本文關(guān)鍵詞： 明代 茶具 吳門四家 文人 生活狀態(tài)　出處：《安徽大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：明代以來,受當時社會、政治、經(jīng)濟、文化等諸多因素的影響,士人階層有著普遍追求閑適、放達、怡情狀態(tài)的文化生活傾向。尤其是吳中地區(qū),更是明代經(jīng)濟最為發(fā)達的地方,由于物質(zhì)生活水平的提高,吳地士人生活狀態(tài)的閑適和雅致甚至影響到當時明代很多地區(qū)的社會文化風(fēng)氣,而這種影響所表現(xiàn)出的形式是多方面的,比如士人對詩書畫的追求是一個方面。正因如此,吳中地區(qū)出現(xiàn)的吳門畫派創(chuàng)作的作品從一個側(cè)面,展現(xiàn)了詩書文人雅集的場景。對茶文化的追求也是此時文人追求現(xiàn)實生活狀態(tài)的一個重要表現(xiàn)。文征明的作品《惠山茶會圖》為我們呈現(xiàn)出明代文人畫家雅集品茶時的一個場景,以吳門四家們?yōu)榇淼囊圆钑训纳顮顟B(tài)獨具典型性,它與此時此地吳中地區(qū)的政治生態(tài)、文化環(huán)境、經(jīng)濟基礎(chǔ)、特殊的地理環(huán)境均有著密切的聯(lián)系。毫無疑問,品茶是文人雅集過程中非常重要的一個環(huán)節(jié),從流傳的文獻和繪畫作品中都可以看出茶文化之興盛,之所以出現(xiàn)這種局面是與文人閑情雅趣生活狀態(tài)不可分割的。本文對吳門四家畫中多次出現(xiàn)的茶具進行闡述,以此來講述一個以隱“逸”思想為主,充滿“趣”味的悠“閑”生活狀態(tài),而畫面中的點景物——茶具,是文人借此釋放“情”懷的一種方式。這對想了解明代茶事畫作中流露出的文人內(nèi)心思想轉(zhuǎn)變和生活狀態(tài)有著實際的引導(dǎo)意義。
[Abstract]:Since the Ming Dynasty, influenced by the social, political, economic, cultural and other factors at that time, the literati class had a general tendency to pursue leisure, relaxation, and happy state of cultural life, especially in Wuzhong region. Because of the improvement of the material living standard, the leisure and elegance of the scholars in Wu even affected the social and cultural atmosphere in many areas of the Ming Dynasty at that time. For example, the scholars' pursuit of poetry, calligraphy and painting is one aspect. For this reason, the Wu Men School of painting in the middle of Wuzhong region created works from one side. The pursuit of tea culture is also an important expression of the literati's pursuit of real life at this time. Wen Zhengming's works "Huishan Tea meeting Pictures" show us the elegant collection of literati painters of the Ming Dynasty. A scene during tea. The living condition of tea members represented by the four families of Wu Men is typical, which is related to the political ecology, cultural environment and economic foundation of Wuzhong region. There is no doubt that tea tasting is a very important link in the process of literati elegant collection. We can see the prosperity of tea culture from the spread of literature and paintings. The reason for the emergence of this situation is inseparable from the life state of the literati's leisure feelings and elegance. This article expounds the tea sets that have appeared many times in the four paintings of Wu Men, so as to describe a hidden "Yi" thought. Full of "fun" taste of "leisure" life state, and the scene in the screen-tea set. It is a way for the literati to release their feelings, which has a practical guiding significance for understanding the changes of the literati's inner thoughts and living conditions revealed in the paintings of tea in the Ming Dynasty.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J212

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相關(guān)期刊論文 前1條

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本文編號：1443451