《牡丹亭》動(dòng)態(tài)插畫的創(chuàng)作實(shí)踐研究
發(fā)布時(shí)間:2018-01-20 06:24
本文關(guān)鍵詞: 動(dòng)態(tài)插畫 虛幻4 粒子系統(tǒng) 出處:《北京印刷學(xué)院》2017年碩士論文 論文類型:學(xué)位論文
【摘要】:動(dòng)態(tài)插畫的主要特點(diǎn)在于它表現(xiàn)出來的對(duì)象是可運(yùn)動(dòng)的,它可以實(shí)現(xiàn)與讀者進(jìn)行特殊視覺交流的目的,具有互動(dòng)性、多元化等特征,相對(duì)于傳統(tǒng)插畫具有更強(qiáng)的視覺沖擊力、藝術(shù)表現(xiàn)力和感染力,能夠更加直觀地表達(dá)情感。動(dòng)態(tài)插畫與傳統(tǒng)意義上的動(dòng)畫最大的區(qū)別在于:通過改變靜幀圖像來獲得動(dòng)態(tài)。目前市場(chǎng)上非常常見的動(dòng)態(tài)插畫的制作方法是,在制作過程中將人物單獨(dú)繪制在一層上,人物所需要表現(xiàn)的動(dòng)態(tài),通過平移、彎曲等方法簡(jiǎn)單地改變部分重要位置來獲得。這種單一的制作方法使得市場(chǎng)上的作品效果千篇一律,觀眾們渴望看到更多的嘗試和可能性。作品《牡丹亭動(dòng)態(tài)插畫》中最大的創(chuàng)新點(diǎn)在于作品獨(dú)特的制作技術(shù)和視覺表現(xiàn)力。作品將電腦繪畫與3D特效相結(jié)合,采用手繪插畫為主,3D特效制作為輔的創(chuàng)作思路,先用電腦技術(shù)繪制插畫,再將靜態(tài)插畫用CG技術(shù)轉(zhuǎn)化為動(dòng)態(tài)插圖,并且加入大量3D特效的元素,來營造整體作品所需要的氣氛,增添畫面感,使作品生動(dòng)、富有活力。當(dāng)然作品中最大的難點(diǎn)也在于3D特效部分的技術(shù)實(shí)現(xiàn)上。
[Abstract]:The main characteristic of dynamic illustration is that its objects are movable, it can achieve the purpose of special visual communication with readers, and it has the characteristics of interactivity and diversity. Compared with the traditional illustration, it has a stronger visual impact, artistic expression and appeal. Can express emotion more intuitively. The biggest difference between dynamic illustration and traditional animation lies in: changing the static frame image to obtain the dynamic. At present, the most common method of making dynamic illustration in the market is. In the production process, the characters will be drawn on a single layer, the character needs to perform the dynamic, through translation. Methods such as bending simply change part of the important position to obtain. This single method of production makes the work on the market the same effect. Audiences are eager to see more attempts and possibilities. The greatest innovation in the work "dynamic illustration of the Peony Pavilion" lies in its unique production techniques and visual performance. It combines computer painting with 3D effects. Using hand-painted illustrations as the main creative idea of 3D special effect production, the computer technology is first used to draw illustrations, and then the static illustrations are transformed into dynamic illustrations by CG technology, and a large number of 3D special effects elements are added. To create the atmosphere that the whole work needs, add the picture sense, make the work vivid, full of vitality. Of course, the biggest difficulty of the work also lies in the technical realization of the 3D special effect part.
【學(xué)位授予單位】:北京印刷學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J218.5
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