發(fā)布時(shí)間：2018-02-03 05:22

  本文關(guān)鍵詞： 仿作 明代繪畫 藝術(shù)史研究 創(chuàng)作方式 《宣和畫譜》 方從義 武夷放棹圖 燕文貴 石渠寶笈 許道寧　出處：《美術(shù)觀察》2017年11期 　論文類型：期刊論文

【摘要】：正藝術(shù)史研究常常要說明某一時(shí)期的特征,從而展示其歷史地位與意義。明代畫作整體上有什么特點(diǎn)足以區(qū)別前后時(shí)代?仿作興起,是其特別重要的特點(diǎn)之一明代繪畫,既有作者寫自家風(fēng)格的創(chuàng)作,也有追摹往古的仿作。因?yàn)榉伦鞯某霈F(xiàn),明代的畫作乃有了別樣的面貌,讓我們得以與前此的宋元畫作做出時(shí)代上的判別。另外,仿作也是一種新的創(chuàng)作方式,作者借此可以在歷史與自我之間尋得
[Abstract]:The study of the history of art often explains the characteristics of a certain period so as to show its historical status and significance. What are the characteristics of the paintings of the Ming Dynasty as a whole that can distinguish the time before and after? The rise of imitation is one of the most important features of painting in Ming Dynasty. It is not only the author writes his own style, but also the imitation of ancient times. Because of the appearance of imitation, the painting of Ming Dynasty has a different face. In addition, imitation is also a new way of creating works, by which the author can find it between history and self.
【作者單位】： 南京林業(yè)大學(xué)人文學(xué)院;
【分類號(hào)】：J212
【正文快照】： 藝術(shù)史研究常常要說明某一時(shí)期的特征,從而展示其歷史地位與意義明代_作整體上有什么特點(diǎn)足以KR%前后時(shí)代?仿作興起,是其特別重要的特點(diǎn)之一,明代繪畫,既有作者寫自家風(fēng)格的創(chuàng)作,也有追摹往古的仿作:因?yàn)榉伦鞯某霈F(xiàn),明代的畫作乃有了別樣的面貌,讓我們得以與前此的宋元畫作做，

本文編號(hào)：1486541