本文關(guān)鍵詞： 神秘幻象 宗教象征 視覺趣味性 非視域空間 真善美　出處：《青島科技大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：“鏡子”圖像以其強(qiáng)大的生命力滲透于繪畫藝術(shù)領(lǐng)域之中，并進(jìn)一步發(fā)展成為繪畫領(lǐng)域中最早的傳統(tǒng)母題之一，呈現(xiàn)出異彩紛呈的局面。在繪畫藝術(shù)領(lǐng)域中不僅形成了以倫理教化為主要功能的道德之鏡，還形成了以抒發(fā)情感為主的寄情之鏡。但這些都不是鏡子與繪畫藝術(shù)結(jié)合之最精彩點(diǎn)，所以我們有必要對(duì)“鏡子”圖像在繪畫中的各種呈現(xiàn)方式、象征含義和審美趣味作更進(jìn)一步的了解。本文力求從時(shí)間和空間兩方面對(duì)繪畫中的“鏡子”圖像進(jìn)行全面、系統(tǒng)的梳理，探清鏡子這一傳統(tǒng)母題在繪畫藝術(shù)發(fā)展和流變過程中的細(xì)微變化，并在此基礎(chǔ)上進(jìn)一步地了解人類自我意識(shí)覺醒的發(fā)展脈絡(luò)以及鏡子這一傳統(tǒng)母題在現(xiàn)代繪畫中的延續(xù)與發(fā)展。 本文以各個(gè)歷史時(shí)期具有代表性的油畫作品中的“現(xiàn)實(shí)具象”、“神秘幻象”、“不同視角的轉(zhuǎn)換”等藝術(shù)問題為起點(diǎn)，，試著提出若干理念以詮釋鏡子在油畫中存在的特殊意義，如：宗教特殊含義、“鏡子”圖像的視覺趣味性、目的性再現(xiàn)“非視域空間”、“道德之鏡”、“不在場(chǎng)的鏡子”等等，以上內(nèi)容是本文的核心觀念。本文希冀提出一個(gè)這樣的觀點(diǎn)：鏡子不僅是一種具有實(shí)用性功能的照容器物，它還具有特殊的審美價(jià)值與符號(hào)象征意義�！扮R子”圖像作為繪畫中一個(gè)特殊的審美對(duì)象，它所持有的文化內(nèi)涵與審美價(jià)值遠(yuǎn)遠(yuǎn)地超出了鏡子本身的存在意義。
[Abstract]:The "mirror image" with its strong vitality in the field of art penetration, and the further development of one of the earliest traditional topics in the field of painting, showing a colorful situation. In the field of painting not only formed with ethics as the main function of the morality of the mirror, also formed to express emotion mainly the place of a mirror. But these are not the mirror and the art of painting with the most exciting point, so we need the mode of presentation on the "mirror" image in painting, symbolic meaning and aesthetic taste for better understanding. In this paper, from two aspects of time and space on the painting in the "mirror" image overall, systematic exploration, subtle changes in the art of painting in the process of development and evolution of Qing Dynasty mirror the traditional motif, and on the basis of further understanding of human self consciousness development The continuation and development of the traditional motif of the mirror and the mirror in modern painting.
In this paper, the various historical periods of the representative works of the "realistic figurative", "mysterious illusion" and "different perspective" art as the starting point, try to put forward some ideas on the interpretation of special significance, the mirror is in the oil painting such as religious meaning, the "mirror" image the purpose of interest, the reproduction of "non vision space", "moral mirror", "absence of mirror" and so on, the above content is the core concept of this paper. This paper puts forward a hope that the mirror is not only a practical function as the container, it also has a special aesthetic value and the symbolic meaning of "mirror image". As a special aesthetic object in painting, it holds the cultural connotation and aesthetic value far beyond the meaning of the mirror itself.

【學(xué)位授予單位】：青島科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

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