本文關(guān)鍵詞： 劉明孝 瓶花 帝王肖像畫 對(duì)稱　出處：《西南大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：本論文主要研究的是劉明孝“瓶花”系列作品,在2004年出的畫冊(cè)中,他給自己這個(gè)系列的作品取名為“花非花”�！捌炕ā毕盗械淖髌窐�(gòu)圖巧妙、新穎,色彩單純、明麗,效果飽滿、平穩(wěn),是中國畫當(dāng)代發(fā)展的一種嘗試,是西風(fēng)東漸的拓展與運(yùn)用,有著較強(qiáng)的藝術(shù)特點(diǎn)并受到美術(shù)界的廣泛關(guān)注和認(rèn)可。劉明孝從上世紀(jì)90年代初開始創(chuàng)作“瓶花”系列作品,力求突破中國花鳥畫傳統(tǒng)的文人氣息、把玩欣賞情趣,思考著中國花鳥畫是否能表現(xiàn)出像中國山水畫、人物畫那樣大氣、永恒的特點(diǎn),并找到自己獨(dú)特的藝術(shù)語言。在通過大量的研究與實(shí)踐后,總結(jié)出了他自己對(duì)于中國花鳥畫的詮釋。他的作品中不但有傳統(tǒng)的審美、技法,更把對(duì)稱這種構(gòu)圖方式用在了他的創(chuàng)作中。作品效果產(chǎn)生了僅僅描繪簡單的幾個(gè)對(duì)象卻有恒久的感覺,較為單色的畫面卻有說不盡的言語。使我有興趣在研究中國畫當(dāng)代發(fā)展及中西繪畫技法結(jié)合以劉明孝“瓶花”系列作品為切入點(diǎn)對(duì)中國花鳥畫的創(chuàng)新及表現(xiàn)力進(jìn)行研究。 本論文研究分為三個(gè)部分： 第一部分為劉明孝的從事藝術(shù)經(jīng)歷、“瓶花”系列作品的創(chuàng)作來由、確定風(fēng)格、發(fā)展及主要共同特點(diǎn)。第二部分研究“瓶花”系列作品從具體的各個(gè)藝術(shù)語言進(jìn)行特點(diǎn)分析。第三部分思考劉明孝“瓶花”系列作品的當(dāng)代意義以及對(duì)中國花鳥畫的當(dāng)代實(shí)踐的貢獻(xiàn)。
[Abstract]:This thesis mainly studies Liu Mingxiao's "bottle flower" series works. In 2004, he named his works "Flower is not Flower". The composition of "bottle Flower" series is ingenious and novel. The color is simple, bright, the effect is full, smooth, is a kind of attempt of the contemporary development of Chinese painting, is the development and application of the westerly wind to the east. Liu Mingxiao began to create "bottle Flower" series of works in -10s, in order to break through the traditional literati flavor of Chinese flower and bird painting. Enjoy the fun, think about whether the Chinese flower and bird painting can show like Chinese landscape painting, figure painting as the atmosphere, eternal characteristics, and find their own unique artistic language. After a lot of research and practice. Summed up his own interpretation of the Chinese flower and bird painting. His works not only have traditional aesthetics, techniques. The composition of symmetry has been applied to his creation. The effect of the work has produced only a few simple objects to describe but have a lasting feeling. I am interested in studying the contemporary development of Chinese painting and the combination of Chinese and Western painting techniques with Liu Mingxiao's "bottle Flower" Series works for the breakthrough point of Chinese flower-and-bird painting innovation and performance of the study. This thesis is divided into three parts: The first part is the artistic experience of Liu Mingxiao, "bottle flower" series of works of creative reasons, determine the style. Development and main common characteristics. The second part studies the characteristics of the series of "bottle flower" from the specific artistic language. The third part thinks about Liu Mingxiao "bottle flower" The contemporary significance of the series and its contribution to the contemporary practice of Chinese flower and bird painting.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J212

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