本文關(guān)鍵詞： 山水畫 山水詩 詩畫融合 關(guān)系　出處：《山東理工大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：唐代山水畫與山水詩是中國傳統(tǒng)藝術(shù)中兩株各有千秋的藝術(shù)奇葩，本文從山水畫與山水詩的文化背景與審美特征、山水畫與山水詩的意境表現(xiàn)及相互作用、詩畫關(guān)系的融合、詩畫結(jié)合的美學(xué)意義及文化影響等方面論述了二者密不可分、相得益彰的關(guān)系。 山水畫與山水詩之所以有如此多的一致性和融通性，主要在于畫家與詩人都深受中國傳統(tǒng)文化的影響，有著相同或相似的審美理想、審美情趣和審美追求。把自然美、寫意美、意境美融為一體的藝術(shù)風(fēng)格，寓情山水，追求精神和人格理想的自然超脫，使二者不僅有了藝術(shù)神韻上的相似性，也使二者有了內(nèi)在精神氣質(zhì)上的相同性。 唐代山水畫與山水詩獨特的藝術(shù)表現(xiàn)手法和藝術(shù)神韻，，特有的美學(xué)價值和人文精神，是民族的，也是世界的，值得我們世代傳承。
[Abstract]:Landscape painting and landscape poetry in Tang Dynasty are two unique works of art in Chinese traditional art. This article is based on the cultural background and aesthetic characteristics of landscape painting and landscape poetry, the artistic conception and interaction between landscape painting and landscape poetry, and the combination of poetry and painting. The aesthetic significance and cultural influence of poetry and painting are discussed in this paper. The reason why there is so much consistency and compatibility between landscape painting and landscape poetry is that both painters and poets are deeply influenced by Chinese traditional culture and have the same or similar aesthetic ideals, aesthetic tastes and aesthetic pursuits. The artistic style of combining freehand brushwork and artistic conception, the natural detachment of the pursuit of spirit and personality ideal, makes the two have not only the similarity of artistic charm, but also the similarity of inner spiritual temperament. Tang Dynasty landscape painting and landscape poetry unique artistic expression and artistic charm, unique aesthetic value and humanistic spirit, is national, but also the world, worthy of our generations.
【學(xué)位授予單位】：山東理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

【參考文獻】

相關(guān)期刊論文 前3條

1 張福慶;論王維山水詩的“詩中有畫”[J];內(nèi)蒙古社會科學(xué)(漢文版);1999年04期

2 白海;山水詩與山水畫[J];紹興文理學(xué)院學(xué)報(哲學(xué)社會科學(xué)版);2002年03期

3 葉朗;中國藝術(shù)的意境[J];神州學(xué)人;1998年08期

本文編號：1494193