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“顯”與“隱”—莫蘭迪靜物畫研究

發(fā)布時間:2018-01-20 18:26

  本文關鍵詞: 莫蘭迪 “顯”與“隱” 虛實 意境 寧靜 出處:《聊城大學》2014年碩士論文 論文類型:學位論文


【摘要】:莫蘭迪是20世紀意大利具象繪畫的杰出代表人物之一,也是意大利本土最著名的藝術家。過去好多年即使在意大利,莫蘭迪也不被人知道,直到最近幾年他才被經常提起,然而他在中國的知名度遠勝于歐洲各國甚至意大利。在二十世紀前期,,他一直被認為是一個保守而缺乏時代感的畫家,直到后期他的繪畫作品才逐漸被人們以新的眼光看待。莫蘭迪選擇生活中最普通的繪畫題材,用獨具特色的繪畫語言來表現畫面,創(chuàng)作出一種平靜、寧和的畫面意境。他的繪畫給人寧靜淡泊的感覺,宛如世外桃源的境界,其作品吸收了意大利古典主義的元素,并受到塞尚、立體主義等的影響,提煉了西方繪畫形式的精髓,賦予于東方的繪畫意境,創(chuàng)造出一種靜穩(wěn)堅牢的獨特畫境。 莫蘭迪雖然生活在遙遠的意大利,并且受著不同的文化,但是他的審美特征和藝術理念都和中國藝術家相似。無論是他的生活方式還是他畫作中流露出的那種孤索淡寂,或者對畫面形式與內容的選擇處理都更接近東方式的靜觀。他的繪畫給人一種寧靜的感覺,達到宛如世外桃源的境界。其對畫面語言和畫面形式“顯”與“隱”的處理及畫面中透露出來的那種靜,無不與東方人之審美特性相契合,有人稱他為西方的“逸品”畫家,亦有人評論他是西方藝術家中最有東方藝術精神的。莫蘭迪這種獨具特色的繪畫風格經歷了傳統與創(chuàng)新的洗禮,他既不完全拋棄傳統文化的精神,也不完全吸收流行畫派的精髓,而是在這一基礎上,不斷的探索和思考,經營著屬于自己的繪畫。 本文主要通過分析莫蘭迪現存的典型繪畫作品,并且結合相應的文字資料進行論述,首先依據莫蘭迪的成長環(huán)境,分析了影響莫蘭迪獨特繪畫風格形成的原因;然后分析了“顯”與“隱”在繪畫中的闡釋及其中國哲學基礎;重點分析了莫蘭迪不同時期繪畫作品在造型、筆觸、空間、色彩等方面對“顯”與“隱”的處理,揭示出莫蘭迪的繪畫作品產生的獨特韻味;最后對莫蘭迪的淡泊的人生態(tài)度和寧靜的繪畫作品及對我們的啟示進行論述。
[Abstract]:In 20th century Morandi was one of the outstanding representatives of Italian figurative painting and the most famous artist in Italy. In the past many years Morandi was not known even in Italy. It was not until recent years that he was frequently mentioned, but he was far better known in China than in Europe or even Italy. In the early days of 20th century, he was regarded as a conservative painter who lacked a sense of the times. It was not until the later period that his paintings were gradually viewed with new eyes. Morandi chose the most common painting theme in life and used the unique painting language to express the picture and create a kind of calm. Ninghe's artistic conception. His paintings give people the feeling of tranquillity and indifference, just like the realm of paradise. His works absorb the elements of Italian classicism, and are influenced by Cezanne, cubism and so on. It refines the essence of the western painting form, endows the East with the artistic conception of painting, and creates a kind of unique painting environment which is stable and firm. Morandi, though living as far away as Italy, suffers from different cultures. But his aesthetic features and artistic ideas are similar to those of Chinese artists, both in his way of life and in the solitude of his paintings. Or the selection of the form and content of the picture are closer to the eastern style of meditation. His painting gives people a sense of tranquillity. To reach the realm of Xanadu. The processing of "explicit" and "hidden" of the language and the form of the picture, and the kind of quiet revealed in the picture, all agree with the aesthetic characteristics of the oriental. Some people call him the Western "Effectator" painter, others comment that he is the most oriental art spirit among the western artists. Morandi's unique painting style has experienced the baptism of tradition and innovation. He neither completely abandoned the spirit of traditional culture nor absorbed the essence of popular painting completely, but on this basis, constantly explored and pondered, managed his own painting. This article mainly through the analysis of Morandi's existing typical painting works, and combined with the corresponding text materials to discuss, first of all, based on Morandi's growing up environment. The reasons that influence Morandi's unique painting style are analyzed. Then, it analyzes the interpretation of "explicit" and "hidden" in painting and the foundation of Chinese philosophy. This paper mainly analyzes Morandi's painting works in different periods in the aspects of shape, stroke, space, color and so on, and reveals the unique charm of Morandi's painting works. In the end, the author discusses Morandi's indifferent attitude to life and his tranquil paintings as well as their enlightenment to us.
【學位授予單位】:聊城大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J205

【參考文獻】

相關期刊論文 前9條

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