本文關(guān)鍵詞： 涂鴉藝術(shù) 公共空間 關(guān)系 可能性　出處：《湖南師范大學》2014年碩士論文　論文類型：學位論文

【摘要】：20世紀60年代涂鴉開始于美國紐約的布朗克斯的窮人區(qū),它與Rap、DJ和街舞一起,被公認為是Hip-hop文化四元素之一,由于涂鴉藝術(shù)的歷史背景、表現(xiàn)方式、情感特征以及與城市公共空間的關(guān)系,使它經(jīng)受著各種非議,人們對它的看法褒貶不一,因此涂鴉藝術(shù)遠沒有像這些元素一樣被稱為流行或是文化,而是徘徊在藝術(shù)的邊緣,被視為是一種邊緣的視覺藝術(shù),甚至被視為一種非法的藝術(shù)形式。但隨著時代的變化和發(fā)展,各名族和世界文化的交融,人們開始理解并認同這種藝術(shù)形式。 涂鴉藝術(shù)自身多樣化的形式和個性化的色彩表達方式,隨著藝術(shù)家們合理化的運用,內(nèi)容逐漸多元化,與城市空間中個要素不斷融合,呈現(xiàn)出和諧的發(fā)展態(tài)勢,逐漸在城市的公共空間閃耀迷人的光彩。從涂鴉藝術(shù)與城市公共空間的角度解讀,城市公共空間是展示藝術(shù)和文化的窗口和媒介,城市在發(fā)展進程中吸收和容納多種藝術(shù)元素,必然也包括涂鴉藝術(shù)這一充滿反叛精神的視覺藝術(shù)形式,城市公共空間是涂鴉藝術(shù)賴以生存和發(fā)展的載體,涂鴉藝術(shù)作為公共藝術(shù)的一種也是城市公共空間中不可分割的一部分,因此涂鴉藝術(shù)對城市公共空間各要素的作用,尤其是涂鴉藝術(shù)在未來城市公共空間發(fā)展的可能性和方向受到人們越來越多的關(guān)注。從涂鴉藝術(shù)發(fā)展的發(fā)展形式我們也不難看出,它也在以一種正面的姿態(tài)在向前發(fā)展邁進,例如頻繁的出席在大型公共場所,出現(xiàn)在商業(yè)街區(qū),居民區(qū),甚至是政府辦公樓等地方,也以其他的形式出現(xiàn)在書籍雜志的文學界,衣服鞋帽的時尚界等,滲透到了流行文化的各個方面。因此我們有理有據(jù)的相信涂鴉藝術(shù)具備從偏僻角落轉(zhuǎn)向公共空間視野,從不規(guī)范空間轉(zhuǎn)變到規(guī)范空間,從邊緣藝術(shù)向主流藝術(shù)的轉(zhuǎn)變的種種可能性。 本文主要采用“視覺文本分析”定性分析與“公共空間”多維度解讀研究范式相結(jié)合的研究方法,整理了大量的涂鴉與城市公共空間相關(guān)的文本資料,并搜集大量的圖片資料作為佐證,進而對公共空間中的涂鴉藝術(shù)進行剖析。重點在于在分析涂鴉藝術(shù)在城市公共空間中存在的價值及兩者的關(guān)系,最終得出當代涂鴉藝術(shù)運用于未來城市公共空間的可能性并對涂鴉藝術(shù)在中國本土發(fā)展的新趨勢進行分析。
[Abstract]:In 1960s, graffiti began in the poor district of the Bronx in New York City. It was recognized as one of the four elements of Hip-hop culture, along with Rapi DJ and hip-hop dance. Because of the historical background, expression style, emotional characteristics and the relationship with urban public space, graffiti art has been subjected to various criticisms, and people have different opinions on it. So graffiti art is far from being called pop or culture as these elements are, but rather hovering around the edge of art, as a visual art on the edge. It is even regarded as an illegal art form, but with the change and development of the times and the blending of various ethnic groups and world culture, people begin to understand and identify with this art form. Graffiti art of its own diversified forms and personalized color expression, with the use of rationalization of the artists, the content gradually diversified, and urban space in a continuous integration of elements. From the angle of graffiti art and urban public space, urban public space is the window and medium to display art and culture. The city absorbs and accommodates a variety of artistic elements in the process of development, including graffiti art, a visual art form full of rebellious spirit, and urban public space is the carrier of the survival and development of graffiti art. Graffiti art as a kind of public art is also an inseparable part of urban public space, so graffiti art plays a role in all elements of urban public space. In particular, the possibility and direction of graffiti art in the future development of urban public space is getting more and more attention. From the development of graffiti art, we can see it is not difficult to see. It is also moving forward in a positive way, such as frequent attendance in large public places, commercial neighborhoods, residential areas, and even government offices. It also appears in other forms in the literary world of books, magazines, clothes, shoes, hats, fashion, etc. Therefore, we believe that graffiti art has changed from the remote corner to the public space vision, from the non-standard space to the normative space. The possibilities of changing from marginal art to mainstream art. This paper mainly uses the qualitative analysis of "visual text analysis" and the "public space" multi-dimensional interpretation of the paradigm of research methods, sorting out a large number of graffiti and urban public space related text materials. And collect a large number of pictures as evidence, and then analyze the art of graffiti in public space, focusing on the analysis of the value of graffiti art in urban public space and the relationship between the two. Finally, the possibility of applying contemporary graffiti art to urban public space in the future is obtained and the new trend of graffiti art development in China is analyzed.
【學位授予單位】：湖南師范大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J219

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本文編號：1455793