本文關(guān)鍵詞： 版畫 綜合材料 表現(xiàn)語(yǔ)言　出處：《上海師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：隨著綜合材料在當(dāng)代藝術(shù)中越來(lái)越廣泛的應(yīng)用,材質(zhì)的自身潛能與肌理效果開始受到關(guān)注。同時(shí),在當(dāng)代藝術(shù)愈加開放多元的大趨勢(shì)下,版畫藝術(shù)作為一種“歷史悠久”的藝術(shù)形式自然也在不斷拓展創(chuàng)新,因此綜合材料版畫作為一種較為新型的版畫形式逐漸進(jìn)入到人們的視野中�？v覽版畫藝術(shù)的發(fā)展,在其藝術(shù)概念不斷蛻變的過(guò)程中誘發(fā)其質(zhì)變的都是制版材料的改變。這也印證了版畫藝術(shù)是一門發(fā)掘材質(zhì)潛能的印痕藝術(shù)。而傳統(tǒng)版畫在制作過(guò)程上需要按照一定的“規(guī)章制度”來(lái)完成,對(duì)技藝也有較高的要求。這就使當(dāng)代藝術(shù)家在進(jìn)行版畫創(chuàng)作時(shí)受到很大的限制,于是突破束縛就變得順理成章。從單一的版材到多種版材結(jié)合,從特定的材料到任意的材料,綜合材料版畫將新鮮的觀念注入“經(jīng)典”的藝術(shù)形式中去,這是對(duì)“傳統(tǒng)”版畫的當(dāng)代解讀能夠有效地促進(jìn)版畫藝術(shù)的發(fā)展,也是其他藝術(shù)形式無(wú)法取代的。雖然參與綜合材料版畫的創(chuàng)作群體逐漸壯大,也不斷有佳作面世,但是在學(xué)術(shù)上卻還沒有一個(gè)較為確切的定義及系統(tǒng)的知識(shí)梳理。這給想要進(jìn)行綜合材料版畫學(xué)習(xí)研究、深入創(chuàng)作的藝術(shù)家及學(xué)生們帶來(lái)了很大的不便。本文將采用調(diào)查法、文獻(xiàn)研究法、定性分析法和經(jīng)驗(yàn)總結(jié)法等研究方法對(duì)綜合材料版畫精心整理分析,并著重結(jié)合各個(gè)藝術(shù)家的作品從材料角度梳理綜合材料版畫的相關(guān)知識(shí),并論述分析其發(fā)展意義。
[Abstract]:With the wide application of composite materials and their potential in contemporary art, and texture materials began to be concerned. At the same time, in the contemporary art more open trend of pluralistic, printmaking art as a "long history" of the art form of nature is also expanding innovation, so as a more comprehensive print materials the new print form gradually into people's vision. The survey of the development of the printmaking, the qualitative change in the process of changing the concept of art induced are plate material changes. It also confirms the engraving art is a potential material to explore art. While the traditional print prints need to complete in accordance with certain "Regulations" in the production process, but also has higher requirements on skills. This makes contemporary artists limited in printmaking, so as to break the shackles Be logical from a single plate. According to a variety of plates from the specific material to any material, composite material prints the fresh ideas into the "classic" art form, this is the contemporary interpretation of the "traditional" prints can effectively promote the development of the printmaking, as well as other art forms to instead. Although the participation of integrated print materials writing group gradually, has also been published in academic works, but it is not an accurate definition and system. This sort of knowledge to want to study learning materials comprehensive version of painting, artists and students deeply the great inconvenience. The survey method, literature research method, qualitative analysis method and experience method, the integrated print materials carefully analyzed, and focuses on the various artists from the material The relevant knowledge of the comprehensive material engraving is combed, and the significance of its development is discussed and analyzed.

【學(xué)位授予單位】：上海師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J217

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本文編號(hào)：1443101