論油畫的表現(xiàn)性色彩
發(fā)布時(shí)間:2018-01-19 15:17
本文關(guān)鍵詞: 表現(xiàn)性色彩 內(nèi)心 油畫 審美價(jià)值 出處:《東北師范大學(xué)》2014年碩士論文 論文類型:學(xué)位論文
【摘要】:隨著時(shí)代的發(fā)展,人們對美學(xué)的審美也隨之改變,,藝術(shù)家的繪畫的主觀性和精神性成了藝術(shù)家們繪畫創(chuàng)作的焦點(diǎn)。油畫主要是靠色彩來表現(xiàn)塑造的,色彩是油畫的重要表現(xiàn)因素。表現(xiàn)性色彩不同于再現(xiàn)性色彩,表現(xiàn)性色彩可以不考慮固有色、環(huán)境色,而是指藝術(shù)家個(gè)人的內(nèi)心感受,表達(dá)出畫家內(nèi)心世界的顏色情感和精神追求,理想化的色彩,即色彩的精神性,是一種“個(gè)人化"行為。表現(xiàn)性色彩增強(qiáng)了藝術(shù)作品的感染力,貫注了畫家們的真摯感情,賦予藝術(shù)創(chuàng)作生命和價(jià)值。通過不斷地學(xué)習(xí)、探索、積累,來更加深刻的認(rèn)識表現(xiàn)性色彩的魅力和重要性,提高個(gè)人對藝術(shù)領(lǐng)域的審美價(jià)值的升華,來創(chuàng)作出更有意義、有價(jià)值的油畫藝術(shù)作品。 本文一共分為五部分,第一部分從繪畫中的色彩說起,表現(xiàn)性色彩在油畫中的應(yīng)用和影響,以便對表現(xiàn)性色彩得以關(guān)注,這是本文的中心;第二部分通過對畫家的個(gè)性和他們的繪畫作品分析,分析作品中表現(xiàn)性色彩的意義和個(gè)性;第三部分從表現(xiàn)和直覺來談;第四部分,通過對美術(shù)史的學(xué)習(xí),講的是表現(xiàn)性色彩的演變:第五部分從色彩與情感談,藝術(shù)來源于生活,藝術(shù)家通過生活來創(chuàng)作,繪出主體表現(xiàn)性,主觀的表現(xiàn)性色彩。
[Abstract]:With the development of the times, the aesthetic of aesthetics also changes. The subjectivity and spirituality of artist's painting become the focus of artists' painting creation. Color is an important factor in oil painting. Expressive color is different from reproduction color. Expressiveness color can not consider inherent color, environmental color, but refers to the artist's inner feelings. The expression of the artist's inner world of color emotion and spiritual pursuit, idealized color, that is, the spirit of color, is a "personal" behavior, the expressive color enhanced the appeal of art works. Through continuous study, exploration, accumulation, to a deeper understanding of the charm and importance of expressive color. Improve the personal aesthetic value of the art field to create more meaningful, valuable oil painting works. This paper is divided into five parts. The first part is the application and influence of expressive color in oil painting, which is the center of this paper. The second part analyzes the significance and individuality of the expressive color in the works through the analysis of the painters' individuality and their painting works. The third part discusses from the performance and intuition; Part 4th, through the study of art history, is about the evolution of expressive color: part 5th from color and emotion, art comes from life, artists through life to create, draw the main performance of the subject. Subjective expressiveness.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 段正渠;;表現(xiàn)性油畫教學(xué)探索[J];中國油畫;2010年05期
,本文編號:1444730
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