目的及意義、要討論的問題及回避的問題、基本思路、研究的方法、文獻(xiàn)綜述、論文結(jié)構(gòu)安排等。第二章、主要從歷史的角度,概述中國寫實(shí)油畫造型語言中的夸張,從而為中國寫實(shí)油畫的發(fā)展提供一個(gè)美學(xué)上的背景。第三章是文章的正文,對中國寫實(shí)油畫造型語言中的寫實(shí)與夸張的分析,通過對其特點(diǎn)研究和分析代表畫家的作品,來展示中國寫實(shí)油畫從寫實(shí)到夸張的造型語言的特點(diǎn)。第四章、主要研究中國傳統(tǒng)藝術(shù)對中國寫實(shí)油畫造型語言的影響,最后一章是談夸張?jiān)趥�(gè)人油畫創(chuàng)作中的運(yùn)用,結(jié)合中國寫實(shí)油畫發(fā)展現(xiàn)狀及自身創(chuàng)作實(shí)踐說明適當(dāng)?shù)目鋸埜鼙磉_(dá)自我的精神情感和思想觀念。
[Abstract]:This article regards realistic oil painting modeling language as the breakthrough point, through the analysis and comparison of the characteristics of realistic and exaggerated modeling language in Chinese realistic oil painting, to learn how to use exaggeration more appropriately in the creation. In order to make the image we want to create more vivid and unique. Through the analysis of typical works to study the artistic exaggeration techniques, we can better learn from the eastern and western painting language and formal expression, And finally find their own unique artistic exaggeration language symbols, this exaggerated language symbols in Chinese realistic oil painting, can make the artist want to express the subjective feelings perfectly reflected in his works, This article is divided into five chapters, the first chapter is the introduction, which mainly includes the origin and background, the purpose and significance, the problems to be discussed and the questions to be avoided, the basic ideas and the research methods. The second chapter, mainly from the historical angle, summarizes the exaggeration in the modeling language of Chinese realistic oil painting, thus provides an aesthetic background for the development of Chinese realistic oil painting. Chapter three is the text of the article. The analysis of realism and exaggeration in the modeling language of Chinese realistic oil painting, through the study and analysis of the characteristics of the representative painter's works, to show the characteristics of Chinese realistic oil painting from realistic to exaggerated modeling language. Chapter 4th, This paper mainly studies the influence of Chinese traditional art on the modeling language of Chinese realistic oil painting. The last chapter is about the application of exaggeration in personal oil painting. Combining with the development of Chinese realistic oil painting and its own creative practice, it is proved that appropriate exaggeration can express the spiritual feelings and ideas of oneself.
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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本文編號(hào)：1498585