發(fā)布時間：2018-01-31 16:03

  本文關(guān)鍵詞： 人物 繪畫 色彩 傳統(tǒng)　出處：《西北民族大學》2014年碩士論文　論文類型：學位論文

【摘要】：中西方傳統(tǒng)人物繪畫在不同的文化意識與審美理念下形成了不同色彩觀念、不同視覺感受的繪畫形式。兩者繪畫色彩觀念的形成究其根源是中西方不同的哲學觀和美學理念,西方傳統(tǒng)人物繪畫注重科學性,認為科學性伴隨著西方傳統(tǒng)人物繪畫色彩的發(fā)展；中國傳統(tǒng)人物繪畫崇尚“意”,始終表現(xiàn)著傳統(tǒng)文人對社會的審美意識,兩者比較的現(xiàn)實意義在于交流與融合后形成的審美情趣。 本文依據(jù)中國傳統(tǒng)卷軸、水墨寫意人物畫與西方傳統(tǒng)人物油畫的形成和色彩發(fā)展演變過程；中國傳統(tǒng)人物繪畫色彩產(chǎn)生根源；以及中西傳統(tǒng)人物繪畫色彩觀念、技法表現(xiàn)語言、空間和色彩表現(xiàn)特點等幾個方面比較研究兩者的異同,把繪畫色彩的形式語言作為研究重點。分析兩者的差異性、思想和文化背景,最后論述比較研究的現(xiàn)實意義。 通過兩者的比較研究,旨在研究與探索中國人物油畫色彩創(chuàng)作的目的,以西方油畫的科學精神、技法和繪畫材料為載體,使油畫表現(xiàn)語言中國民族化的精神,符合中國人的審美情趣,體現(xiàn)了民族文化的審美價值。
[Abstract]:Chinese and Western traditional figure painting in different cultural consciousness and aesthetic concept under the formation of different color ideas. Painting forms of different visual feelings. The origin of the two painting color concepts is the different philosophical and aesthetic concepts between China and the West, and the western traditional figure painting pays attention to the scientific nature. It is believed that the scientific nature is accompanied by the development of the color of traditional western characters. Chinese traditional figure painting advocates "meaning" and always shows the traditional literati's aesthetic consciousness to the society. The realistic significance of the two comparison lies in the aesthetic interest formed after the exchange and fusion. This article according to the Chinese traditional scroll, the Chinese ink brushwork figure painting and the western traditional character oil painting formation and the color development evolution process; The origin of Chinese traditional figure painting color; As well as the Chinese and Western traditional figure painting color concept, the technique expression language, the space and the color performance characteristic and so on several aspects compares and studies the two similarities and differences. This paper focuses on the formal language of painting color, analyzes their differences, thoughts and cultural background, and finally discusses the practical significance of comparative study. Through the comparative study of the two, this paper aims to study and explore the purpose of the color creation of Chinese characters oil painting, taking the scientific spirit, techniques and painting materials of western oil painting as the carrier to make the spirit of Chinese nationalization of the oil painting performance language. In line with the Chinese aesthetic taste, reflects the aesthetic value of national culture.
【學位授予單位】：西北民族大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J205

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本文編號：1479452