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近十年黑龍江鄉(xiāng)土油畫地域風(fēng)格研究

發(fā)布時間:2018-01-22 13:04

  本文關(guān)鍵詞: 黑龍江鄉(xiāng)土油畫 地域性 油畫創(chuàng)作 出處:《哈爾濱師范大學(xué)》2014年碩士論文 論文類型:學(xué)位論文


【摘要】:近十年黑龍江鄉(xiāng)土油畫成長在大力發(fā)展北疆藝術(shù)文化的關(guān)懷之下,在政治要求切合實際的貼近黑龍江鄉(xiāng)土油畫藝術(shù)創(chuàng)作的基本思路和滿足基本訴求。本篇論文抓住明確的時間范疇,選擇對近十年黑龍江鄉(xiāng)土油畫發(fā)展起到至關(guān)重要的地域性因素為切入點。 簡單梳理概括出解放時期到二十世紀(jì)末的黑龍江油畫發(fā)展脈絡(luò),回顧黑龍江油畫創(chuàng)作60年發(fā)展歷程的從無到有,從單一模仿到多元化融合的旅程,,了解對黑龍江油畫藝術(shù)創(chuàng)作做出卓越成就的老一輩油畫藝術(shù)家韓景生、孫云臺、石揖等人的藝術(shù)成就和作品,從韓景生創(chuàng)作的《鄉(xiāng)間庭院》中找到黑龍江鄉(xiāng)土油畫即將萌芽的影子,到孫云臺創(chuàng)作《森林》中對油畫地域性的探究,從他們身上尋找最初黑龍江油畫即將萌發(fā)的先決條件,并繼續(xù)按照時間發(fā)展順序依次排列出文革時期、文革結(jié)束后期、八五思潮、北方藝術(shù)群體后,在最后分析出90年代風(fēng)景油畫中尋求鄉(xiāng)土油畫和黑龍江地域性的影子。 按照例舉、分析的方式方法先簡單介紹當(dāng)前國內(nèi)著名的鄉(xiāng)土油畫家及作品,之后在詳細(xì)介紹近十年黑龍江鄉(xiāng)土油畫創(chuàng)作者以及作品中涉及到地域性因素,詳細(xì)例舉出黑龍江著名鄉(xiāng)土油畫畫家鄭藝、王寶成、杜曉東等多位黑龍江鄉(xiāng)土油畫創(chuàng)作者,并對作品進(jìn)行分析,得出黑龍江地域性與他們創(chuàng)作之間聯(lián)系。再結(jié)合國內(nèi)和省內(nèi)鄉(xiāng)土油畫創(chuàng)作給出鄉(xiāng)土油畫創(chuàng)作與地域性的關(guān)系。并通過黑龍江省內(nèi)舉辦研討會中參會人員的報告的細(xì)致分析后,結(jié)合他們觀點和建議剖析近十年鄉(xiāng)土油畫應(yīng)注意的事項和需突破的問題。 論文最后著重剖析近十年黑龍江鄉(xiāng)土油畫的發(fā)展現(xiàn)狀,再從中反復(fù)強(qiáng)調(diào)地域性對當(dāng)下鄉(xiāng)土油畫的影響,最終在黑龍江鄉(xiāng)土油畫的未來展望中分析現(xiàn)存的問題,提出掃除障礙的觀點,同時更要呼吁人們關(guān)注鄉(xiāng)土油畫發(fā)展,在通過鄉(xiāng)土油畫的關(guān)注把焦點引向關(guān)注黑龍江文化發(fā)展和文化產(chǎn)業(yè)上去。
[Abstract]:In the past ten years, Heilongjiang native oil painting has grown up under the care of the development of art and culture in the north of Xinjiang. In the political requirements in line with the reality of the Heilongjiang local oil painting art close to the basic ideas and meet the basic demands. This paper grasps a clear time category. Select the most important regional factors for the development of Heilongjiang local oil painting in the past ten years. Briefly summarize the development of Heilongjiang oil painting from the liberation period to the end of 20th century, review the 60 years of Heilongjiang oil painting development from scratch, from a single imitation to the integration of the journey of diversification. Understand the achievements and works of the older generation of oil painting artists Han Jingsheng, Sun Yuntai, Shi Yi and others who have made outstanding achievements in oil painting creation of Heilongjiang. From Han Jingsheng's "country Courtyard" to find the shadow of Heilongjiang local oil painting is about to sprout, to Sun Yuntai's creation "Forest" to explore the regional nature of oil painting. From them looking for the initial Heilongjiang oil painting is about to germinate, and continue to according to the sequence of development of the Cultural Revolution period, the end of the Cultural Revolution, the eighth Five-year trend of thought, after the Northern Art Group. In the end, the author analyzes the shadow of local oil painting and Heilongjiang regional oil painting in 90s landscape oil painting. According to the examples, the way and method of the analysis of the current domestic famous local oil painters and works, after a detailed introduction of the nearly ten years Heilongjiang local oil painting creators and works involving regional factors. Detailed examples of Heilongjiang famous local oil painting painter Zheng Yi, Wang Baocheng, du Xiaodong and many other Heilongjiang local oil painting creators, and analysis of the works. The relationship between the regional nature of Heilongjiang and their creation is obtained. The relationship between the local oil painting creation and the regional nature is given in combination with the local oil painting creation in China and in the province, and the report of the participants in the seminar held in Heilongjiang Province is made. After careful analysis. Combined with their views and suggestions to analyze the recent ten years of local oil painting should pay attention to and the need for breakthrough. The last part of the paper focuses on the analysis of the development of Heilongjiang local oil painting in the past ten years, and then repeatedly stressed the impact of regional on the current local oil painting, and finally analyzed the existing problems in the future prospects of Heilongjiang local oil painting. At the same time, we should call on people to pay attention to the development of local oil painting, and focus on the development of Heilongjiang culture and cultural industry through the attention of local oil painting.
【學(xué)位授予單位】:哈爾濱師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J213

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