發(fā)布時(shí)間：2018-01-21 23:08

  本文關(guān)鍵詞： 繪畫 自我認(rèn)識(shí) 關(guān)系 個(gè)性　出處：《首都師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：對(duì)大部分畫家而言,當(dāng)被問及繪畫與自我認(rèn)識(shí)有無(wú)關(guān)系時(shí),答案是肯定的,卻又似是而非,每個(gè)畫家或多或少都考慮過這個(gè)問題,結(jié)果不得而知。“繪畫是私密的個(gè)人的行為”是一種老生常談的說法,“繪畫是個(gè)人思想的表達(dá)(自我表達(dá))”也為大多數(shù)畫家所認(rèn)可。探討繪畫與自我認(rèn)識(shí)的關(guān)系,其目的在于通過對(duì)自我的認(rèn)識(shí)的開展,有助于畫家捋清繪畫思路和繪畫個(gè)性的意識(shí),在此過程中體驗(yàn)自我主導(dǎo)的繪畫創(chuàng)作過程；有助于畫家明確自己對(duì)于繪畫的興趣取向及表達(dá)方式,為繪畫創(chuàng)作提供原動(dòng)力。畫家在描繪世界的過程中認(rèn)識(shí)自我,繪畫對(duì)畫家而言,既是認(rèn)識(shí)世界,也是認(rèn)識(shí)自我的過程和結(jié)果。自我認(rèn)識(shí)有利于完善畫家的綜合素養(yǎng)；能夠促使畫家以主動(dòng)思考引導(dǎo)繪畫活動(dòng)；畫家在自我認(rèn)識(shí)過程中能夠更加深刻的領(lǐng)悟繪畫創(chuàng)作的內(nèi)涵；繪畫中的“個(gè)性”部分來源于自我認(rèn)識(shí)并通過自我認(rèn)識(shí)加以強(qiáng)化。畫什么,怎樣畫才符合畫家的本意,也就是如何達(dá)到繪畫的有效性,通過自我認(rèn)識(shí)的途徑來達(dá)到對(duì)繪畫的有效性,是一項(xiàng)需要長(zhǎng)期且深入研究的課題。
[Abstract]:For most painters, when asked whether painting has anything to do with self-knowledge, the answer is yes, but paradoxically, every painter has considered it more or less. The results are unknown. "painting is a private personal act" is a cliche. "painting is the expression of personal thought (self-expression)" has also been recognized by most painters. To explore the relationship between painting and self-knowledge, its purpose is to develop self-awareness. It is helpful for the painters to get a clear idea of painting ideas and the consciousness of painting individuality, and to experience the process of self-directed painting creation in this process. Help painters to clarify their interest in painting orientation and expression, for painting to provide the driving force. Painter in the process of depicting the world to know themselves, painting is to know the world. It is also the process and result of knowing oneself. Can urge the painter to take the initiative to think and guide the painting activities; In the process of self-understanding, the painter can comprehend the connotation of painting creation more deeply; The part of "individuality" in painting comes from self-knowledge and is strengthened by self-cognition. What to draw and how to draw conforms to the original intention of the painter, that is, how to achieve the effectiveness of painting. To achieve the effectiveness of painting through self-understanding is a long-term and in-depth research topic.
【學(xué)位授予單位】：首都師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J204

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 楊曉慶;;論弗洛伊德精神分析理論對(duì)超現(xiàn)實(shí)主義及達(dá)利美術(shù)創(chuàng)作的影響[J];河西學(xué)院學(xué)報(bào);2007年01期

，

本文編號(hào)：1452810