本文關(guān)鍵詞： 現(xiàn)代漆畫 南方 北方 地域　出處：《江西科技師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：自1984年現(xiàn)代漆畫在第六屆全國(guó)美展中亮相開始,漆畫已經(jīng)走過三十年的風(fēng)雨歷程。如今漆畫以它獨(dú)特的美學(xué)風(fēng)格和藝術(shù)美感吸引了大批中外人士,現(xiàn)代漆畫脫胎于我國(guó)的傳統(tǒng)漆藝,它作為一門新生的藝術(shù)門類,其發(fā)展還處于初期階段,擁有著良好的發(fā)展前景,因此深入了解我國(guó)現(xiàn)代漆畫的產(chǎn)生、形成過程以及分析南北方不同區(qū)域漆畫的藝術(shù)特點(diǎn)對(duì)于促進(jìn)我國(guó)現(xiàn)代漆畫的發(fā)展具有至關(guān)重要的作用。 我國(guó)歷史文化積淀、地域廣闊,姿態(tài)萬千的迷人魅力在不斷推動(dòng)著現(xiàn)代漆藝的發(fā)展,地域的顯著特色,是藝術(shù)家喜于描繪的。漆畫受到地域特征的不同風(fēng)貌的影響,也產(chǎn)生了不同的形態(tài)特征。本篇論文首先梳理了我國(guó)漆藝的歷史發(fā)展脈絡(luò),分析了我國(guó)現(xiàn)代漆畫的形成過程和發(fā)展現(xiàn)狀,詳細(xì)論述了福建、江西、北京、黑龍江、西北甘肅等不同地區(qū)漆畫發(fā)展的現(xiàn)狀及其特點(diǎn),從現(xiàn)代漆畫作品當(dāng)中去提煉我國(guó)各地區(qū)漆畫的風(fēng)格,促使我國(guó)眾多的漆畫家和漆畫工作者們?nèi)陙硗度氲狡岙嫷膭?chuàng)作與探索。 不同地域的漆畫之間都存在著一定的共性和個(gè)性,不同地域的漆畫對(duì)我國(guó)現(xiàn)代漆畫的發(fā)展都起到了積極的推動(dòng)作用,鞏固了現(xiàn)代漆畫在當(dāng)今美術(shù)界的地位。本研究在促使自己進(jìn)行漆畫學(xué)習(xí)的同時(shí),期望能夠?qū)ΜF(xiàn)代漆畫的發(fā)展有所幫助。
[Abstract]:Since 1984, the modern lacquer painting appeared in the 6th National Art Exhibition, the lacquer painting has gone through 30 years of history. Now the lacquer painting has attracted a large number of Chinese and foreign people with its unique aesthetic style and artistic aesthetic sense. Modern lacquer painting originated from the traditional lacquer art of our country, as a new art category, its development is still in its initial stage, has a good development prospects, so in-depth understanding of the emergence of modern lacquer painting in China. The formation process and the analysis of the artistic characteristics of lacquer painting in different regions of the south and north play an important role in promoting the development of modern lacquer painting in China. China's historical and cultural accumulation, vast territory, the charming charm of the posture is constantly promoting the development of modern lacquer art, the remarkable characteristics of the region. Lacquer painting is influenced by different regional features and also has different morphological characteristics. This paper firstly combs the historical development of lacquer art in China. This paper analyzes the forming process and development status of modern lacquer painting in China, and discusses in detail the present situation and characteristics of lacquer painting development in different areas such as Fujian, Jiangxi, Beijing, Heilongjiang, northwest Gansu and so on. From the modern lacquer painting works to refine the style of lacquer painting in various regions of our country, so as to urge many lacquer painters and lacquer painting workers to devote themselves to the creation and exploration of lacquer painting in the past 30 years. The lacquer painting in different regions has certain commonness and individuality, and the lacquer painting in different regions has played a positive role in promoting the development of modern lacquer painting in China. This study not only urges oneself to study lacquer painting, but also hopes to be helpful to the development of modern lacquer painting.
【學(xué)位授予單位】：江西科技師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213.9

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