發(fā)布時(shí)間：2018-01-18 09:38

  本文關(guān)鍵詞：陳忠志花鳥(niǎo)畫(huà)藝術(shù)風(fēng)格研究　出處：《陜西師范大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 陳忠志 花鳥(niǎo)畫(huà) 藝術(shù)特點(diǎn) 美學(xué)思想

【摘要】：陳忠志(1935年-2008年),是當(dāng)代中國(guó)畫(huà)壇上一位較有影響的畫(huà)家,亦是長(zhǎng)安畫(huà)壇的重要畫(huà)家之一和長(zhǎng)安畫(huà)派中堅(jiān)力量及后繼者。他畢生致力于探索中國(guó)畫(huà)創(chuàng)作的藝術(shù)探索與追求當(dāng)中,在新時(shí)代中國(guó)畫(huà)壇創(chuàng)作的多幅具有重要時(shí)代影響的中國(guó)畫(huà)作品,并在振興現(xiàn)代水墨畫(huà)的道路上做出卓越貢獻(xiàn),他的繪畫(huà)藝術(shù)獨(dú)樹(shù)一幟,在繼承傳統(tǒng)上和時(shí)代的生活氣息中不斷地追求中國(guó)畫(huà)藝術(shù)。不同于其他畫(huà)家,他將個(gè)人在特定的時(shí)代的藝術(shù)探索的收獲和以傳統(tǒng)為深厚根基獲得的藝術(shù)養(yǎng)分相結(jié)合,孜孜不倦的在繪畫(huà)道路上不斷前行,并不斷升華藝術(shù)思想,對(duì)中國(guó)畫(huà)的透徹思考感悟讓他勤勉于中國(guó)畫(huà)的藝術(shù)綜合修養(yǎng)的歷練和探索。陳忠志畢生致力于探索中國(guó)畫(huà)的藝術(shù)道路當(dāng)中,他投身中國(guó)畫(huà)藝術(shù)的海洋之中,不局限自我,廣泛涉獵人物、花鳥(niǎo)、山水各種題材的中國(guó)畫(huà),并堅(jiān)守中國(guó)畫(huà)的“精神內(nèi)涵”論,他在重視傳統(tǒng)的基礎(chǔ)上,注重生活的情感精神感受、賦予作品鮮明的時(shí)代性,他的花鳥(niǎo)畫(huà)藝術(shù)造詣受其藝術(shù)風(fēng)格思想、地域文化、深入生活感受、傳統(tǒng)和現(xiàn)代文化、浪漫詩(shī)意情懷等方面影響,使其花鳥(niǎo)畫(huà)集中寄托了更多的個(gè)人情懷和精神內(nèi)涵。對(duì)陳忠志花鳥(niǎo)畫(huà)藝術(shù)的研究及其花鳥(niǎo)畫(huà)藝術(shù)特點(diǎn)與思想,對(duì)花鳥(niǎo)畫(huà)創(chuàng)作尤其是寫(xiě)意花鳥(niǎo)的探索以及發(fā)展方向有著極其積極的作用和現(xiàn)實(shí)指導(dǎo)意義,也是他的花鳥(niǎo)畫(huà)的藝術(shù)價(jià)值的體現(xiàn)。從其花鳥(niǎo)畫(huà)中亦可體會(huì)到對(duì)于中國(guó)畫(huà)傳統(tǒng)與現(xiàn)代的融合的度的把握。分析陳忠志花鳥(niǎo)畫(huà)的藝術(shù)淵源和花鳥(niǎo)畫(huà)的藝術(shù)特色及美學(xué)特征,并從中歸納總結(jié)出他的花鳥(niǎo)畫(huà)作品所包涵的美學(xué)意義及思想,從中借鑒汲取陳忠志花鳥(niǎo)畫(huà)的優(yōu)秀藝術(shù)造詣和思想特點(diǎn)。學(xué)習(xí)感悟其倡導(dǎo)的畫(huà)作中應(yīng)有的精神內(nèi)涵的主旨,研習(xí)體會(huì)這些優(yōu)秀的藝術(shù)品質(zhì)及追求,對(duì)花鳥(niǎo)畫(huà)未來(lái)的發(fā)展有著極深遠(yuǎn)的影響和建設(shè)意義,也對(duì)融匯到自身在花鳥(niǎo)畫(huà)學(xué)習(xí)創(chuàng)作實(shí)踐當(dāng)中具有重要的意義。
[Abstract]:Chen Zhongzhi (1935-2008) is a more influential painter in contemporary Chinese painting world. He is also one of the important painters in Chang'an painting circles and the backbone and successor of Chang'an painting School. He devoted his life to exploring the artistic exploration and pursuit of Chinese painting creation. In the new era of Chinese painting in the creation of a number of important influence of the era of Chinese painting works, and in the revitalization of modern ink painting on the road to make outstanding contributions, his painting art is unique. The pursuit of Chinese painting art is different from that of other painters in inheriting the tradition and the life breath of the times. He combines the harvest of individual artistic exploration in a specific era with the artistic nutrients obtained by tradition, and works tirelessly on the road of painting, and constantly sublimates the artistic thought. The thorough thinking and understanding of Chinese painting made him industrious in the experience and exploration of the comprehensive accomplishment of Chinese painting. Chen Zhongzhi devoted his life to exploring the art path of Chinese painting, and he threw himself into the ocean of Chinese painting art. Not limited to themselves, widely dabbling in characters, flowers and birds, landscape and various subjects of Chinese painting, and adhere to the Chinese painting "spiritual connotation" theory, he attached importance to the traditional basis, pay attention to the emotional and spiritual feelings of life. His artistic attainments in flower-and-bird paintings are influenced by his artistic style, regional culture, deep feeling of life, traditional and modern culture, romantic poetic feelings and so on. So that its flower and bird painting concentrated on more personal feelings and spiritual connotations. Chen Zhongzhi flower and bird painting art research and the characteristics and ideas of flower and bird painting art. To the flower and bird painting creation, especially the freehand brushwork flowers and birds exploration and the development direction has the extremely positive function and the realistic guidance significance. It is also the embodiment of the artistic value of his flower-and-bird painting. From his flower-and-bird painting, one can also understand the degree of integration of traditional Chinese painting and modern painting. Analyze the artistic origin of Chen Zhongzhi's flower-and-bird painting, the artistic characteristics and the beauty of the flower-and-bird painting. Scientific characteristics. And summed up the aesthetic significance and thought contained in his flower-and-bird paintings. Learn from the excellent artistic attainments and ideological characteristics of Chen Zhongzhi's flower-and-bird paintings, learn and understand the spirit connotation of the paintings advocated by Chen Zhongzhi, and study and experience these outstanding artistic qualities and pursuit. It has profound influence and construction significance to the future development of flower and bird painting, and also has important significance to merge itself in the study and creation practice of flower and bird painting.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 夏碩琦;;探索、創(chuàng)造與時(shí)代同步——陳忠志藝術(shù)探索的軌跡[J];中國(guó)美術(shù)館;2006年06期

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