本文關(guān)鍵詞： 明代 宗教繪畫 道釋畫　出處：《淮北師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：明代宗教繪畫是明代繪畫中不可或缺的一部分，在明代整個社會及畫壇的發(fā)展過程中，，由于宗教和藝術(shù)在每個特定的朝代的相互聯(lián)系和滲透，宗教為繪畫創(chuàng)作提供素材，宗教精神也在潛移默化地影響著藝術(shù)家的創(chuàng)作。宗教繪畫是宗教藝術(shù)品，同時也是藝術(shù)家一定宗教情結(jié)的表現(xiàn)。通過對明代社會文化背景下主要的宗教、哲學和宗教繪畫發(fā)展脈絡(luò)的梳理與研究，力求深掘它們的內(nèi)在聯(lián)系。 本文的運用理論分析、舉例論證和綜合對比的方法，試圖從以下五方面闡述明代宗教繪畫中的壁畫、文人畫中的宗教題材繪畫以及與明代學術(shù)思潮直接的內(nèi)在關(guān)系。 第一部分重點闡述了社會文化背景下由元至明的宗教繪畫的傳承關(guān)系及研究現(xiàn)狀。首先從明代的宗教政策，社會背景及繪畫狀況作了一個綜述，梳理明代宗教繪畫的傳承關(guān)系。 第二部分論述了明代不同宗教流派與相應(yīng)宗教發(fā)展的關(guān)系。通過對明代佛教、道教、基督教及名家宗教的發(fā)展狀況，論述了與各教派相對應(yīng)的宗教繪畫的特色表現(xiàn)。 第三部分論述了明代宗教畫家的創(chuàng)作狀況及明代宗教繪畫作品的特點。首先對明代宗教文人畫家的宗教題材創(chuàng)作、明代壁畫創(chuàng)作的特點進行了分析，然后對明代畫家的宗教題材繪畫進行了闡述。 第四部分論述了明代宗教繪畫與明代學術(shù)流派的內(nèi)在關(guān)系。首先是對明代理學、心學的發(fā)展及各自的哲學內(nèi)涵的論述，然后論述了明代主要哲學流派和當時宗教繪畫的內(nèi)在關(guān)系。 最后對明代宗教繪畫在明代繪畫中的地位其對后世的影響。主要從三個方面去論述:一是對主題意識的強調(diào)；二是繼承與創(chuàng)新的關(guān)系；三是從筆墨自身的獨立表現(xiàn)去分析明代宗教繪畫的中的筆墨特點。
[Abstract]:Religious painting in Ming Dynasty is an indispensable part of painting in Ming Dynasty. During the development of the whole society and the painting world of Ming Dynasty, religion and art are connected and infiltrated in each particular dynasty. Religion provides material for painting creation, and religious spirit also influences artists' creation. Religious painting is a religious work of art. At the same time, it is also the expression of certain religious complex of artists. Through combing and studying the main development of religion, philosophy and religious painting under the social and cultural background of Ming Dynasty, the author tries to dig up their internal relations. This article uses the theory analysis, the example demonstration and the synthesis contrast method, attempts from the following five aspects to elaborate the mural in the Ming Dynasty religious painting. The religious painting in literati painting and its direct internal relationship with the academic trend of thought in Ming Dynasty. The first part focuses on the inheritance and research status of religious painting from Yuan to Ming under the social and cultural background. Firstly, it summarizes the religious policy, social background and painting situation of Ming Dynasty. Combing the inheritance of religious painting in Ming Dynasty. The second part discusses the relationship between the different religious schools and the corresponding religious development in the Ming Dynasty, through the development of Buddhism, Taoism, Christianity and famous religions in the Ming Dynasty. This paper discusses the characteristics of religious paintings corresponding to various sects. The third part discusses the creation of religious painters in Ming Dynasty and the characteristics of religious paintings in Ming Dynasty. Firstly, the religious subjects of religious literati painters in Ming Dynasty and the characteristics of mural paintings in Ming Dynasty are analyzed. Then the painting of religious themes of the Ming Dynasty painters were expounded. The 4th part discusses the internal relationship between the religious painting of the Ming Dynasty and the academic schools of the Ming Dynasty. Firstly, it discusses the development of the Confucianism, the study of the mind and their respective philosophical connotations in the Ming Dynasty. Then it discusses the relationship between the main philosophical schools of Ming Dynasty and religious painting at that time. Finally, it discusses the position of religious painting in Ming Dynasty painting and its influence on later generations. Second, the relationship between inheritance and innovation; The third is to analyze the characteristics of the brush and ink in the religious painting of the Ming Dynasty from the independent performance of the brush and ink itself.
【學位授予單位】：淮北師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J219

【共引文獻】

相關(guān)期刊論文 前4條

1 單國強;二十世紀對明代“浙派”的研究[J];故宮博物院院刊;2001年03期

2 李明章;李朝暉;;戴進人物畫風格探究[J];淮北師范大學學報(哲學社會科學版);2012年01期

3 楊德忠;;為謝環(huán)鳴冤兼評當代美術(shù)界“偽批評”現(xiàn)象[J];齊魯藝苑;2008年03期

4 李明章;;戴進生平未入畫院考[J];赤峰學院學報(漢文哲學社會科學版);2013年10期

相關(guān)博士學位論文 前1條

1 王浩瀅;中國寫意畫的美學特質(zhì)[D];南京藝術(shù)學院;2009年

相關(guān)碩士學位論文 前1條

1 李明章;戴進繪畫風格研究[D];天津美術(shù)學院;2006年

本文編號：1485511